Paul Whiteman

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Career

By 1907, Whiteman's viola skills culminated in a spot in the Denver Symphony Orchestra, and he appeared in the San Francisco Symphony in 1914. The Mare Island Naval Training Camp Symphony Orchestra, conducted by Whiteman in 1918. (NTCSO). He founded the Paul Whiteman Orchestra in the aftermath of World War I.

He was a member of a well-known dance band in the area this year. In 1920, he and his band migrated to New York City, where they began recording for the Victor Talking Machine Company. These records' success brought national recognition. In his first five recordings sessions for Victor, August 9-October 28, 1920, he used the name "Paul Whiteman and His Ambassador Orchestra," evidently because he had been playing at the Ambassador Hotel in Atlantic City. "Paul Whiteman and His Orchestra" was used by him from November 3, 1920, until his death in November 3, 1920.

Whiteman became the most well-known band director of the tensions of the decade. Whiteman led a more imposing group that attracted as many as 35 musicians in a time when most dance bands consisted of six to ten men. By 1922, Whiteman had already owned 28 ensembles on the East Coast and was earning over $1,000,000 per year.

Paul Whiteman was on tour in Vienna, Austria, when he was approached and interviewed by Billy Wilder, a young enthusiastic newspaper reporter who was also a fan of Whiteman's band. Young Wilder was enough to take him with the band to Berlin, where Wilder was able to make more contacts in the entertainment industry, eventually ending up in Hollywood.

The Whiteman orchestra supported Hoagy Carmichael's singing and playing on a record of "Washboard Blues" in 1927. In May 1928, Whiteman joined Columbia Records, but he resigned as a labor activist in September 1930, when he refused a pay cut. He returned to RCA Victor between September 1931 and 1937.

The media referred to Whiteman as "the King of Jazz" in the 1920s. Whiteman emphasized the way he approached jazz music while still arranging its composition and style in his own style.

Although most jazz players and followers agree that improvisation is essential to the musical style, Whiteman believed the genre could be enhanced by orchestrating the best of it with formal written arrangements. Eddie Condon chastised him for attempting to "make a lady" out of jazz. Whiteman's albums were both highly regarded critically and commercially, and his style of jazz was often the first jazz of any form that many Americans encountered during the period. More than 3000 arrangements were designed by Whiteman.

For more than 30 years, Whiteman, also known as "Pops," has sought and rewarded promising musicians, singers, composers, arrangers, and entertainers. He commissioned George Gershwin's Rhapsody in Blue in 1924, which was premiered by his orchestra with the composer at the piano. Ferde Grofé's Grand Canyon Suite was another familiar piece in Whiteman's collection.

Bix Beiderbecke, Frankie Trumbauer, Joe Venuti, Eddie Lang, Ed Brown, Gussie Mueller, Gussie Mueller, and Bunny Berigan were among the best jazz players for his band, including Bix Beiderbecke, Frankie Trumbauer, Joe Venuti, Joe Venuti, Eddie Lang, Mike Pingitore, Gussie Mueller, Wilbur Hall (billed by Whiteman as "Willie Hall"), He encouraged young African musical talents and planned to recruit black musicians, but his boss told him that doing so would end his career due to racial instability and America's segregation of that time.

He performed for six Broadway shows and he's released more than 600 phonograph recordings. José Padilla's "Valencia" album debuted at No. 1 for 11 weeks beginning March 30, 1926, becoming the No. 1 in the charts for 11 weeks, beginning on March 30, 1926. 1926 was the first record of 1926.

Red McKenzie, the Mound City Blue Blowers' leader and cabaret singer Ramona Davies (who is billed as "Ramona and her Grand Piano") joined the Whiteman group in 1932. In 1931, the King's Jesters were with Paul Whiteman. Whiteman had a No. 30 in 1933. Ann Ronell's "Willow Weep for Me" made it to the Billboard charts.

Whiteman began recording for Capitol Records in 1942, co-founded by songwriters Buddy DeSylva and Johnny Mercer and music store owner Glenn Wallichs. "I Found a New Baby" and "The General Jumped at Dawn" were the label's first single release on the label. Billie Holiday's 1942 "Travlin Light" was another notable Capitol achievement he made (although it was billed as "Lady Day" due to her being under contract with another brand).

