John Denver

At 53 years old, John Denver physical status not available right now. We will update John Denver's height, weight, eye color, hair color, build, and measurements.

At age 11, Denver received an acoustic guitar from his grandmother. He learned to play well enough to perform at local clubs by the time he was in college. He decided to change his name when Randy Sparks, founder of the New Christy Minstrels, suggested that 'Deutschendorf' would not fit comfortably on a marquee. Denver attended Texas Tech University in Lubbock and sang in a folk-music group, "The Alpine Trio", while studying architecture. He was also a member of the Delta Tau Delta fraternity. Denver dropped out of Texas Tech in 1963 and moved to Los Angeles, where he sang in folk clubs. In 1965, he joined The Chad Mitchell Trio, replacing founder Chad Mitchell. After more personnel changes, the trio later became known as "Denver, Boise, and Johnson" (John Denver, David Boise, and Michael Johnson).

In 1969, Denver abandoned band life to pursue a solo career and released his first album for RCA Records, Rhymes & Reasons. Two years earlier, he had made a self-produced demo recording of some of the songs he played at his concerts. It included a song he had written called "Babe, I Hate to Go", later renamed "Leaving on a Jet Plane". Denver made several copies and gave them out as presents for Christmas. Producer Milt Okun, who produced records for The Chad Mitchell Trio and the high-profile folk group Peter, Paul and Mary, had become Denver's producer as well. Okun brought the unreleased "Jet Plane" song to Peter, Paul and Mary. Their version of the song hit number one on the Billboard Hot 100. Denver's song also made it to No. 2 in the UK in February 1970, having also made No. 1 on the US Cash Box chart in December 1969.

RCA did not actively promote Rhymes & Reasons with a tour, but Denver embarked on an impromptu supporting tour throughout the Midwest, stopping at towns and cities, offering to play free concerts at local venues. When he was successful in persuading a school, college, American Legion hall, or coffeehouse to let him play, he distributed posters in the town and usually showed up at the local radio station, guitar in hand, offering himself for an interview. With his foot in the door as writer of "Leaving on a Jet Plane", he was often successful in gaining some promotional airtime, usually featuring one or two songs performed live. Some venues let him play for the 'door'; others restricted him to selling copies of the album at intermission and after the show. After several months of this constant low-key touring schedule, he had also built a sizable and solid fan base, many of whom remained loyal throughout his career.

Denver recorded two more albums in 1970, Take Me to Tomorrow and Whose Garden Was This, including a mix of songs he had written and cover versions of other artists' compositions.

Denver's next album, Poems, Prayers & Promises (1971), was a breakthrough for him in the United States, thanks in part to the single "Take Me Home, Country Roads", which went to No. 2 on the Billboard charts despite the first pressings of the track being distorted. Its success was due in part to the efforts of his new manager, future Hollywood producer Jerry Weintraub, who signed Denver in 1970. Weintraub insisted on a reissue of the track and began a radio airplay campaign that started in Denver, Colorado. Denver's career flourished thereafter, and he had a series of hits over the next four years. In 1972, he scored his first Top Ten album with Rocky Mountain High, with its title track reaching the Top Ten in 1973. In 1974 and 1975, Denver experienced an impressive chart dominance, with a string of four No. 1 songs ("Sunshine on My Shoulders", "Annie's Song", "Thank God I'm a Country Boy", and "I'm Sorry") and three No. 1 albums (John Denver's Greatest Hits, Back Home Again, and Windsong).

In the 1970s, Denver's onstage appearance included long blond hair and wire-rimmed "granny" glasses. His embroidered shirts emblazoned with images commonly associated with the American West were created by the designer and appliqué artist Anna Zapp. Weintraub insisted on a significant number of television appearances, including a series of half-hour shows in the United Kingdom, despite Denver's protests at the time, "I've had no success in Britain ... I mean none". In December 1976, Weintraub told Maureen Orth of Newsweek: "I knew the critics would never go for John. I had to get him to the people."

After appearing as a guest on many shows, Denver hosted his own variety and music specials, including several concerts from Red Rocks Amphitheatre. His seasonal special, Rocky Mountain Christmas, was watched by more than 60 million people and was the highest-rated show for the ABC network at that time.

