Allen Hoskins

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Allen Clayton Hoskins (August 9, 1920 to 1931) was an American child actor best known for portraying Farina in 105 Our Gang short films from 1922 to 1931.

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Acting career 1920–1936

Allen Clayton Hoskins, who was born in Boston in 1920, was just one year old when his time with Our Gang began. His character remained in the series through the silent years and the switch to talking pictures, but he left the series in 1931 at the age of 11. Farina resembled a pickaninny in the tradition of Uncle Tom's Cabin's Topsy, but as the character developed, Farina's personality developed different from that of Topsy. Because the name "Farina," derived from a type of cereal, was chosen as a child, Farina was often depicted as both a boy and a girl in the same film, with both genders represented.

Clayton H. Hoskins and Florence A. Fortier Hoskins were born in Boston in 1920, but the family was moved to Los Angeles shortly afterward, and in 1922 his acting career began. Jannie's younger sister Jannie appeared in the series "Mango" (1926-1989), and Hoskins' aunt Edith Fortier was his guardian on set. In 1926, his parents divorced, according to Variety, the magazine dedicated to entertainment. He was six years old and an experienced child actor, and as "Farina" he earned more money than most working adults.

Hal Roach Studios, a Culver City, California, produced the Our Gang comedies. For child actors, school was mandated. On the lot at the "Little Red School House," Hoskins and the other Roach studio children went to school. Fern Carter taught the children. Fern Carter's career as a tutor in Hollywood's "Little Red School House" was published in 1959. According to the story, she was teaching there when the series began in 1921 and taught over 300 students in a 23-year career. Farina was often praised as the best student she had ever had, according to her.

The Studio was a family affair, and in several of the films including Harold Lloyd, Oliver Hardy, Stan Laurel, Ernie Morrison Sr., and Fern Carter's daughter, Wadell Carter, appeared in cameo roles or as extras, including Raymond Morrison. Edith Fortier, the actress and guardian on set of 1929 Hoskins' films Noisy Noises and Small Talk, appeared as an extra in the films Noisy Noises and Small Talk.

In addition to acting in the Our Gang short films, the children performed in several films. The Oakland Tribune published an article about such an appearance in 1927. "Countless millions of boys and girls have seen Our Gang comedies, but this great fortune hasn't appeared on orphanages very often." The orphanages in East Bay, on the other hand, will get the chance to see these popular screen stars up close and personal."

Farina was both the series' anchor and the show's most popular character during his time in the Gang. Farina was certainly not the first black child actor (or even the first black Our Gang kid), but he was certainly not the first black child actor to do so. Hoskins' last week with the Hal Roach Studio cost more than any other cast member's salary at that time. Matthew Beard was hired by Matthew Beard in 1931 when he finally outgrew the series.

Several newspaper columnists were taken note when his time in Our Gang comedies came to an end due to his age. In 1931, columnist Jack Lait wrote the following in his Highlights of Broadway: From the Circle to the Square column: From the Circle to the Square column:

In The Register of Sandusky, Ohio, a column with no byline was published on the same day.

Hoskins aged out at the end of the 1930-1931 season of the studio. Norman "Chubby" Chaney and Mary Ann Jackson were among the children's performers allowed to leave at the same time. When acting as actors, both the children attended parties and special occasions at the studio, including Christmas, when they were given any gifts. Farina was a celebrity in January 1931, making $350 a week, but by July 1931, he was unemployed.

20,000 boys auditioned to replace Joe Cobb in 1928, when he was too old for his role. Roach's 1905.

Many newspapers, including one in Lima, Ohio, carried a story about Farina in 1926, mainly because (it was announced) he wanted to stop playing a girl. "Of course, you may not know" Allen Clayton Hoskins is the "sure" name of Little Farina's birthday party on film (again on his birthday), but the same journal published a new article about how Farina learned to act (from his "brother" who did not exist."

Hoskins didn't have a brother, but he did have Jannie, a younger sister. When she first appeared in the comedies in 1926, she rated her own tale. "Janie [sic]]] Farina's little sister had been added to the cast of Our Gang at the Hal Roach Studios, and all animation."

Many reports about the Gang appeared from time to time, and they were distributed in various newspapers around the country. The bulk of them were related to the introduction of a new film. The films, which were often two reels in length and local trade magazines, such as "Motion Picture News" and "Motion Picture World," chronicled the Our Gang shorts every time a new one appeared. In 1923 alone, fourteen people were released. Both children and adults, the children were stars to their fans. The early comedians were silent, but as talkies began, the studio accelerated, as did Farina. When Our Gang's first talkie was announced, Maltin wrote about the excitement in his book.

The song "Lil' Farina (Ev'rybody Loves You)," by Harrison G. Smith and music by Alvano Mier, was released in 1925, giving an insight into Hoskins' fame. The cover featured a photograph of Hoskins (with his screen and real names) as well as Harold Lloyd's approbation.

The fact that all of the children will grow old and their contracts will not be renewed was also considered newsworthy. An article that appeared in a 1937 Abilene, Texas newspaper, attempted to explain how this worked.

After Hoskins grew too old for his role in 1931, he returned to Roach Studios for several cameo appearances but not for a long time. He appeared in an unusual short film titled The Stolen Jools.

