Sally Kellerman

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Sally Clare Kellerman (born June 2, 1937) is an American actor, activist, writer, musician, and actor. Kellerman's acting career dates back more than 60 years.

Margaret "Hot Lips" Houlihan's role in Robert Altman's film M*A*S*H (1970) received her an Oscar nomination for Best Actress in a Support Role.

She appeared in many of the director's films, including Brewster McCloud (1970), Welcome to L.A. (1992), and the short-lived anthology television series Gun (1997), before M*A*S*H.

Kellerman has appeared in films including Last of the Red Hot Lovers (1972), Back to School (1986), and Bonanza (1966), among other television series including The Outer Limits (1964), and Maron (2013). Kellerman, a teen, recorded a record deal with Verve Records at the age of 18, but her first album (Roll with the Feelin') was not released until 1972.

In 2009, Sally, Sally, was released as a second album.

Kellerman also contributed to the soundtracks for Brewster McCloud (1970), Lost Horizon (1973), Rafferty and the Gold Dust Twins (1975), and Boris and Natasha: The Movie (1992). She has worked on commercial voiceovers for Hidden Valley Ranch salad dressing, Mercedes-Benz, and Revlon.

The Mouse and His Child (1977), Sesame Street Presents The Bird (1990), Happily Ever After (1990), Unsupervised (2012), and Annoying Orange's High Fructose Adventures (2013).

She published her memoir, titled Stories of a Hollywood Life, in April 2013, describing her struggles and tribulations in the entertainment industry.

Early life

Edith Baine (née Vaughn), a piano teacher from Portland, Arkansas, was born in Long Beach, California, on June 2, 1937: 15 and John Helm "Jack" Kellerman, a Shell Oil executive from St. Louis, Missouri. 16 Diana Dean Kellerman, her older sister, was her older sister. Victoria Vaughn Kellerman, her younger sister, died in infancy. Edith, a Christian Scientist, was raised in this faith and raised her children.

: 17–21

The family moved from Long Beach to the San Fernando Valley when Kellerman was in fifth grade. 29 She spent her childhood in Granada Hills, a largely unpopulated area surrounded by orange and eucalyptus groves. The Kellermans went from San Fernando to Park La Brea, Los Angeles, where she attended Hollywood High School, during their sophomore year of high school. She grew to 5'10 1/2" (179.07 cms) in height. She made few friends and received poor marks (except in choir and physical education), but she did well in Meet Me in St. Louis is a man from Louis.

: 4–5

Kellerman performed a recording demo to Verve Records founder and chief Norman Granz with the support of a high-school friend. However, she was confronted with the challenge of becoming a recording artist and walked away after signing a Verve contract.

: 14

Kellerman attended Los Angeles City College and was also enrolled in Jeff Corey's acting class. 8 yrs. she appeared in a production of John Osborne's Look Back in Anger staged by Corey and starring Shirley Knight, Jack Nicholson, Dean Stockwell, and Robert Blake within a year. Kellerman joined Actors Studio West, opening in the 1960s and debuted in the film, Reform School Girl (1957). Kellerman worked as a waitress in Chez Paulette to pay her tuition.

: 35

Personal life

Kellerman suffered with a botched home abortion in 1961 and went to a hospital for the first time (due to her Christian Science upbringing). William Duffy, a bit actor, was involved in the pregnancy that had resulted in her termination.

: 58

She was briefly associated with actor-screenwriter Lawrence Hauben in the late 1960s. In 1971, Hauben produced Venus, a documentary about their marriage, which had only been released in a very limited theatrical way.

Kellerman married Starsky & Hutch producer Rick Edelstein shortly after the launch of MASH on December 17, 1970. Anjanette Comer, Joanne Linville, and Luana Anders were among her bridesmaids. 194 Kellerman divorced Edelstein on March 6, 1972, citing irreconcilable inconsistencies as the cause. At the time, she said, "We've fought every day since we've met."

Diana, Kellerman's sister, came out as a lesbian and divorced from her partner, Ian Charles Cargill Graham, who took full custody of Claire's daughter, Claire, in 1967. Diana and her partner went to France, but she didn't get to speak with her daughter for eight years. Claire was born on January 30, 1976, and Ian Graham died in Edinburgh, Scotland, on April 10, 1976.

Kellerman was an apprentice on the Grand Funk Railroad in the mid-1970s, and he worked with Mark Farner of the Rock band Grand Funk Railroad. He wrote "Sally," a 1976 album Born to Die, as an ode to their love. She also dated screenwriters David Rayfiel and Charles Shyer, as well as journalist Warren Hoge, producer Jon Peters, and actor Edd Byrnes. Kellerman made a point of mentioning that her friendship with Byrnes was never consummated in her autobiography.

