Pat O'Brien

At 83 years old, Pat O'Brien physical status not available right now. We will update Pat O'Brien's height, weight, eye color, hair color, build, and measurements.

O'Brien spent a decade in plays on Broadway and in the New York City area.

O'Brien made his film debut in the Vitaphone Varieties short film, The Nightingale, produced in New York and released in August 1930.: 57  His first starring role was as ace reporter Hildy Johnson in the original 1931 version of The Front Page with Adolphe Menjou. In 2010, this film was selected by the National Film Preservation Board for preservation in the Library of Congress's National Film Registry as being "culturally, historically, or aesthetically significant."

He was the lead in Paramount's Personal Maid (1931), and appeared in a Metro-Goldwyn-Mayer musical Flying High (1931), supporting Bert Lahr. He was Irene Dunne's love interest in RKO's Consolation Marriage (1932), then co-starred opposite a young Bette Davis in Hell's House (1932). O'Brien stayed in leads, going from studio to studio: Scandal for Sale (1932), at Universal; The Strange Case of Clara Deane (1932), at Paramount; Hollywood Speaks (1932), American Madness (1932) and Virtue (1932).

O'Brien played a heroic pilot in Universal's Air Mail (1932), directed by John Ford. While at that studio he was in the compelling Laughter in Hell (1932) and Destination Unknown (1933). At the small Majestic Pictures he starred in The World Gone Mad (1933).

O'Brien's first Warner Bros. movie was Bureau of Missing Persons (1933), starring Bette Davis. He went to RKO for Flaming Gold (1933) and MGM for Bombshell (1933), then Warners signed O'Brien to a long-term contract. He would remain with the studio until 1940, when he left after a dispute over the terms of his contract renewal.

O'Brien supported Dick Powell in College Coach (1933) and Joan Blondell in I've Got Your Number (1934). He was third lead to Barbra Stanwyck and Joel McCrea in Gambling Lady (1934), then was with Powell again in Twenty Million Sweethearts (1934).

Here Comes the Navy (1934) was O'Brien's first film with James Cagney, also under contract to Warners. The two originally met in 1926 and remained friends for almost six decades. After O'Brien's death, Cagney referred to him as his "dearest friend." O'Brien played the lead, a boxer, in The Personality Kid (1934), supported Powell in Flirtation Walk (1934) and was an auctioneer in I Sell Anything (1935).

Cagney and O'Brien were reteamed in Devil Dogs of the Air (1935). He was a critic in love with Dolores del Río in In Caliente (1935) and had the lead in the bio-pic Oil for the Lamps of China (1935), which he called "one of my favorite pictures." "That was a sweetheart," he said.

He and Cagney were in The Irish in Us (1935) then it was back to supporting Powell in Page Miss Glory (1935). He headlined a musical Stars Over Broadway (1935) then was back with Cagney for Howard Hawks' Ceiling Zero (1935). Cagney later sued Warners for billing O'Brien's name above his.

"Jimmy's grand to work with," said O'Brien in 1935. "You couldn't ask for a better partner but there's a limit to all that. I think one picture a year with Jimmy would be fine. But as it is I've been with him in every uniform – the army, the navy, the police, the marines, the air corps – and it's always a case of me falling for his girl or him falling for mine. It gets tiresome... I don't just want to be a fast-talking Charlie all my life."

Warners gave him some starring parts: I Married a Doctor (1936), Public Enemy's Wife (1936), China Clipper (1936), The Great O'Malley (1937), and Slim (1937) with Henry Fonda. He was Captain of the Guard( on special leave from the US Army) in San Quentin (1937) opposite Humphrey Bogart, romanced Blondell in Back in Circulation (1937) and was an veteran sailor in Submarine D-1 (1938).

O'Brien was pulled out of Swing Your Lady to co-star with Kay Francis in Women Are Like That (1938) and was back with Powell for Cowboy from Brooklyn (1938). He and Cagney reteamed for Boy Meets Girl (1938), and he was meant to be back with Powell in Garden of the Moon (1938), but Powell refused to do it – he was replaced by John Payne.

O'Brien has one of his best ever roles as the former street kid turned priest in Angels with Dirty Faces (1938) with Cagney. He was with Blondell in Off the Record (1939) and The Kid from Kokomo (1939), and co-starred with Gale Page in Indianapolis Speedway (1939).

He went over to Paramount for The Night of Nights (1939), part of a deal in which Warners bought the rights to The Old Maid from Paramount. He then made Slightly Honorable (1939) for United Artists.

Back at Warner Bros he was reunited with Cagney for The Fighting 69th (1940) then made Castle on the Hudson (1940) with Sheridan and John Garfield. He was a cop in 'Til We Meet Again (1940), with Cagney and Sheridan in Torrid Zone (1940). He co-starred with Garfield and Frances Farmer in Flowing Gold (1940).

