Demi Moore

At 61 years old, Demi Moore has this physical status:

Moore signed with the Elite Modeling Agency, then enrolled in drama classes after being inspired by her next-door neighbor, 17-year-old German actress Nastassja Kinski. In August 1979, at age 16, Moore met musician Freddy Moore who was married and at the time leader of the band Boy, at the Los Angeles nightclub The Troubadour. They lived in an apartment in West Hollywood. Moore co-wrote three songs with Freddy Moore and appeared in the music video for their selection "It's Not a Rumor," performed by his band, The Nu Kats. She continues to receive royalty checks from her songwriting work (1980–81). Moore also sang in the films One Crazy Summer and Bobby.

Moore appeared on the cover of the January 1981 issue of the adult magazine Oui, taken from a photo session in which she had posed nude. In a 1988 interview, Moore claimed she "only posed for the cover of Oui—I was 16; I told them I was 18". Interviewer Alan Carter said, "However, some peekaboo shots did appear inside. And later, nude shots of her turned up in Celebrity Sleuth—photos that she once said 'were for a European fashion magazine'." In 1990, she told another interviewer, "I was 17 years old. I was underage. It was just the cover." Moore made her film debut with a brief role in the 1981 teen drama Choices, directed by Silvio Narizzano. Her second film feature was the 3-D sci-fi horror film Parasite (1982), for which director Charles Band had instructed casting director Johanna Ray to "find me the next Karen Allen." Moore then joined the cast of the ABC soap opera General Hospital, playing the role of an investigative reporter until 1983. During her tenure on the series, she made an uncredited cameo appearance in the 1982 spoof film Young Doctors in Love. Moore's film career took off in 1984 following her appearance in the sex comedy Blame It on Rio. She also portrayed Laura Victor in the comedy film No Small Affair (1984), opposite Jon Cryer.

Moore's commercial breakthrough came in Joel Schumacher's yuppie drama St. Elmo's Fire (1985), which received negative reviews, but was a box office success and brought Moore recognition. Because of her association with that film, Moore was often listed as part of the Brat Pack, a label she felt was "demeaning". Moore progressed to more serious material with About Last Night... (1986), co-starring Rob Lowe, which marked a positive turning point in her career, as Moore noted that, following its release, she began seeing better scripts. Film critic Roger Ebert gave the film four out of four stars and praised her performance, writing, "There isn't a romantic note she isn't required to play in this movie, and she plays them all flawlessly."

The success of About Last Night... was unrivaled by Moore's other two 1986 releases, One Crazy Summer and Wisdom, the last youth-oriented films in which she would star. Moore was listed as one of twelve "Promising New Actors of 1986" in John Willis's Screen World, Vol. 38. Moore made her professional stage debut in an off-Broadway production of The Early Girl, which ran at the Circle Repertory Company in fall 1986. In 1988, Moore starred as a prophecy-bearing mother in the apocalyptic drama The Seventh Sign—her first outing as a solo film star— and in 1989, she played the quick-witted local laundress and prostitute in Neil Jordan's Depression-era allegory We're No Angels, opposite Robert De Niro.

Moore's most successful film to date is the supernatural romantic melodrama Ghost (1990), which grossed over US$505 million at the box office and was the highest-grossing film of the year. She played a young woman in jeopardy to be protected by the ghost of her murdered lover. The love scene between Moore and Patrick Swayze that starts in front of a potter's wheel to the sound of "Unchained Melody" has become an iconic moment in cinema history. Ghost was nominated for the Academy Award for Best Picture, and Moore's performance earned her a Golden Globe Award nomination. In 1991 Moore starred in the horror comedy Nothing but Trouble, co-produced and appeared in the mystery thriller Mortal Thoughts, and played a blonde for the first time in the romantic comedy The Butcher's Wife, with Roger Ebert's review describing her as "warm and cuddly". Moore sustained her A-list status with her starring roles in Rob Reiner's A Few Good Men (1992), Adrian Lyne's Indecent Proposal (1993), and Barry Levinson's Disclosure (1994)—all of which opened at No. 1 at the box office and were blockbuster hits.

