Larry Fine

At 72 years old, Larry Fine has this physical status:

At an early age, Fine started performing as a violinist in vaudeville. Between 1925 and 1928, while the master of ceremonies at Chicago's Rainbo Gardens, Fine met Shemp Howard and Ted Healy who were performing in the Shubert Brothers' A Night in Spain. Since Howard was leaving the play for a few months, they asked him to be a replacement "stooge". Fine joined Ted's other stooges, Bobby Pinkus and Sam "Moody" Braun. Howard returned in September 1928 to finish Spain's national tour.

In early 1929, Healy signed a contract to perform in the Shuberts' new revue A Night in Venice. Healy brought Fine, Shemp Howard, and Moe Howard together for the first time as a trio. "Moe, Larry, and Shemp", with Fred Sanborn, appeared in Venice from 1929 through March 1930. Fine, Shemp Howard, and Moe Howard toured as "Ted Healy & His Racketeers" that spring and summer, then went to Hollywood in the summer to film Fox Studio's Soup to Nuts (1930).

Fine and the Howard brothers broke up with Healy after Soup to Nuts and toured as "Howard, Fine, and Howard: Three Lost Soles" from the fall of 1930 to the summer of 1932. In July 1932, Fine and Moe Howard teamed up with Healy again, adding Curly Howard (real first name: Jerome) to the group. The new lineup premiered at Cleveland's RKO Palace Theatre on August 27, 1932. Shemp Howard split off to pursue a solo career.

Fine was easily recognized in the Stooge features by his hairdo, bald on top with much thick, bushy, curly auburn hair around the sides and back; Moe called him "Porcupine". His trademark auburn hair had its origin, according to rumor, from his first meeting with Healy. Fine had just wet his hair in a sink, and it dried oddly as they talked. Healy encouraged Fine to keep the hairstyle.

Beginning in 1934, the Three Stooges made 206 short films and several features, their most prolific period starring Fine, Moe Howard, and Curly Howard. Their career with Healy was marked by disputes over pay, film contracts, and Healy's drinking and verbal abuse. Fine and the Howard brothers finally left Healy for good in 1934.

In films from the Curly era, the Larry character did more reacting than acting, staying in the background and serving as the voice of reason in contrast to the zany antics of Moe and Curly. He was a surrealistic foil and the middle ground between Moe's gruffly "bossy" and Curly's childish personae. Like the other Stooges, Larry was often on the receiving end of Moe's abuse. His reasonableness was the perfect foil to Moe's brusque bluntness and Curly's or Shemp's boyish immaturity, but Larry sometimes proposed something impossible or illogical and was quickly put down verbally and physically by Moe, who often pulled a handful of hair out of Larry's head. Film critic Leonard Maltin wrote, "Larry is the least distinctive character of the trio, but he adds a pleasing touch by siding with either Moe or Curly, depending on the situation, thereby enabling him to show moments of lucidity as well as lunacy."

After Curly suffered a debilitating stroke in May 1946, Shemp replaced him in the act. The Shemp era marked a period of increased onscreen presence for Larry, who had been relegated to a background role during the Curly era. Upon Shemp's return, he was allotted equal onscreen time, even becoming the focus of several films, in particular Fuelin' Around (1949) and He Cooked His Goose (1952).

On November 22, 1955, Shemp died of a heart attack. Joe Palma doubled for Shemp in the next four films; then Joe Besser succeeded him as the third Stooge in 1956. After Columbia Pictures closed its comedy-shorts department at the end of 1957, Joe DeRita replaced Besser.

In the earliest Stooge films, Larry frequently indulged in utterly nutty behavior. Fine livened scenes up with improvised remarks or ridiculous actions. In the hospital spoof Men in Black (1934), Larry, dressed as a surgeon and wielding a large kitchen knife, chortles: "Let's plug him... and see if he's ripe!" In Disorder in the Court (1936), a tense courtroom scene is interrupted by Larry breaking into a wild Tarzan yell. Of course, after each of his outbursts, Moe would gruffly put him down. According to Fine's brother, Fine developed a callus on one side of his face from being slapped so often by Moe.

Larry's goofiness has been described as an extension of Fine's own relaxed personality. Director Charles Lamont recalled: "Larry was a nut. He was the kind of guy who always said anything. He was a yapper." Writer-director Edward Bernds remembered that Fine's suggestions for the scripts were often "flaky", but occasionally contained good comic ideas.

The Three Stooges became a big hit on television in 1959, when Columbia Pictures released a batch of their films, whose popularity brought them to a new audience and revitalized their careers.

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