: 55

Kellerman married producer Jonathan D. Krane in a private ceremony at Jennifer Jones' Malibu home on May 11, 1980. Jack Donald and Hanna Vaughan, the couple's firstborn twins, were born on June 24 of 1989. Jonathan Krane died of a heart attack on August 1, 2016, age 64. Hanna Krane died on October 22, 2016, at the age of 27, from heroin and methamphetamine use.

Kellerman and Krane separated twice during their 36-year marriage, first for a few months in 1994, and then again in 1997-98 over Krane's public relations with Nastassja Kinski. She forgiven her husband for the affair because she had dated married men in the past.

: 216

Kellerman died of heart disease at a children's hospital in Woodland Hills, Los Angeles, on February 24, 2022, at the age of 84. She had dementia at the time of her death.

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Career

Kellerman appeared on several television shows. She appeared on an episode of the western Cheyenne as well as a part in the John Forsythe sitcom Bachelor Father's role as a waitress. Kellerman appeared on stage as a struggling for roles in television and films. She appeared in Henrik Ibsen's An Enemy of the People, 55, followed by scenes in Leslie Stevens's The Marriage-Go-Round and Michael Shurtleff's Call Me by My Rightful Name (1962).

: 63

Kellerman appeared in two episodes of The Outer Limits. In the episode "The Bellero Shield," she appeared in 1963 and again in 1965 as Judith Bellero, Richard Bellero's manipulative and ruthless wife (played by Martin Landau). In The Third Day (1965), Holly Mitchell, a perverted mistress of George Peppard's character, was followed by a role. She appeared in "Domain Unravished Bride," David Niven's television series The Rogues' episode "God Bless You, G. Carter Huntington" which revolved around her striking beauty to a large extent, and appeared in a 1965 Alfred Hitchcock Hour episode titled "Thou Still Unravished Bride."

Elizabeth Dehner (who investigated the long-term effects of space on a crew) appeared in "Where No Man Has Gone Before," the second pilot for Star Trek, a year later. Kellerman appeared in Mag Wildwood in the original Broadway production of Breakfast at Tiffany's, directed by Joseph Anthony and produced by David Merrick, which closed after four preview performances. The musical numbers were recorded live before the closing, and she recorded three songs that had never appeared on the original cast album.

Kellerman appeared in "Labyrinth" (1968), nearing the end of the decade. In the romantic comedy The April Fools (1969), she had a chance to appear in Albert DeSalvo (and only surviving) as the severely injured (and only surviving) victim. Bob & Carol & Alice (1969), a television show starring Alice Mazursky. 87 She appeared on Eleanor in the Hawaii Five-O episode "The Big Kahuna" (1969).

Kellerman recalled her television days in a 1971 Life magazine interview: "It took me eight years to get into television and six years to get out." They were alcoholics at the time, and alcoholics at that time. I was beaten up, beaten, and never played comedy," the narrator said.

In 1970, Kellerman made her breakthrough appearance (Major Margaret "Hot Lips" Houlihan in Robert Altman's M*A*S*H) a girl. Her performance earned the Golden Laurel Award for Best Supporting Actress (Female), and a second-place National Society of Film Critics Award for Best Supporting Actress (NSFC) Award. In Life magazine, Kellerman was highlighted. Louise was also collaborating with Altman in Brewster McCloud as Louise, guardian angel to Bud Cort, and the film's soundtrack was named "Rock-a-Bye Baby."

In Gene Saks' film adaptation of Neil Simon's comedy Last of the Red Hot Lovers (1972), she was portrayed as a violent, chain-smoking, sex addict woman who was trying to have an afternoon affair with Alan Arkin's character. Kellerman turned down a ten-page spread in Vogue from then editor-in-chief Grace Mirabella in Manhattan after the film. 118 Stella Stevens was a child of Linda Rogo's Poseidon Adventure (1972) when she was turned down by Linda Rogo. 146 Shortly after, she performed her first demo with Lou Adler and Roll with the Feelin for Decca Records, with producer-arranger Gene Paige. 144 days after shooting Last of the Red Hot Lovers, Kellerman departed from his role in another Altman film: The Red Hot Lovers.

Kellerman's next film appearances included a woman in a fatal plot in A Reflection of Fear (1972); an odd woman in James Caan's film Slither (1973); and a tormented journalist in Charles Jarrott's musical remake of Frank Capra's Lost Horizon (also contributing to the latter's soundtrack). She appeared in Dick Richards' Rafferty and the Gold Dust Twins (1975), one of two women who kidnap driving instructor (and former United States Marine Corps gunnery sergeant) and was also singing "Honky Tonk Angels."

