John Ashley

At 62 years old, John Ashley physical status not available right now. We will update John Ashley's height, weight, eye color, hair color, build, and measurements.

While still in college, Ashley was holidaying in California. He visited an alumnus of his college fraternity, Sigma Chi, who was a press agent who represented Dick Powell and John Wayne. The agent took him to the set of The Conqueror (1956), where he met Wayne, who had also belonged to Sigma Chi. Wayne was impressed with the young man's good looks and set him up with an interview with William Castle.

Castle was then making the TV anthology series Men of Annapolis, and was looking for someone to play a role that involved wrestling. Ashley's wrestling experience helped him get the job, and he did two episodes of the series, which helped him get an agent.

Ashley broke into films when he accompanied a girlfriend to an audition at American International Pictures for a part in Dragstrip Girl (1957), directed by Edward L. Cahn. "We had a date at 6 p.m. but first she had to read for a part in a movie", he later recalled. "I was sitting in American International Picture's waiting room and a guy walked out and said, `Have we read everyone? What about this young man here?' It was the old Hollywood story -- I got a part in the film and she didn't." He ended up getting the part as the villain; his audition included an Elvis Presley impersonation. AIP signed Ashley to a four-picture non-exclusive contract expected to run for two years.

Dragstrip Girl was a success relative to its small budget. Ashley became a particular favorite of the daughters of James H. Nicholson, one of the main figures at AIP, and Nicholson always hoped Ashley would become a big star. Ashley unsuccessfully auditioned for the lead in I Was a Teenage Werewolf (1957) but appeared in several of AIP's other movies.

Ashley's second role for AIP, Motorcycle Gang (1957), was almost identical to Dragstrip Girl (it was again directed by Cahn). By this stage, Ashley had been drafted, and production was held up until he completed his basic training and could go on leave.

Ashley only served six months in the Army, at the Presidio in San Francisco. AIP got an early release for him to appear in a war film, Suicide Battalion (1958), directed by Cahn.

Outside AIP, he had a small role as a singer for Paramount's Zero Hour! (1957), had the lead in Frankenstein's Daughter (1958) and guest starred on Jefferson Drum (1958) in the episode "Arrival".

In addition to acting, Ashley was also a singer. His manager, Jerry Capeheart, also managed Eddie Cochran and in July 1957 his first single was released on Intro Records – the standard "Bermuda" and the song "Let Yourself Go Go Go"; Ashley performed the latter in Zero Hour!. The release of the single was timed to coincide with the release of Dragstrip Girl.

Ashley went on to make a number of records, including the singles "Seriously in Love" (1958), "Let the Good Times Roll" (1958), "Born to Rock" (1958), and "Little Lou" (1961). In 1959, he recorded a double-sided single, "The Net" and "The Hangman," both of which were early collaborations between songwriters Burt Bacharach and Hal David.

Ashley would perform the occasional concert; one of his musicians for a time was Glen Campbell. Ashley later said Randy Wood, head of Dot Records, "was terrific... but the kind of music he wanted me to sing was the kind of material I really didn't feel I sang that well. He was a very clean cut image guy. He didn't necessarily want a hard rocker."

In 2001, the German label Hydra Records released Born to Rock, a compact disc collection of Ashley's music.

Ashley was given a cameo as a singer in AIP's How to Make a Monster (1958) at the request of Nicholson. Ashley later said "that was casting more or less against type at that point because I had been playing delinquents and heavies."

AIP wanted Ashley to make a film called Hot Rod Gang (1958) aka Fury Unleashed, written by Rusoff and directed by Lew Landers. Gene Vincent played himself and sang several songs, as did Ashley. It was Ashley's first sympathetic lead role.

He was offered a part on the TV series Matinee Theatre, in an episode called "The Alleyway" with Janis Paige, and asked for the movie to be postponed so he could take it. However, Samuel Arkoff of AIP refused, and got an injunction preventing Ashley from appearing on TV. "I never really forgave him for that", said Ashley. "I was very upset about it. I felt they could shift the schedule one day to allow me to do it. As it turned out, and I'm sure they had their reasons, they couldn't do it." This led to Ashley's refusing to re-sign his contract with AIP.

After his AIP contract wound up, Ashley worked steadily on TV. He was cast in the episode "Elkton Lake Feud" of the syndicated western television series Frontier Doctor, starring Rex Allen and directed by William Witney. He also appeared in the Henry Fonda show The Deputy ("The Wild Wind"), The Millionaire ("Susan Johnson", playing an aspiring singer) and Wagon Train ("The Amos Gibben Story"). Ashley thought he was often cast in Westerns because "I was from Oklahoma, and could ride, and had a bit of an accent when I first came out here. I always seemed the young Billy the Kid gunslinger."

Ashley returned to features with the lead in High School Caesar (1960), playing a tyrant at high school; it was made for an even smaller budget than his AIP films and was distributed by Roger Corman's Filmgroup. He went back to TV, guesting on Death Valley Days ("The Holdup-Proof Sale").

