Cameron Mitchell

Movie Actor

Cameron Mitchell was born in Dallastown, Pennsylvania, United States on November 4th, 1918 and is the Movie Actor. At the age of 75, Cameron Mitchell biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, movies, and networth are available.

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Other Names / Nick Names
Cameron McDowell Mitzell, Cam, Nutty, Uncle Boots
Date of Birth
November 4, 1918
Nationality
United States
Place of Birth
Dallastown, Pennsylvania, United States
Death Date
Jul 7, 1994 (age 75)
Zodiac Sign
Scorpio
Profession
Actor, Film Actor, Stage Actor, Television Actor
Cameron Mitchell Height, Weight, Eye Color and Hair Color

At 75 years old, Cameron Mitchell has this physical status:

Height
180cm
Weight
Not Available
Hair Color
Salt and Pepper
Eye Color
Not Available
Build
Average
Measurements
Not Available
Cameron Mitchell Religion, Education, and Hobbies
Religion
Not Available
Hobbies
Not Available
Education
Not Available
Cameron Mitchell Spouse(s), Children, Affair, Parents, and Family
Spouse(s)
Johanna Mendel, ​ ​(m. 1940; div. 1957)​, Lissa Jacobs Gertz, ​ ​(m. 1957; div. 1974)​, Margaret Brock Johnson Mozingo, ​ ​(m. 1973; annul. 1976)​
Children
7
Dating / Affair
Not Available
Parents
Kathryn Mitzel, Rev. Charles Mitzel
Cameron Mitchell Career

In 1939, Mitchell made his Broadway debut in a minor role in Jeremiah. During this time, he became an NBC page at NBC Radio City, which led to a minor role in a 1940 production of The Taming of the Shrew with Alfred Lunt and Lynn Fontanne's National Theater Company.

In 1941, he appeared again on Broadway in The Trojan Women. In 1944, he served as a bombardier with the United States Army Air Forces during World War II.

Mitchell's film career began when he was contracted to Metro-Goldwyn-Mayer in 1945 for three years, with minor roles in films including They Were Expendable (1945), starring John Wayne and Robert Montgomery. He was featured with Lana Turner and Spencer Tracy in Cass Timberlane, and with Wallace Beery in The Mighty McGurk (both 1947). He concluded his MGM period with two films starring Clark Gable: Homecoming (also with Turner) and Command Decision (both 1948).

Mitchell originated the role of Happy Loman in Arthur Miller's Death of a Salesman (1949) on Broadway. After its closing, he appeared again in the Broadway production of Southern Exposure (1950). Mitchell reprised the role of Happy Loman in the 1951 film adaptation released by Columbia Pictures. Mitchell was contracted with 20th Century-Fox, where he had a prolific career in such films as a version of Les Miserables (1952) as Marius, and in the comedy How to Marry a Millionaire (1953), in which he portrayed a wealthy man attempting to romance a single woman (played by Lauren Bacall). Marilyn Monroe and Betty Grable were the other female leads.

He then appeared alongside Gary Cooper, Susan Hayward, and Richard Widmark in the drama Garden of Evil (1954), followed by a supporting role in Samuel Fuller's Cold War drama Hell and High Water (1954). He subsequently co-starred with Marlon Brando in Désirée (1954); with Gable and Jane Russell in the Western The Tall Men (1955); and the film version of the stage musical Carousel (1956). Mitchell was loaned back to MGM to co-star with Doris Day and James Cagney in the musical drama Love Me or Leave Me (1955).

Mitchell co-starred with Joanne Woodward and Sheree North in the drama No Down Payment (1957).

Mitchell starred in an unsold 1959 television pilot called I Am a Lawyer, but he achieved success on television during the latter part of his career, where he is best remembered for starring as Buck Cannon in the 1960s/1970s NBC Western series, The High Chaparral. He had the lead as John Lackland in the 1961 syndicated adventure series The Beachcomber.

Throughout the 1960s, Mitchell starred in numerous Italian sword and sandal, horror, fantasy, and thriller films, several of which were directed by Mario Bava. Among his collaborations with Bava were the action film Erik the Conqueror (1961), playing a Viking; Blood and Black Lace (1964), in which he portrayed the owner of a fashion house plagued by a series of brutal murders; and as a knife-throwing Viking warrior in Knives of the Avenger (1966). He also appeared in Westerns, such as Minnesota Clay (1964) and Ride in the Whirlwind (1966).

In later years, Mitchell appeared in villainous roles as a sheriff-turned-outlaw in Hombre (1967), a bandit in Buck and the Preacher (1972), and a Ku Klux Klan racist in The Klansman (1974). Beginning in 1970, he intermittently filmed The Other Side of the Wind with director Orson Welles, a project that was unreleased until 2018. In 1975–1976, he portrayed Jeremiah Worth in the Swiss Family Robinson TV series, and had a supporting role opposite Leo Fong in the Filipino film Enforcer from Death Row (1976).

Mitchell was subsequently featured on an episode of Bonanza and ABC's S.W.A.T.. He guest-starred on the "Landslide" episode of Movin' On in 1975. He appeared on Gene Evans's short-lived Spencer's Pilots on CBS in 1976. Mitchell also had roles in horror films and in many exploitation films, such as The Toolbox Murders (1978), the creature feature The Swarm (1978), the slasher film The Demon (1979), the slasher film Silent Scream (1980). He appeared again on Broadway in the 1978 production of The November People, and the same year starred as Henry Gordon in the television miniseries adaptation of Black Beauty.

Late in his career, Mitchell played a gangster for laughs in My Favorite Year (1982), and a police detective in the 1983 pornographic film Dixie Ray, Hollywood Star. He had a supporting role in the anthology horror films Night Train to Terror (1985) and From a Whisper to a Scream (1987), as well as roles portraying right-wing General Edwin A. Walker in Prince Jack (1985), and as Captain Alex Jansen in Space Mutiny, a 1988 South African science fiction film that appeared as an "Experiment" in episode 820 of Mystery Science Theater 3000.

In 1984, he had the role of Duke Kovak in Partners in Crime.

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