Kellerman appeared in Reno Sweeney in 1975 and performed two shows at the Rainbow Grill from November 25 to December 14. In The Big Bus, a parody of tragedy films, Sybil Crane (a woman in the middle of a divorce) was the first female in the film's history, then followed by a role as a lonely real estate agent in Alan Rudolph's and Altman-produced Welcome to Los Angeles. (both 1976). Kellerman appeared in a week of cabaret concerts, beginning at the Grand Finale club on May 2nd this year. The evening featured renditions of Leon Russell and Betty Everett's hits.

Kellerman's roles in Verna: USO Girl (1978), assassinated socialite, and Lise Bockweiss (Raymond Burr)—one of many wives of Pasquinel (Robert Conrad) and daughter of Herman Bockweiss (Raymond Burr)—weren's centennial (1978–1979). In George Roy Hill's A Little Romance (1979), Kay King played the pretentious and kooky mother of a lovelorn daughter (Diane Lane).

In Adrian Lyne's Foxes (1980), Kellerman began the decade as Mary, a divorced middle-aged suburban mother struggling to raise her rebellious daughter (Jodie Foster); Martha, a six-time mother in Bill Persky's Serial; and Jack Smight's Loving Couples. Mary, a child psychiatrist in a sadomasochistic friendship with a psychology professor (Stephen Lackman), and a 1920s socialite in Kirk Browning's made-for-television film adaptation of Dorothy Parker's 1929 short story Big Blonde (both 1980). Julia Seton appeared in an Ahmanson Theatre production of Philip Barry's Holiday (directed by Robert Allan Ackerman) from October 3 to November 15, 1980. Marisa Berenson appeared in it from October 3 to November 15, 1980.

Kellerman hosted Saturday Night Live on February 7, 1981, appearing in four sketches ("Monologue," "Was I Ever Red," and "Lean Acres"), and "Lean Acres") and closing the show with Donna Summer's "Starting Over Again." Kellerman's next appearances were in made-for-television films. In Dempsey and a honky-tonk dance hall proprietress, she played Maxine Cates, the title character's first wife. She appeared in a stage adaptation of 1940s women's prison films Women Behind Bars, Tom Eyen's R-rated spoof of 1940s women's prison films. Gloria Kellerman played Gloria, a tough prisoner in charge of the other prisoners.

Julie Andrews' daughter in Meatballs III: Summer Job (1986), and an actress in Henry Jagger's Some to Love were among her upcoming roles. Kellerman intended to release her second album, "It's Bad to Be Bad, It's Bad to Be Good" from 1992's Boris and Natasha Fatale (which she produced and starred in as Natasha Fatale), but it never was released; instead, it's late in the decade.

Kellerman and Altman's fourth collaboration in The Player, in which she appeared as herself, was in 1992. Percy Adlon's Younger and Younger (1993), Murder She Wrote (1993) and Mirror, Mirror II: Raven Dance (1994), the sequel to the Yvonne De Carlo and Karen Black horror film Mirror, Mirror, Mirror. Sissy Wanamaker, editor-in-chief of Harper's Bazaar (1994), appeared in another Altman film, Prêt-à-Porter (1994). Linda Hunt and Tracey Ullman appeared in another Altman film, Prêt-à-Porter (1994). Altman and co-star Lauren Bacall from Paris were honoured at Lincoln Center during filming. Kellerman appeared in the Maltz Jupiter Theatre production of Mame from April 18 to May 21, 1995. Kellerman appeared in Boston and Edmonton back-to-back performances at this time. She appeared Martha in Who's Afraid of Virginia Woolf? with Hasty Pudding Theatricals in Boston and Mary Jane Dankworth appeared in a two-month, two-character production of Lay of the Land with Michael Hogan in Edmonton. 217 This year, Kellerman planned to release Something Kool, a collection of songs from the 1950s.

Kellerman appeared as a calculating sister in a 1996 episode of The Naked Truth, "Sister in Sex Triangle with Gazillionaire" in The Naked Truth. For the last time in "All the President's Women," the director's television series Gun, she collaborated with Altman for the final time. In a film version of The Lay of the Land, the actress co-produced and reprised her Canadian stage presence.

Kellerman was supposed to appear in Mrs. Scrooge: A Slightly Different Christmas Carol, a made-for-TV film adaptation of Charles Dickens' novella in 1997. Mrs. Scrooge's late widow, Jacob Marley), and three other spirits in the film awaken her to the truth of AIDS. Despite the fact that it was never revealed, the actress told a reporter for The Advocate that the project was more personal than professional: "My sister is gay; and was gay before it was widely distributed; My sister is a very loving person.' So is her mother. My daughter is an amazing person. In my book, they're all heroes."

