Sean Phillips

At 59 years old, Sean Phillips physical status not available right now. We will update Sean Phillips's height, weight, eye color, hair color, build, and measurements.

Sean Phillips (born 27 January 1965) is a British comic book artist, known for his work on DC Comics' Sleeper, WildC.A.T.s, Batman and Hellblazer.

Early life

Phillips grew up in the U.K. fascinated by American comics, particularly those published by Marvel Comics. As he got older, his influences included Jim Baikie, Simon Bisley, Jamie Hewlett, Duncan Fegredo, Bill Sienkiewicz, Dave McKean, and Jaime Hernandez.

Personal life

Phillips' son Jacob Phillips is also a professional comics creator, having worked as a colorist on his father's comics and branching out into illustrating his own series.

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Career

Phillips began his career in 1980 with British girls' comedies such as Bunty, Judy, and Nikki, although he was still at school. He started working with John Smith on New Statesmen and Straitgate, as well as Pat Mills on the Third World War, both at Crisis. He was a soldier during the British Invasion and spent time on Hellblazer before returning to the United Kingdom. There worked on Devlin Waugh for the Judge Dredd Megazine and also created the artwork on a variety of series for 2000 AD, including Judge Dredd.

In 1990, he illustrated the front cover of Stereo MC's album Supernatural.

He returned to the American comic book market in 2000 after he read Scene of the Crime by Ed Brubaker, a writer who would collaborate with him a number of times over the years. With Joe Casey, he travelled to WildC.A.T.s. for a long time before teaming up with Brubaker on Sleeper.

Phillips and John Bolton illustrated a three-issue miniseries User, written by Devin Grayson and published by DC's Vertigo imprint in 2001. In the text-based MUDs of the nineties, the series explores "sexual identity and online role-playing. In 2017, Image first announced a user as a hardcover.

Phillips first appeared at Marvel Comics in 2005, where he co-created Criminal with Brubaker at the Marvel imprint Icon Comics. He was also the main artist on Robert Kirkman's first two instalments of the Marvel Zombies series.

Incognito, Brubaker's second series, and a US reprint of 7 Psychopaths at Boom! Studios.

Phillips provided the art for the Criterion Collection's 1961 noir film Blast of Silence, as well as the Criterion release of the 1957 legal drama 12 Angry Men, based on a concept by Eric Skillman.

Phillips was one of 62 comics creators on the Kapow stage on April 9, 2011; he was one of 62 of them. Two Guinness World Records, the Fastest Production of a Comic Book, and the Most Contributors to a Comic Book are both set at a London Comic Congres. With Guinness officials on hand to monitor their progress, writer Mark Millar began writing a 20-page black and white Superior comic book, with Phillips, Frank Quitely, John Romita Jr., Doug Braithwaite, Duncan Ferguson, Duncan Fegredo, Duncan Fegredo, Douglas Lafuente, John McCrea, and Liam Sharp — all drawing a panel, with regular Superior artist Leinil Yu on stage throughout the day to work on the book front cover design of the book front page, author Leinness t The book was produced in 11 hours, 19 minutes, and 38 seconds and was released on Icon on November 23, 2011, with all royalties going to Yorkhill Children's Foundation.

Phillips was one of many artists to create a variant cover for Robert Kirkman's The Walking Dead No. 131. The San Diego Comic-Con 100, which was announced 11 July, was the most popular at the San Diego Comic-Con.

In January 2012, Phillips and Ed Brubaker began a Fatale collection at Image Comics. The series was initially announced as a twelve-issue maxi-series, but in November 2012, it was upgraded to a live title. "You can't go wrong with a Brubaker/Phillips collaboration," Jesse Schedeen of IGN said. Nonetheless, Fatale is establishing a solid argument for being the best of their schemes."

Phillips and Brubaker decided in October 2013 that they would exclusively produce comics for Image. Image will continue to produce any comic they bring to them without having to pitch it to them first, as part of the agreement. In 2019, Brubaker and Phillips agreed to another five-year deal with Image to produce exclusively for that publisher. "We get to do whatever we want," Phillips said. We don't have to pitch proposals to Image because we don't have an editor or designer; we don't need an editor or designer; we can make as many or few books as we please. We'll get to choose the style, paper stock, and everything else we'll do with our books.

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