Skip Hollandsworth

At 66 years old, Skip Hollandsworth physical status not available right now. We will update Skip Hollandsworth's height, weight, eye color, hair color, build, and measurements.

Hollandsworth began his career as the sports reporter for the Texas Christian University school newspaper, The Daily Skiff, covering the football team. In a September 2011 interview, Hollandsworth commented that he "found the cheerleaders far more interesting than the games themselves ..." During one game, Hollandsworth said, "a cheerleader ran onto the field during a timeout to do a cheer, and I watched, barely able to breathe, as the last of the late afternoon sun caught her blonde hair and smiling face, illuminating her like perfectly placed museum lights illuminate a painting."

After graduating from Texas Christian University, Hollandsworth worked as a reporter and columnist for newspapers in Dallas. In 1981 he worked as a sports reporter for the Dallas Times Herald. He joined Texas Monthly magazine in 1989. He also has worked as a television producer and documentary filmmaker.

Hollandsworth's true crime writing has been recognized by Byliner, Longform and Best American Crime Writing.

Hollandsworth was interviewed for the podcast Criminal in their episode "Cowboy Bob" about the bank robber Peggy Jo Tallas.

Hollandsworth has written numerous celebrity profiles for Texas Monthly, Glamour, Women's Health and others. His subjects have included Farrah Fawcett, Kate Winslet, Brooklyn Decker, Cher, Sandra Bullock, Kelly Clarkson, Tommy Lee Jones, Troy Aikman, and actor Lou Diamond Phillips.

A 2010 press release by North Lake College stated that Hollandsworth "regularly works as a ghost writer, producing books and articles for celebrities and other newsmakers. Jan Miller, who, in 1998, represented some of Hollandsworth's ghostwriting projects, told the Dallas Business Journal that she "retains ghostwriters like Skip Hollandsworth of Texas Monthly to assist nervous first-timers."

According to Suzanne Bruring, who worked for Hollandsworth as a transcriptionist from 1998 to 2003, Hollandsworth provided "verbiage as (ghost) author for a Dr. Phil book".

After reading Hollandsworth's Texas Monthly article in January 1998, director Richard Linklater contacted Hollandsworth with an interest in adapting the article as a film and also to hire Hollandsworth to co-write the screenplay. Bernie made its world premiere on June 16, 2011, at the 2011 Los Angeles Film Festival. The low-budget, independent film opened at theaters in April 2012, and has since earned a score of 92% on the user review aggregator and a 7.6 out of 10 on the average rating by critics compiler at Rotten Tomatoes. Bernie grossed a modest $9,156,000.

Regarding the writing of Bernie, Hollandsworth told Culture Map Houston: "When I realized I was going to get my name on this movie – when I realized, "Hey, I'm a screenwriter!" – I began writing these scenes that I thought were fantastic. My creative side was coming out. But whenever I did that, Rick would ask – in that gentle, loving way of his – "Did that really happen?" And when I said it didn't, he'd say, "Hell, no."

Hollandsworth's articles in Texas Monthly have launched three made-for-television movies, and two proposed films: The CBS telepics The Almost Perfect Bank Robbery and Suburban Madness; the 1997 NBC telepic Love's Deadly Triangle: The Texas Cadet Murder (for distribution outside the United States, the DVD was titled Swearing Allegiance); The Goree Girls, a proposed movie set in the 1940s about several women in a Texas prison who form a country-western band, and Still Life, a proposed film based on the Texas Monthly non-fiction article of the same name written by Hollandsworth in 2009, about John McClamrock and his mother Ann.

The Midnight Assassin, which was named a New York Times bestseller in May 2016, is a history of Austin, Texas in the year 1885 when a brutal but brilliant serial killer went on a rampage, ritualistically slaughtering seven women over the course of twelve months, and setting off a citywide panic. Three years later, when a man nicknamed Jack the Ripper carried out a similar series of killings in the Whitechapel district of London, England, Scotland Yard detectives speculated that he was the Austin killer who had traveled overseas to continue to carry out his "diabolical work." The New York Times described The Midnight Assassin as "true crime of high quality," "smart and restrained" and "chilling." In its review, the Wall Street Journal called the book a "thoroughly researched, excitingly written history" and an "absorbing work."

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