In the 1945 film Rhapsody in Blue about George Gershwin's life and work, Whiteman appeared in The Fabulous Dorseys, a bio-pic starring Jimmy Dorsey and Tommy Dorsey. In the Paramount Pictures short The baby in Nertz (1929), the bandleader in Thanks a Million (1935), as himself in Strike Up the Band (1940), and the revue musical King of Jazz (1930).

Whiteman appeared on stage during his 1920s appearances, but he was also active in some of the first prestigious radio programs. Whiteman and his crew appeared in a national NBC radio broadcast titled "Victory Six" by Dodge Brothers Automobile Co. and named as The Victory Hour on January 4, 1928 (The program introduced the latest Dodge "Victory Six" vehicle. At the time, it was the most popular hookup ever attempted. Will Rogers took over as MC and joined the West Coast's program, with Al Jolson coming from New Orleans. Variety was not impressed, saying, "As with virtually all of the most important and high-priced commercial broadcasting services under N.B.C." The Dodge Brothers' Victory Hour at a reputed cost of $67,000 was disappointing and not commensurate in the sense of the financial outlay," amidst outrages in the recent past. However, the journal noted that it was not true. "The reaction to Paul Whiteman's grand radio plug for "Among My Souvenirs" was a flock of orders from wire from dealers the day after the Dodge Brothers Victory Hour broadcast" was broadcast."

Since Whiteman appeared in his second Dodge Brothers radio show on NBC, which was titled Film Star Radio Hour, Dodge Brothers must have been content with the show's conclusion. Charlie Chaplin, Douglas Fairbanks, John Barrymore, and several other Hollywood celebrities were among the featured guests. United Artists Pictures has arranged for additional loudspeakers to be added to their theatres so that audiences could hear the stars they had only seen in silent movies before. "Of Mr. Paul Whiteman's involvement in the pretentious scheme, only the best will be able to be said," the New York Herald Tribune said. "Mr. Whiteman's orchestra is seldom heard on radio, and its infrequent broadcasts are the subject of widespread jubilations, despite the presence of tenors and vocal harmonists in most of the Whiteman renditions."

In 1929, Whiteman agreed to appear on a weekly radio show for Old Gold Cigarettes, for which he was paid $5,000 per show. On Tuesday nights, Old Gold Presents Paul Whiteman and His Orchestra was an hour-long show on CBS from station WABC in New York. On February 5, 1929, the Whiteman Hour became the first broadcast in the United States, and it continued into May 6, 1930. He was paid $325,000 for 65 radio episodes on May 7, 1930.

His shows were:

Whiteman worked as a music director for ABC Radio Network in the 1940s and 1950s, after he disbanded his orchestra. He appeared on ABC-TV from 1949 to 1954 as Paul Whiteman's TV Teen Club in Philadelphia. The spectacle lasted an hour for the first two years and then as a half-hour segment on Saturday evenings. A young Dick Clark first read the commercials for sponsoring Tootsie Roll in 1952. Whiteman's TV-Teen Club, as well as Grady and Hurst's 950 Club, inspired WFIL-TV's afternoon dance competition called American Bandstand.

He has also appeared as a guest conductor for several concerts. His demeanor on stage was disarming; he began each program with something like, "Well, that just about slaps the cap on the old milk bottle for tonight." Whiteman appeared in Las Vegas in the early 1960s before retiring.

In a Denver, Colorado, actor Margaret Livingston married for the fourth and final time on August 18, 1931. Livingston was unable to have children and so the couple adopted four.

From 1938 to 1959, the Whiteman lived at Walking Horse Farm in Delaware Township, Hunterdon County, New Jersey. Whiteman, who sold the farm to agriculturalist Lloyd Wescott, migrated to New Hope, Pennsylvania, for his remaining years.

In Doylestown, Pennsylvania, Paul Whiteman died of a heart attack on December 29, 1967. He was saved by Livingston.

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