O'Brien was then given his best known role, as the famous University of Notre Dame football coach Knute Rockne in Knute Rockne, All American (1940). In the film, he gave the speech to "win just one for the Gipper," referring to recently deceased football player, George Gipp, portrayed in the film by a young Ronald Reagan. Reagan later used this saying as a slogan for his campaign for president in 1980.

O'Brien was at a career peak. He was considered for the role of Alvin York in the film Sergeant York. From this high point, however, O'Brien left Warner Bros in July 1940.

After he left Warner Bros. in 1940, O'Brien signed a contract with 20th Century Fox for two films a year. However they ended up not using him.

He signed with Columbia Pictures to make two films a year. He was in Escape to Glory (1940), then was idle for a year before making Two Yanks in Trinidad (1942) with Brian Donlevy and Flight Lieutenant (1942) with Glenn Ford. At Universal he was in Broadway (1942) with George Raft.

Soon he signed a contract with RKO and appeared in several movies for that studio. He mostly played authority/military roles such as The Navy Comes Through (1942), and Bombardier (1943). The Iron Major (1943) was an attempt to repeat the success of Knute Rockne with O'Brien as Frank Cavanaugh. At Universal he supported Deanna Durbin in Frank Borzage's His Butler's Sister (1943) then it was back to RKO for Marine Raiders (1944).

With his agent Phil Ryan, O'Brien set up his own production company, Teneen Productions. They signed a deal with Columbia to make a film with O'Brien, Secret Command (1944). (In 1955 the IRS would sue him for earnings on this film.) At RKO he did Having Wonderful Crime (1946) and Man Alive (1945). For Columbia he made Perilous Holiday (1946).

In 1946 he starred in the successful film noir suspense film, Crack-Up. He was in a thriller, Riffraff (1947) and another biopic Fighting Father Dunne (1948). He followed it with The Boy with Green Hair (1948), and A Dangerous Profession (1949) with Raft.

While working as a Hollywood contract player, O'Brien made occasional appearances on the radio in the 1930s and 1940s. In the summer of 1947, he starred with Lynn Bari in Summer Theater, a program "dramatizing episodes in the life of a small town druggist."

Later career

O'Brien's movie career slowed considerably by the early 1950s, although he still managed to get work in television. In his autobiography, The Wind At My Back, he professed to being completely flummoxed about the decline of his career. His close friend, Spencer Tracy, fought with his studio, MGM, to get roles for O'Brien in his films The People Against O'Hara (1951) and The Last Hurrah (1958).

He still had leads in films like Okinawa (1952), Inside Detroit (1956) and Kill Me Tomorrow (1957). In 1959 O'Brien appeared in a supporting role in one of his best-known movies as a police detective opposite George Raft in Some Like It Hot, starring Marilyn Monroe, Jack Lemmon, and Tony Curtis.

In his later years, O'Brien often worked in television. He was cast in 1956 and 1957 in four episodes of the religion anthology series, Crossroads. In three of the four programs, he played priests. He also performed in two episodes of The Virginian in the mid-1960s. In the 1960–1961 television season, O'Brien played James Harrigan, Sr. in a sitcom titled Harrigan and Son.

O'Brien made numerous appearances on television as himself, including several on The Ed Sullivan Show. In 1957, he guest starred in the first season of the NBC variety program, The Ford Show, Starring Tennessee Ernie Ford. Other shows in which he appeared as himself include the interview programs: The David Frost Show, The Tonight Show, The Merv Griffin Show, and The Joey Bishop Show. In 1957, Ralph Edwards profiled O'Brien's life and career for an episode of This Is Your Life. He was also the mystery guest on the game show What's My Line? in 1953 and 1957. In the "Jennifer and the Will" episode of WKRP in Cincinnati, he has a memorably comic turn as Jennifer Marlowe's elderly boyfriend. Shortly thereafter, O'Brien's final filmed performance came in a 1982 episode of Happy Days.

O'Brien spoke the Star Spangled Banner to the accompaniment of Doc Severinsen on trumpet for the National Anthem opening of Super Bowl IV in 1970. He was invited to do this because of his role as Knute Rockne.

He had a small role as Burt Reynolds' father in the 1978 comedy film The End, opposite Myrna Loy, cast as Reynolds' mother.

In later years, O'Brien recalled that he had had three "great" movie roles in his career: Knute Rockne, Hildy Johnson in The Front Page, and Father Duffy in The Fighting 69th.

From the 1960s through the early 1980s, O'Brien often traveled around the United States as a one-man act and in road shows. He also performed frequently in nightclubs.

Near the end of his life, he toured in a stage production of On Golden Pond, which he considered "absolutely the best play" he had ever read.

Source