His live concert special, An Evening with John Denver, won the 1974–1975 Emmy Award for Outstanding Special, Comedy-Variety or Music. When Denver ended his business relationship in 1982 because of Weintraub's focus on other projects, Weintraub threw Denver out of his office and accused him of Nazism. Denver later told Arthur Tobier, when the latter transcribed his autobiography, "I'd bend my principles to support something he wanted of me. And of course, every time you bend your principles — whether because you don't want to worry about it, or because you're afraid to stand up for fear of what you might lose — you sell your soul to the devil".

Denver was also a guest star on The Muppet Show, the beginning of the lifelong friendship between Denver and Jim Henson that spawned two television specials with the Muppets, A Christmas Together and Rocky Mountain Holiday. He also tried acting, appearing in "The Colorado Cattle Caper" episode of the McCloud television movie in February 1974. He starred in the 1977 film Oh, God! opposite George Burns. Denver hosted the Grammy Awards five times in the 1970s and 1980s, and guest-hosted The Tonight Show on multiple occasions. In 1975, he was awarded the Country Music Association's Entertainer of the Year award. At the ceremony, the outgoing Entertainer of the Year, Charlie Rich, presented the award to his successor after he set fire to the slip of paper containing the official notification of the award. Some speculated Rich was protesting the selection of a non-traditional country artist for the award, but Rich's son disputes that, saying his father was drunk, taking pain medication for a broken foot, and just trying to be funny. Denver's music was defended by country singer Kathy Mattea, who told Alanna Nash of Entertainment Weekly: "A lot of people write him off as lightweight, but he articulated a kind of optimism, and he brought acoustic music to the forefront, bridging folk, pop, and country in a fresh way ... People forget how huge he was worldwide."

In 1977, Denver co-founded The Hunger Project with Werner Erhard and Robert W. Fuller. He served for many years and supported the organization until his death. President Jimmy Carter appointed Denver to serve on the President's Commission on World Hunger. Denver wrote the song "I Want to Live" as the commission's theme song. In 1979, Denver performed "Rhymes & Reasons" at the Music for UNICEF Concert. Royalties from the concert performances were donated to UNICEF. His father taught him to fly in the mid-1970s, which led to their reconciliation. In 1980, Denver and his father, by then a lieutenant colonel, co-hosted an award-winning television special, The Higher We Fly: The History of Flight. It won the Osborn Award from the Aviation/Space Writers' Association, and was honored by the Houston Film Festival.

In the mid-1970s, Denver became outspoken in politics. He expressed his ecologic interests in the epic 1975 song "Calypso", an ode to the eponymous exploration ship RV Calypso used by Jacques Cousteau. In 1976, he campaigned for Carter, who became a close friend and ally. Denver was a supporter of the Democratic Party and of a number of charitable causes for the environmental movement, the homeless, the poor, the hungry, and the African AIDS crisis. He founded the charitable Windstar Foundation in 1976 to promote sustainable living. His dismay at the Chernobyl disaster led to precedent-setting concerts in parts of communist Asia and Europe.

During the 1980s, Denver was critical of the Reagan administration and remained active in his campaign against hunger, for which Reagan awarded Denver the Presidential World Without Hunger Award in 1987. Denver's criticism of the conservative politics of the 1980s was expressed in his autobiographical folk-rock ballad "Let Us Begin (What Are We Making Weapons For?)". In an open letter to the media, he wrote that he opposed oil drilling in the Arctic National Wildlife Refuge. Denver had battled to expand the refuge in the 1980s, and he praised President Bill Clinton for his opposition to the proposed drilling. The letter, which he wrote in the midst of the 1996 United States presidential election, was one of the last he ever wrote. Denver was also on the National Space Society's board of governors for many years.

