Miye Matsukata

Japanese-American Jewelry Designer

Miye Matsukata was born in Tokyo, Japan on January 27th, 1922 and is the Japanese-American Jewelry Designer. At the age of 59, Miye Matsukata biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.

Date of Birth
January 27, 1922
Nationality
Japan, United States
Place of Birth
Tokyo, Japan
Death Date
Feb 16, 1981 (age 59)
Zodiac Sign
Aquarius
Profession
Jewellery Designer
Miye Matsukata Height, Weight, Eye Color and Hair Color

At 59 years old, Miye Matsukata physical status not available right now. We will update Miye Matsukata's height, weight, eye color, hair color, build, and measurements.

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Miye Matsukata Religion, Education, and Hobbies
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Miye Matsukata Spouse(s), Children, Affair, Parents, and Family
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Miye Matsukata Career

Matsukata designed jewelry in Boston, and established Atelier Janiye (sometimes written as Atelier JaniyƩ) in the 1949, co-owned with Naomi Katz Harris and Janice Whipple Williams after graduating. The name 'Janiye' originated from the combinations of the three designers first name. In 1958, the group association disbanded and Matsukata took sole ownership of Atelier Janiye. James Hubbard was the business manager and agent, while Nancy Michel, Alexandra Watkins, and Yoshiko Yamamoto created the jewelry based on designs by Matsukata.

She was awarded another travel grant to study goldsmithing techniques in the Middle East and in Greece in 1966. In 1968, she organized an exhibition of new American art jewelry at the Odakyu Department Store in Tokyo. She was also involved in the Society of North American Goldsmiths. She taught several classes at the Haystack Mountain School of Crafts in Deer Isle, Maine in 1976.

Her works was characterized by a mix of media, using beads, stones, coins, glass, enamel, fabric, and other materials in addition to unconventional uses of gold or silver. "Unlike much of the found object jewelry made during the 1960s and '70s," observes one scholar, "Matsukata's work did not celebrate cast-off goods, invoke shamanic tradition, or make sly pop cultural references."

Her work is included in the collection of the Smithsonian American Art Museum.

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