Kellerman appeared in the 1998 Columbo episode "Ashes to Ashes." Kellerman appeared alongside actress Kathleen Turner and Beverly Peele in a Planned Parenthood press conference on June 10, 1999, which endorses a proposed law that was not present in the U.S. Congress.

Kellerman appeared in Eve Ensler's production of The Valiant Monologues with Teri Hatcher and Regina Taylor at the start of the century. At Feinstein's Regency, which opened with Helen Reddy's "I Am Woman," there was followed by a cabaret performance. Other songs ranged from Barbra Streisand's "The Way We Were" to "We Shall Overcome" and "America the Beautiful" to "America the Beautiful." Kellerman appeared in "What a Pair," a breast cancer charity fundraiser in Los Angeles, which also includes singer-songwriter Julia Fordham's "Why Can't I?" In the made-for-television film Verdict in Blood, the actress also played protagonist Marcia Blackwell. At the Palmdale Playhouse, Hal David's cabaret performance was followed by another cabaret performance. "Sunday Kind of Love" by Etta James was among the songs featured in "Long Way From St. Louis" and "Long Way From St. Louis." An album (Body Parts) was planned, but it was never released.

In the summer of 2004, Kellerman appeared in Teatro ZinZanni as Madame ZinZanni. At the High Falls Film Festival in 2007, she was also awarded the Susan B. Anthony "Failure is Impossible" Award, recognizing women in the film industry who have overcome adversity. Kellerman appeared on "I'm Past My Prime Minister" in his second appearance as a couple. In Blank Theatre Company's Los Angeles revival of The Wild Party, she appeared in Dolores Montoya, as well as the sexually-provocative Sandy in Susan Seidelman's Boynton Beach Club. At her third (and final) appearance at Cole Porter's "My Heart Belongs to Daddy" with actress, singer, and songwriter Kathleen "Bird" York. In 2006, the actress appeared in "A Cult Classic" as the first episode of the IFC's The Minor Accomplishments of Jackie Woodman.

Kellerman performed a duet with Ray Brown Jr. (son of Ella Fitzgerald and Ray Brown) on "I Thought About You" in September 2008 for Brown's duet CD Friends and Family. Kellerman's first album, Sally, was released in 2009, her first since Roll with the Feelin'. The Motels, Kim Carnes, Aerosmith, Nina Simone, Nina Simone, Peter Simone, Jackson Browne, Marvin Gaye, Dolly Parton, Jennifer Warnes, and James Taylor all have live interpretations of songs by Linda Ronstadt, Kim Carnes, Steven Smith, Nina Simone, the Motels, Neil Diamond, Michael Browne, Peter Browne, Miranda Browne, Kenneth Browne, David Carpenter, Martina Simone, Nina Simone, In the made-for-television film The Wishing Well, she also played Donette, owner of a small-town diner that year.

In Night Club (2011), Kellerman appeared with Ernest Borgnine and Mickey Rooney. The Accolade Competition Award for Best Supporting Actress went to Sandra O'Neill's performance in a retirement home. Lola (an eccentric artist) in Cinemax's sexually explicit comedy-drama series Chemistry was her first appearance as Marla, a senior Hollywood actress with dementia who accepts assisted suicide. In an episode of the Biography Channel's Celebrity Ghost Stories, Kellerman appeared alongside Tito Ortiz, Cary Elwes, and Drake Bell on July 7, 2012.

Read My Lips: Stories of a Hollywood Life by Weinstein Books, the actress' memoir appeared on April 30, 2013. She recalled a close-knit, family-oriented past Hollywood, as well as her triumphs and tribulations as an actress in the 1960s. Kellerman appeared in Los Angeles, Santa Monica, Manhattan, and Jersey City as a promotional book-signing agent. In the "Dead Possum" episode of Marc Maron's comedy film "Dead Possum," she appeared as Marc Maron's bohemian mother shortly afterward.

Kellerman was named the recipient of the Fort Lauderdale International Film Festival (FLIFF) later this year. Film historian Foster Hirsch moderated the event, which featured a montage of her work and an audience question-and-answer session. Ellen Houlihan produced a short film Joan's Day Out in which Kellerman played a grandmother who flees from her assisted-living facility to bail her teenage granddaughter out of jail. In February 2014, the actress founded the Love Can Initiative, a non-profit group devoted to enriching the lives of low-income families and their children. On August 6, 2014, Kellerman made his return to Maron in the episode "Mom Situation" as part of an Epix Network documentary honoring Robert Altman's life.

Kellerman had been cast in the enigmatic role of Constance Bingham on the daytime soap opera The Young and the Restless in October 2014, and was nominated for a Daytime Emmy for Best Actress in a Guest Role. She stayed on Maron in 2016 and appeared in five episodes of the forthcoming series Decker.

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