By 1995 Moore was the highest paid actress in Hollywood. Her portrayal of Hester Prynne in The Scarlet Letter (1995), a "freely adapted" version of the historical romance novel by Nathaniel Hawthorne, was met with harsh criticism. The coming-of-age drama Now and Then (1995) found moderate box office success. Moore was paid a record-breaking salary of US$12.5 million in 1996 to star in Striptease. Much hype was made about Moore's willingness to dance topless for the part, though this was the sixth time she had shown her breasts on film. The film opened to overwhelmingly negative reviews with Moore's performance being criticised. It was a moderate financial success, grossing US$113 million worldwide, and Moore received the Golden Raspberry Award for Worst Actress. Moore starred in the thriller The Juror (1996). It was a box office bomb and was heavily panned by critics.

Moore produced and starred in a controversial miniseries for HBO called If These Walls Could Talk (1996), a three-part anthology about abortion alongside Sissy Spacek and Cher. Its screenwriter, Nancy Savoca, directed two segments, including one in which Moore played a widowed nurse in the early 1950s seeking a back-alley abortion. For that role, Moore received a second Golden Globe nomination as Best Actress. Also in 1996, she provided the speaking voice of the beautiful Esmeralda in Disney's animated adaptation of The Hunchback of Notre Dame, and starred in Mike Judge's comedy Beavis and Butt-head Do America, alongside her then husband Bruce Willis. Moore shaved her head to play the first woman to undergo training in the Navy SEALs in Ridley Scott's G.I. Jane (1997). Budgeted at US$50 million, the film was a moderate commercial success, with a worldwide gross of US$97.1 million.

During the production of G.I. Jane, it was reported that Moore had ordered studio chiefs to charter two planes for her entourage and her, which reinforced her negative reputation for being a diva—she had previously turned down the Sandra Bullock role in While You Were Sleeping because the studio refused to meet her salary demands, and was dubbed "Gimme Moore" by the media. Moore took on the role of an ultrapious psychiatrist in Woody Allen's Deconstructing Harry, also in 1997.

After G.I. Jane, Moore retreated from the spotlight and moved to Hailey, Idaho, on a full-time basis to devote herself to raising her three daughters. Moore was off screen for three years before re-emerging in the arthouse psychological drama Passion of Mind (2000), the first English-language film from Belgian director Alain Berliner. Her performance as a woman with dissociative identity disorder was well received, but the film itself garnered mixed reviews and was deemed "naggingly slow" by some critics. Moore then resumed her self-imposed career hiatus and continued to turn down film offers. Producer Irwin Winkler said in 2001, "I had a project about a year and a half ago, and we made an inquiry about her—a real good commercial picture. She wasn't interested."

Moore returned to the screen playing a villain in the 2003 film Charlie's Angels: Full Throttle, opposite Cameron Diaz, Drew Barrymore and Lucy Liu. A commercial success, the film made US$259.1 million worldwide, and Rolling Stone, on Moore's role, remarked: "It's a relief when Demi Moore shows up as fallen angel [...] Moore, 40, looks great in a bikini and doesn't even try to act. Her unsmiling sexiness cuts through the gigglefest as the angels fight, kick, dance and motocross like Indiana Jones clones on estrogen". Charlie's Angels: Full Throttle was followed by yet another three-year absence. In the interim, Moore signed on as the face of the Versace fashion brand and the Helena Rubinstein brand of cosmetics.

In Emilio Estevez's drama Bobby (2006), Moore portrayed an alcoholic singer whose career is on the downswing, as part of an ensemble cast, about the hours leading up to the Robert F. Kennedy assassination. As a member of the cast, she was nominated for the Screen Actors Guild Award for Best Cast in a Motion Picture. The film won the Hollywood Film Festival Award for Best Ensemble Cast. Moore had a lead role as grieving and tormented novelist in the mystery thriller Half Light (2006) alongside Hans Matheson, then took on the role of a driven police officer investigating a serial killer in the psychological thriller Mr. Brooks (2007), with Kevin Costner. The film received mixed reviews and grossed $48.1 million worldwide. Rolling Stone wrote that "the cop on the case, played by Demi Moore with a striking directness that deserved better than being saddled with an absurd back story as an heiress with a fortune-hunting husband."

