Cliff Robertson

At 88 years old, Cliff Robertson has this physical status:

Robertson studied at the Actors Studio, becoming a life member. In the early 1950s he worked steadily in television, including a stint as the lead of Rod Brown of the Rocket Rangers (1953–1954). He appeared in Broadway in Late Love (1953–1954) and The Wisteria Tree (1955), the latter written by Joshua Logan.

Robertson made his film debut in Picnic (1955), directed by Logan. Robertson played the role of William Holden's best friend – a part originated on stage by Paul Newman.

The film was a box office success and Robertson was promoted to Joan Crawford's co star in Autumn Leaves (1956), also at Columbia Pictures, playing her mentally unstable younger lover. This meant he had to pass up the chance to replace Ben Gazzara on Broadway in Cat on a Hot Tin Roof. However he did return to Broadway to appear in Orpheus Descending by Tennessee Williams, which only had a short run.

Robertson went to RKO to make two films: The Naked and the Dead (1958), an adaptation of the famous novel, co-starring Aldo Ray; and The Girl Most Likely (1958), a musical – the last film made by RKO Studios. Robertson received superb reviews for Days of Wine and Roses on TV with Piper Laurie.

He was in Columbia's Gidget (1959) appearing opposite Sandra Dee as the Big Kahuna. It was popular and led to two sequels, neither of which Robertson appeared in. Less successful was a war film at Columbia, Battle of the Coral Sea (1959).

Robertson had better luck on TV, appearing in "A Hundred Yards Over the Rim" and "The Dummy" for The Twilight Zone. He was the third lead in Paramount's All in a Night's Work (1961) and starred in Samuel Fuller's Underworld U.S.A. (1961) at Columbia.

Robertson supported Esther Williams in The Big Show (1961). He had his first film hit since Gidget with Columbia's The Interns (1962). After supporting Debbie Reynolds in My Six Loves (1963), Robertson was President John F. Kennedy's personal choice to play him in 1963's PT 109. The film was not a success at the box office.

More popular was Sunday in New York (1963), where Robertson supported Rod Taylor and Jane Fonda, and The Best Man where he was a ruthless presidential candidate.

Robertson appeared in a popular war film 633 Squadron (1964) then supported Lana Turner in a melodrama, Love Has Many Faces (1965). In 1965 he said his contract with Columbia was for one film a year.

In 1961 Robertson had played the lead role in a United States Steel Hour television production titled "The Two Worlds of Charlie Gordon", based on the novel Flowers for Algernon by Daniel Keyes. Frustrated at the progress of his career, Robertson optioned the rights to the teleplay and hired William Goldman to write a script. Before Goldman completed his work, Robertson arranged for Goldman to be hired to Americanize the dialogue for Masquerade (1965), a spy spoof which Robertson starred in, replacing Rex Harrison.

Robertson then made a war film, Up from the Beach (1965) for Fox and guest-starred on that studio's TV show, Batman (1966). He co-starred with Harrison in The Honey Pot (1967) for Joseph L. Mankiewicz then appeared in another war film, The Devil's Brigade (1968) with William Holden.

Robertson disliked Goldman's Algernon script and replaced the writer with Stirling Silliphant for what became Charly (1968). The film was another box office success and Robertson won the 1968 Academy Award for Best Actor for his portrayal of a mentally-challenged man.

Charly was made by ABC Pictures, which insisted that Robert Aldrich use Robertson in Too Late the Hero (1970), a war film with Michael Caine that was a disappointment at the box office.

Robertson turned down roles in The Anderson Tapes, Straw Dogs (before Peckinpah was involved), and Dirty Harry. Instead Robertson co-wrote, starred in, and directed J. W. Coop (1972), another commercial disappointment despite excellent reviews.

Looking back on his career, Robertson said: "nobody made more mediocre movies than I did. Nobody ever did such a wide variety of mediocrity".