Denver had a few more US Top 30 hits as the 1970s ended, but nothing to match his earlier success. He began to focus more on humanitarian and sustainability causes, focusing extensively on nature conservation projects. He made public expression of his acquaintances and friendships with ecological design researchers such as Richard Buckminster Fuller (about whom he wrote and composed "What One Man Can Do") and Amory Lovins, from whom he said he learned much. He also founded the environmental group Plant-It 2020 (originally Plant-It 2000). Denver had a keen interest in solutions to world hunger. He visited Africa during the 1980s to witness firsthand the suffering caused by starvation and work with African leaders toward solutions.

From 1973 to at least 1979, Denver annually performed at the yearly fundraising picnic for the Aspen Camp School for the Deaf, raising half of the camp's annual operating budget. During the Aspen Valley Hospital's $1.7 million capital campaign in 1979, Denver was the largest single donor.

In 1983 and 1984, Denver hosted the annual Grammy Awards. In the 1983 finale, Denver was joined on stage by folk music legend Joan Baez, with whom he led an all-star version of "Blowin' in the Wind" and "Let the Sunshine In", joined by such diverse musical icons as Jennifer Warnes, Donna Summer, and Rick James.

In 1984, ABC Sports president Roone Arledge asked Denver to compose and sing the theme song for the 1984 Winter Olympics in Sarajevo. Denver worked as both a performer and a skiing commentator, as skiing was another of his enthusiasms. He composed "The Gold and Beyond", and sang it for the Olympic Games athletes, as well as local venues including many schools.

In 1985, Denver asked to participate in the singing of "We Are the World", but was turned down. According to Ken Kragen (who helped to produce the song), Denver was turned down because many people felt his image would hurt the credibility of the song as a pop-rock anthem. "I didn't agree with this assessment", Kragen said, but he reluctantly turned Denver down anyway.

For Earth Day 1990, Denver was the on-camera narrator of a well-received environmental television program, In Partnership With Earth, with then-EPA Administrator William K. Reilly.

Due to his love of flying, he was attracted to NASA and became dedicated to America's work in outer space. He conscientiously worked to help bring into being the "Citizens in Space" program. In 1985 Denver received the NASA Exceptional Public Service Medal for "helping to increase awareness of space exploration by the peoples of the world", an award usually restricted to spaceflight engineers and designers. Also in 1985, he passed NASA's rigorous physical exam and was in line for a space flight, a finalist for the first citizen's trip on the Space Shuttle in 1986. After the Space Shuttle Challenger disaster with teacher Christa McAuliffe aboard, Denver dedicated his song "Flying for Me" to all astronauts, and continued to support NASA. He entered discussions with the Soviet space program about purchasing a flight aboard one of their rockets. The talks fell through after the price tag was rumored to be as high as $20 million.

Denver testified before the Senate Labor and Commerce Committee on the topic of censorship during a Parents Music Resource Center hearing in 1985. Contrary to his innocuous public image as a musician, Denver openly stood with more controversial witnesses like Dee Snider (of the heavy metal band Twisted Sister) and Frank Zappa in opposing the PMRC's objectives. For instance, Denver described how he was censored for "Rocky Mountain High", which was misconstrued as a drug song.

Denver also toured Russia in 1985. His eleven concerts in the USSR were the first by any American artist in more than 10 years. He returned two years later to perform at a benefit concert for the victims of the Chernobyl disaster.

In October 1992, Denver undertook a multiple-city tour of the People's Republic of China. He also released a greatest-hits CD, Homegrown, to raise money for homeless charities. In 1994, he published his autobiography, Take Me Home, in which he candidly spoke of his cannabis, LSD, and cocaine use, marital infidelities, and history of domestic violence. In 1996, he was inducted into the Songwriters Hall of Fame.

In 1997, Denver filmed an episode for the television series Nature, centering on the natural wonders that inspired many of his best-loved songs. His last song, "Yellowstone, Coming Home", composed while rafting along the Colorado River with his son and young daughter, is included. In the summer of 1997, shortly before his death, Denver recorded a children's train album for Sony Wonder, All Aboard!, produced by longtime friend Roger Nichols. The album consisted of old-fashioned swing, big band, folk, bluegrass, and gospel music woven into a theme of railroad songs. It won a posthumous Best Musical Album For Children Grammy, Denver's only Grammy. His final concert was held in Corpus Christi, Texas, at the Selena Auditorium on October 5.

Source