Patrick Williams

Composer

Patrick Williams was born in Bonne Terre, Missouri, United States on April 23rd, 1939 and is the Composer. At the age of 79, Patrick Williams biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.

Date of Birth
April 23, 1939
Nationality
United States
Place of Birth
Bonne Terre, Missouri, United States
Death Date
Jul 25, 2018 (age 79)
Zodiac Sign
Taurus
Profession
Composer, Conductor, Film Score Composer, Musicologist
Patrick Williams Height, Weight, Eye Color and Hair Color

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Patrick Williams Religion, Education, and Hobbies
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Patrick Williams Life

Patrick Moody Williams (April 23, 1939 – July 25, 2018) was an Oscar-nominated American composer, arranger, and conductor who worked in many genres of music, and in film and television.

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Patrick Williams Career

Career

Williams scored more than 200 films, including Breaking Away, for which he received a 1980 Oscar nomination; All of Me, Swing Shift, Cuba, and The Grass Harp.

On television, his music accompanied Columbo, Lou Grant, The Mary Tyler Moore Show, The Bob Newhart Show, The Streets of San Francisco, and The Days and Nights of Molly Dodd. His jazz-funk arrangement of the Beatles' "Get Back" was used as the longtime theme for the 1970s sports quiz show Sports Challenge, emceed by Dick Enberg.

For clarinetist Eddie Daniels, Williams wrote A Concerto in Swing; for saxophonist Tom Scott, he penned Romances for Jazz Soloist and Orchestra. His Theme For Earth Day was recorded by John Williams and the Boston Pops.

An American Concerto, composed in 1976, was one of the first successful attempts to combine jazz elements with traditional symphonic writing. In addition to An American Concerto his compositions include Gulliver, Romances, Earth Day, Adagio, and August, as well as Suite Memories for trombone and symphony orchestra, which won a 1986 Grammy; Spring Wings, a double concerto for piano and saxophone and symphony orchestra; Appalachian Morning, recorded by the Boston Pops; Memento Mei for solo soprano and orchestra; The Prayer of St. Francis for flute and strings; and others.

Another of Williams' accomplishments was the 1986 orchestral work Gulliver. He spent eight months writing the work, which was recorded by London's Royal Philharmonic Orchestra, with narration by Larry Gelbart (based on Jonathan Swift's writings) read by John Gielgud. For the concert premier, Williams conducted the Yale Philharmonic with Tony Randall narrating.

In 1992, Frank Sinatra approached Williams about conducting, producing and arranging the Duets albums. Williams agreed, and went on to conduct and re-arrange both Duets and Duets II in 1994. Williams often referred to this as one of the fondest accomplishments of his entire career. This was not the first time Williams had worked with Sinatra, however. In the 1980s the two had worked together on concert arrangements, Williams recalled writing an uptempo version of "September in the Rain."

In 2016, Deana Martin, daughter of Dean Martin, recorded a new swing album, which Williams scored and conducted. He also wrote five songs for the album: "52nd & Broadway," co-written with Gail Kantor, "I've Been Around," "Hearing Ella Sing,” and “Good Things Grow,” co-written with Arthur Hamilton and “I Know What You Are” co-written with Will Jennings. The album Swing Street was released in 2016.

Williams was contracted frequently by the major labels; however, he always managed to find time to share his talents with up and comers he believed in. In 2013, Williams produced and arranged two singles for 23 year-old vocalist James DeFrances. The premise was Big Band, swing covers of current pop songs, similar to what Williams had done for Paul Anka on the latter's 2005 Rock Swings album. DeFrances and Williams subsequently created their covers of "Call Me Maybe" and "Suit & Tie". These sessions marked a reunion of the Sinatra Duets orchestra and production staff at Capitol Records for the first time since 1994. Al Schmitt engineered these sessions and setup a Neumann U47 microphone previously owned by Sinatra himself to add to the nostalgia. Williams' daughter Greer acted as creative director for this project.

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