Moore reunited with Blame It on Rio co-star Michael Caine for the British crime drama film Flawless (2008), which saw her portray an American executive helping to steal a handful of diamonds from the London Diamond Corporation during the 1960s. Moore received positive reviews from critics; Miami Herald wrote: "The inspired pairing of Demi Moore and Michael Caine as a pair of thieves in the diamond-heist semi-caper movie Flawless goes a long way toward overcoming the film's slack, leisurely pacing".

In 2010, Moore took on the role of a daughter helping her father deal with age-related health problems in the dramedy Happy Tears, opposite Parker Posey and Rip Torn, and starred as the matriarch of a family moving into a suburban neighborhood in the comedy The Joneses, with David Duchovny. The latter film was largely highlighted upon its theatrical release, with critics concluding that it "benefits from its timely satire of consumer culture — as well as a pair of strong performances" from Duchovny and Moore. In Bunraku (2010), a film Moore described as a "big action adventure," she played a courtesan and a femme fatale with a secret past.

Moore portrayed a chief risk management officer at a large Wall Street investment bank during the initial stages of the financial crisis of 2007–08 in the critically acclaimed corporate drama Margin Call (2011), where she was part of an ensemble cast that included Kevin Spacey, Simon Baker, and Paul Bettany. The cast garnered nominations for the "Best Ensemble" award from the Gotham Awards, the Phoenix Film Critics Society and the Central Ohio Film Critics Association. Also in 2011, Moore received a Directors Guild of America Award nomination for Outstanding Directing – Miniseries or TV Film for her work as a director in a segment of the 2011 Lifetime anthology film Five, and starred opposite Ellen Barkin, Ellen Burstyn and George Kennedy in Sam Levinson's black comedy Another Happy Day, which premiered at the Sundance Film Festival.

Moore appeared as the mother of Miley Cyrus' character in the romantic drama film LOL (2012). She played a similar mother role in her next film, the likewise coming-of-age dramedy Very Good Girls (2013), which co-starred Dakota Fanning and Elizabeth Olsen. Her part as an old flame of a quick-draw killer in the Western drama Forsaken (2015), with Donald Sutherland and Kiefer Sutherland, was followed by the role of the daughter of a retired high school teacher in the road comedy Wild Oats, which premiered on Lifetime in August 2016, and in a limited release the following month. In her next film, the drama Blind (2017), Moore starred opposite Alec Baldwin, portraying the neglected wife of an indicted businessman having an affair with a novelist blinded in a car crash.

In February 2017, Moore joined the cast of Empire, in the recurring role of a take-charge nurse with a mysterious past. The comedy film Rough Night (2017) featured Moore as one half of a nymphomaniac couple seducing a member of a bachelorette party gone wrong. The film was released in the United States on June 16, 2017, by Columbia Pictures, received mixed reviews and grossed $47 million worldwide. She played Selma in the Indian drama film Love Sonia (2018), which tells the story of a young girl's journey to rescue her sister from the dangerous world of international sex trafficking. She portrayed Lucy, a superficial CEO in the comedy horror film Corporate Animals (2019), which premiered at the Sundance Film Festival on January 29, 2019.

Moore's memoir, Inside Out, was published on September 24, 2019, by HarperCollins. On October 13, 2019, the book debuted at number one on The New York Times' Combined Print & E-Book Nonfiction best-sellers list and the Hardcover Nonfiction best-sellers list. Moore discussed the book in an exclusive interview with Diane Sawyer of ABC News on Good Morning America. Moore and her two daughters Rumer and Tallulah appeared on Jada Pinkett Smith's web television talk show Red Table Talk on November 4, 2019.

On June 24, 2020, Moore joined as Piper Griffin, the matriarch of a powerful family "who will stop at nothing to protect her family and her way of life" in the pandemic-themed thriller produced by Michael Bay, Songbird, alongside Craig Robinson, Paul Walter Hauser and Peter Stormare. Moore has a leading role as Diana in Amazon's drama series, Dirty Diana, which is based on the podcast of the same name. The podcast is voiced by Moore and she also serves as producer with screenwriter Shana Feste. Moore was among the celebrities who made cameo appearances modeling lingerie at Rihanna's Savage x Fenty Vol. 2 fashion show in 2020.

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