In 1969, immediately after winning the Academy Award for Charly, Robertson, a lifelong aviation enthusiast, attempted to produce and direct an aviation film, I Shot Down the Red Baron, I Think, featuring World War I aerial combat, using Lynn Garrison's Irish aviation facility. The comedic storyline portrayed the Red Baron as gay. The aircraft featured garish paint schemes. The film was never completed or released.

Robertson played Cole Younger in The Great Northfield Minnesota Raid (1972) and a pilot in Ace Eli and Rodger of the Skies (1973). He appeared in the 1974 thriller Man on a Swing and the 1975 British drama Out of Season.

Robertson returned to supporting parts in Three Days of the Condor (1975), which was a big hit. He played the lead in Obsession (1976), a popular thriller from Brian De Palma and Paul Schrader, and in the Canadian drama, Shoot (1976). He was also one of several stars in Midway (1976).

Robertson turned to television for Washington: Behind Closed Doors (1977), then had the lead in a thriller, Dominique (1978). He returned to directing for The Pilot (1980), also playing the title role, an alcoholic flyer. Robertson played Hugh Hefner in Star 80 (1980). He attempted to make Charly II in 1980 but it did not happen.

From the 1980s and 1990s onwards, Robertson was predominantly a character actor. He played villains in Class (1983) and Brainstorm (1983). He did have the lead in Shaker Run (1985) in New Zealand, and Dreams of Gold: The Mel Fisher Story (1986) on TV.

He was a villain in Malone (1987), did Dead Reckoning (1990) on TV and supported in Wild Hearts Can't Be Broken (1991), Wind (1991), Renaissance Man (1994) and John Carpenter's Escape from L.A. (1996).

Late in his life Robertson's career had a resurgence. He appeared as Uncle Ben Parker in Sam Raimi's Spider-Man (2002), as well as in the sequels Spider-Man 2 (2004) and Spider-Man 3 (2007; his last acting role). He commented on his website: "Since Spider-Man 1 and 2, I seem to have a whole new generation of fans. That in itself is a fine residual." He also starred in and wrote 13th Child (2002) and appeared in Riding the Bullet (2004), both horror films.

In 1989, he was a member of the jury at the 39th Berlin International Film Festival.

Robertson's early television appearances included a starring role in the live space opera Rod Brown of the Rocket Rangers (1953–1954), as well as recurring roles on Hallmark Hall of Fame (1952), Alcoa Theatre (1959), and Playhouse 90 (1958, 1960), Outlaws (three episodes). Robertson also appeared as a special guest star on Wagon Train for one episode, portraying an Irish immigrant.

In 1958, Robertson portrayed Joe Clay in the first broadcast of Playhouse 90's Days of Wine and Roses. In 1960, he was cast as Martinus Van Der Brig, a con man, in the episode "End of a Dream" of Riverboat.

Other appearances included, 1958 "Wagon Train", The Twilight Zone episodes "A Hundred Yards Over the Rim" (1961) and "The Dummy" (1962), followed by The Eleventh Hour in the 1963 episode, "The Man Who Came Home Late". He guest-starred on such television series as The Greatest Show on Earth, Breaking Point and ABC Stage 67. He had starring roles in episodes of both the 1960s and 1990s versions of The Outer Limits. He was awarded an Emmy for his leading role in a 1965 episode, "The Game" of Bob Hope Presents the Chrysler Theatre. He appeared twice as a guest-villain on ABC's Batman as the gunfighter "Shame" (1966 and 1968), the second time with his wife, Dina Merrill, as "Calamity Jan".

In 1976, he portrayed a retired Buzz Aldrin in an adaptation of Aldrin's autobiography Return to Earth. The next year, he portrayed a fictional Director of Central Intelligence (based on Richard Helms) in Washington: Behind Closed Doors, an adaptation of John Ehrlichman's roman à clef The Company, in turn based on the Watergate scandal. In 1987, he portrayed Henry Ford in Ford: The Man and The Machine. From 1983 to 1984, he played Dr. Michael Ranson in Falcon Crest.

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