Joan Baez

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Joan Chandos Baez (born January 9, 1941) is an American singer, songwriter, guitarist, and activist.

Songs of resistance or social justice are often included in her contemporary folk music.

Baez has been performing professionally for more than 60 years, selling more than 30 albums.

She has performed in at least six other languages in addition to being fluent in Spanish and English. Baez is generally thought of as a folk singer, but her music has diversified since the 1960s counterculture boom and now includes genres such as folk rock, pop, country, and gospel music.

She began her recording career in 1960 and found immediate success.

Joan Baez, Joan Baez, Vol.2, and Joan Baez in Concert were among her first three albums to achieve gold-bestial status.

Baez, although a songwriter herself, generally interprets other composers' works, having performed songs by the Allman Brothers Band, Jackson Browne, Leonard Cohen, Woody Guthrie, Violeta Parra, the Rolling Stones, Pete Seeger, Peter Simon, Bob Marley, and many others.

She was one of Bob Dylan's first big artists to record their songs in the early 1960s; Baez was also a nationally recognized singer and helped to popularize his early songwriting efforts.

Ryan Adams, Josh Ritter, Steve Earl, Natalie Merchant, and Joe Henry have all had success interpreting the work of more recent songwriters, including Ryan Adams, Josh Ritter, Steve Earle, Natalie Merchant, and Joe Henry. "Diamonds & Rust" and excerpts from Phil Ochs' "Where But For Profit" and "The Night They Drove Old Dixie Down" are among Baez's best-known songs.

"We Shall Overcome" and "Farewell, Angelina" are among her ""Forever Young," "Forever Young," "Joe Hill," "Moe Hill," "You Is Just a Letter," "Home Is Just a Letter," "Forty Young," "Forever Young," "Here Is Just a Four-Letter Word," "You's To You," "Here Goe," "We Shall Overcom

Baez performed fourteen songs at the 1969 Woodstock Festival and has demonstrated a lifetime dedication to political and social activism in the fields of nonviolence, civil rights, human rights, and the environment.

On April 7, 2017, Baez was inducted into the Rock and Roll Hall of Fame.

Personal life

On January 9, 1941, Baez was born on Staten Island, New York. Reverend Alberto Baez, her grandmother, left the Catholic Church to become a Methodist minister and immigrated to the United States when her father was two years old. Albert Baez (1912–2007), her father, was born in Puebla, Mexico, and grew up in Brooklyn, New York, where his father preached to—and advocated for—a Spanish-speaking congregation. Albert first considered becoming a minister but instead devoted his attention to mathematics and physics and earned his PhD degree at Stanford University in 1950. Albert was later identified as the co-inventor of the x-ray microscope. John C. Baez, Joan's cousin, is a mathematical physicist.

Joan Chandos Baez, mother of two children of an English Anglican priest who claimed to descend from the Dukes of Chandos, was born in Edinburgh, Scotland, and she later claimed to be named "Big Joan." Born in April 1913, she died on April 20, 2013.

Pauline Thalia Baez Bryan (1938-2016), also known as Pauline Marden, and Margarita Mimi Baez Faria (1945–2001), who was better known as Mimi Faria, were two sisters. Both were political activists and musicians.

During Joan's youth, the Baez family converted to Quakerism, and she has continued to identify with the family's Quakerism, particularly in terms of pacifism and social issues. Baez was subjected to racial abuse and bigotry as a child growing up. As a result, she became involved with a variety of social causes early in her career. She refused to participate in any segregated white student venues, which meant she would attend only at black colleges when she traveled the Southern states.

Following her father's employment with UNESCO, their family has moved many times, living in towns around the United States, France, Switzerland, Spain, Canada, and Iraq, including Iraq. Joan Baez started working for a variety of social causes early in her career, including civil rights and nonviolence. Social justice, she said in the PBS series American Masters, is the true essence of her life, "looming greater than music."