Farina and his sister Jannie toured in 1932 after their time with the Our Gang comedies came to an end in 1931. Florence Hoskins, their mother, Florence Hoskins, were accompanying them in a vaindeville performance. The exact dates of their tour are uncertain, but early 1932 found them on tour in Jefferson City, Missouri, and they were not sure. "Today you will have the opportunity to see him in person at the Miller Theater," the newspaper says. "The actor who was accompanied by Mango, his sister, will perform a comedy skit," the book also praises the other two acts. "The Five Juggling Jewels...are all as their name suggests when it comes to juggling Indian Clubs." Jack Fulton and Peggy Parker's "Diversion A La Carte" is "good fun and songs, but that's enough."

They appeared in Toronto, Ontario, Canada, in February 1932. Jamie Bradburn, a writer and historian in Toronto, was a keen fan of Farina's 1932 debut as a child in Africa. The starred's first instalment of the Our Gang series of shorts, with the children and their mother. Janey did not think we were so hot, not the nineteenth century poet). Bradburn argues that the girl's instincts were on target in the printed interview with "the doggy pickanins of the films" a shambling sometimes condescending affair. "Lampman made lame attempts to act as if he was attempting to maintain the dignity of a journalist before giving in to a case of the cutes when Hoskins flashed a toothy smile."

In this collection, several of the original advertisements and photographs are included. Both children are pictured together in the column's "Just Kids Safety Club" card, sponsored by The Globe (a copy of the card with his signature and his address are shown in the column). A talk with Farina's mother is also mentioned. "Mrs. Hoskins speculated at the mistreatment that the family suffered, noting that she was more accepted on the west coast than on the east coast." "She will entertain you all the time in America," Lampan said with a voice that resembles an old dark melody" and hopes that her children's generation will overcome prejudice (probably a reference to the Ossian Sweet case) and that her children's generation will have a blast..." At Kresge's stores, these songs cost 25 cents per copy."

Although Hoskins did gain some work after Farina, it was short-lived. One of his first appearances after leaving Our Gang was as the "Host" in the 13th episode of the Voice of Hollywood (second series). However, John Wayne, Gary Cooper, and Jackie Coogan were among the guests, but this was just a one-time event. Hoskins, Joseph Cobb, Joe Cobb, and Mary Kornman returned to "Our Gang" for their second appearance in Fish Hooky in 1933, but nothing more came of it. Despite this, Hoskins maintained his relationship with the film, and in 1936, he appeared on a "Our Gang" tour and later appeared with the Gang on the You Asked for It show in the 1950s.

Hoskins returned to Los Angeles, where he auditioned for film roles after his vaindeville appearances. Multiple publications carried the "news" that Farina cut off his braids for the film and inserted them in the family Bible after he appeared in his first full-length film, You Said a Mouthful starring Joe E. Brown. Hoskins auditioned for other film roles after this film ended. He appeared in seven full-length films from 1932 to 1936, but most of them were not acknowledged, and his film career did not flourish.

1955-1980, career in rehabilitation, 1955-1980.

In the 1950s, he and his wife, Franzy, moved to Santa Rosa, where they raised their children and where he began working in rehabilitation, according to him. The exact date he began working at Sonoma State Hospital, which is located in Eldridge, California, is unknown, but the Sheltered Workshop Director was in 1963. He became concerned about the youth in Santa Rosa's South Park neighborhood, where they lived. In his spare time, he made a bid for "Weekend House," an Evening and Weekend Education and Counseling Center for youth. "If not addressed now, the beginnings of future challenges," he said, could and will develop into major community problems that have not been addressed by other cultures in the past." Hoskins' plan identified these problems and offered solutions. A copy of this exists, but it is not known if he submitted it to the local government.

He left Sonoma State Hospital for a better career in 1965, and the family moved to Hayward, California. He was the Sheltered Workshop Director at the Walpert Center, which was part of the Association for Retarded Children of Southern Alameda County. His career was followed in local papers, not because he had been a kid actor named "Farina" but because of his work as an advocate for disabled people. "We're using every inch of available space, and we'd like the opportunity to do a better job and serve more people," He wrote in the local newspaper, The Argus, in 1966.

An article about his attempts to improve Sheltered Workshops in his region appeared in the Oakland Tribune in 1968: he was the subject of an article published in the Oakland Tribune in 1968.

Hoskins was elected Director of the 10th Annual Conference on Rehabilitation Workshops in February 1969. "The challenges of coordinating and running Rehabilitation Workshops for the Handicapped are discussed at the California Association of Rehabilitation Workshops' tenth annual conference; Allen Hoskins, the program director for this year's convention";

The Oakland Tribune announced that the workshop was now employing 1,000 people, up from last year. "Handicapped workers are a huge economic resource that has yet to be discovered," Hoskins, who was also President of the Bay Area Association of Rehabilitation Workshops, which operated 40 Workshops in the Bay Area at that time.

Hoskins spoke at a press conference to celebrate Workshop Week, which was announced by Mayor John H. Reading of Oakland and other mayors around the state. "I have yet to find a company for which could not be effectively handled by one of our shops," Hoskins said. "They're a sleeping giant...we'll survey your company, tell you what we can do for you, not a handout."

Hoskins continued to produce innovative ideas and opened his own studio even though working full time. "Volunteering his knowledge," the Oakland Tribune announced in 1976 that he was volunteering to help young actors learn their craft at a local nonprofit group, Young People's Theatre Co., where he served as an advisor to the group.

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