Ashley later said that at this stage of his career, he had no interest in the production side of things. "I was just having fun doing it", he said.

From 1961 to 1962, Ashley was cast in a co-starring role with Brian Kelly on the ABC adventure series Straightaway, set in an automobile mechanic shop and often focusing on the sport of drag racing. Ashley would occasionally sing. It ran for 26 episodes.

While a cast member of Straightaway, Ashley appeared in the 1961 episode, "The Holdup-Proof Safe" of then syndicated western anthology series, Death Valley Days, hosted by Stanley Andrews. He played the role of Sandy, a young rodeo performer who wants to become a deputy sheriff so that he can marry his sweetheart, Katie Downs (Susan Crane). However, he is arrested for the theft of funds from the "holdup-proof" safe in the building of merchant Gus Lammerson (Regis Toomey). With Katie's aid, Sandy escapes jail to find the real thieves.

Ashley also appeared in another episode of Wagon Train ("The Abel Weatherly Story"), as well as Rawhide ("Incident in the Garden of Eden"), The Beverly Hillbillies ("Elly Becomes a Secretary") and Petticoat Junction ("Spur Line to Shady Rest"). Ashley had a part in Hud (1963), perhaps his most acclaimed film, although several of his scenes wound up being cut in the final edit.

Ashley was one of the few AIP lead actors who made the transition from juvenile delinquent movies to beach party films when he was called back to the studio to play Ken, Frankie Avalon's best friend in Beach Party (1963). "The wounds had healed", said Ashley later. The movie was a success and AIP signed Ashley to do two more movies.

Ashley returned for the sequels Muscle Beach Party (1964) and Bikini Beach (1964), playing "Johnny" (essentially the same role as in Beach Party). He guest starred on Dr Kildare in "Night of the Beast" (1964).

Ashley was not in Pajama Party (1964), but did appear in Sergeant Deadhead (1965), once again playing Avalon's best friend. He was in Beach Blanket Bingo (1965), this time playing Avalon's rival. Both Sergeant Deadhead and Bingo featured Deborah Walley, whom Ashley had married in 1962.

Ashley later recalled shooting one of the beach party scenes with Avalon, saying, "Our backs were to the water camera and we were walking and talking and Frankie said, 'Man, can you believe us? Two 30-year-old guys out here in body make-up and red trunks.'"

Beach Blanket Bingo was the only beach movie where Ashley had much to do. "That was the only one where there was really a character", he said. "Other than that, it was basically 'Frankie's buddy stands – the guy in the red bathing suit.'"

Ashley was given a lead role for Azalea Films' The Eye Creatures (1965), filmed in Texas and directed by Larry Buchanan as a remake of AIP's Invasion of the Saucer Men (1957). Ashley later estimated his fee took up more than half the budget.

For Allied Artists, he played Baby Face Nelson in Young Dillinger (1965) alongside Nick Adams and Robert Conrad. He was reportedly going to do Three to Make Zero, a thriller with Conrad from a script by Richard Bakalyan but it was not made. Also announced but not made was Runaway Skis, meant to star Ashley and Walley, from a script by James Stacy and directed by Frank Paris.

Ashley's final beach party movie was How to Stuff a Wild Bikini (1965), where he played "Johnny"; he sang a few songs on the soundtrack. Ashley did not appear in the final film in the series, The Ghost in the Invisible Bikini (1966), although he was originally announced as starring in it and Walley did appear.

He guest starred on Conrad's show The Wild Wild West, appearing in "The Night of Watery Death", and was back on The Beverly Hillbillies in "The Cat Burglar" and "Mr. Universe Muscles".

In 1968, Ashley received an offer to make a film in the Philippines. As his marriage to Walley ended, he was keen to get out of the country and accepted. He made Brides of Blood (1968) for producer Eddie Romero, the second movie in Romero's "Blood Island" horror film series. Ashley also had a supporting role in a war film for Romero that starred James Shigeta titled Manila, Open City (1968).

Ashley starred in Hell on Wheels (1967), playing the brother of Marty Robbins. He also had a small role in 2001: A Space Odyssey playing an astronaut, a part that was cut from some editions of the film.

Ashley then returned to Oklahoma, where he ran some movie theaters. A distributor friend of Ashley's found success screening Brides of Blood and suggested that Ashley return to the Philippines to make another film there. Ashley agreed and returned to the Philippines to star in The Mad Doctor of Blood Island in 1969, co-directed by Romero. It did well at the box office, beginning a long-running association with the Philippines and with Romero. Ashley returned to the Philippines to make a sequel to Mad Doctor, Beast of Blood (1970) for Hemisphere Pictures, again directed by Romero.

"It was a release for me to live in the Philippines for three months a year", said Ashley. "I bought a condo there; it was like a vacation for me".

Romero recalled Ashley as "very easy to get along with, very companionable."

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