Baez spent a majority of her formative years in San Francisco Bay, where she graduated from Palo Alto High School in 1958. Here, Baez dated Michael New, a fellow student named "Trinidad English" who appeared at her college in the late 1950s and was occasionally introduced as her husband. Baez committed her first act of civil disobedience by refusing to leave her Palo Alto High School classroom in Palo Alto, California, for an air raid drill.

Baez, a resident of Woodside, California, where she and her mother lived with her mother until the latter's death in 2013. She has said that her house has a backyard tree house in which she spends time reading, writing, and being "close to nature." Mimi's younger sister Mimi up until her death in 2001, and she said in the 2009 American Masters documentary that she had grown closer to her older sister Pauline in later years.

Since stepping down from the stage, she has dedicated herself to portraiture.

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Music career

"I was born gifted" in Baez's memoir And a Voice to Sing With (referring to her singing voice, which she explained was given to her and for which she can claim no blame). Joan's father's aunt gave her a ukulele. She learned four chords, which allowed her to play rhythm and blues, which was the style she was listening to at the time. However, her parents, who were concerned that the music would lead to a life of heroin use, were worried that it would lead to her becoming addicted. Baez was 13 when her aunt brought her to a concert by folk musician Pete Seeger, and Baez was moved by his music. She began singing the songs of his repertoire and performing them openly. One of her first public appearances occurred in Saratoga, California, for a youth group from Temple Beth Jacob, a Redwood City, California, Jewish synagogue. Baez' first Gibson acoustic guitar was purchased in 1957 by a few years ago.

Baez' father, a 1958 graduate from high school, accepted a teaching position at MIT and moved his family from San Francisco to Boston, Massachusetts. It was in the middle of the up-and-coming folk-music scene at the time, and Baez began performing near home in Boston and nearby Cambridge. She has worked in clubs as well as attended Boston University for about six weeks. She gave her first concert in 1958 at the Club 47 in Cambridge. When designing the poster for the event, Baez considered changing her performance name to either Rachel Sandperl, her longtime mentor Ira Sandperl's surname, or Maria from the song "They Call the Wind Maria." She later decided against doing so out of fear that others would suspect her of changing her last name because it was Spanish. The audience consisted of her parents, her sister Mimi, her boyfriend, and a few acquaintances, resulting in a total of eight patrons. She was paid ten dollars. Baez was later asked back and performed twice a week for $25 per show.

Baez and two other folk enthusiasts began planning to record an album in the cellar of a friend's house a few months ago. The three singers performed solos and duets, as well as a family friend who created the album cover, which was released on Veritas Records the same year as Folksingers 'Round Harvard Square.' Baez later met Bob Gibson and Odetta, who at the time were two of the most popular singers of folk and gospel music. Along with Marian Anderson and Pete Seeger, Baez cites Odetta as the source of his primary influence. Gibson invited Baez to appear with him at the 1959 Newport Folk Festival, where the two duets, "Virgin Mary Had One Son" and "We Are Crossing the Jordan River," were performed by the two couples. The appearance brought much attention to the "barefoot Madonna" with the otherworldly voice, and it was this appearance that led to Baez' signing with Vanguard Records the following year, although Columbia Records tried to sign her first. Baez later said she felt she'd be given more creative license under a more "lower" brand. "Madonna" has been Baez's nickname at the time, as well as her role as "Madonna" and her role as "Earth Mother";

She began her real life at the 1959 Newport Folk Festival. Joan Baez (1960), a folk artist from Fred Hellerman of The Weavers, recorded her first album for Vanguard (1960), who released many albums by folk artists. The range of traditional folk ballads, blues, and laments sung to her own guitar accompaniment did well. It featured many famous Child Ballads of the day, and it was recorded in just four days in the Ballroom of New York City's Manhattan Towers Hotel. "El Preso Numero Nueve," a song that would be entirely in Spanish, was also on the album, and she would re-record in 1974 for inclusion on her Spanish-language album Gracias a la Vida.

Baez made her New York concert debut on November 5, 1960, at the 92nd Street Y, and on November 11, 1961, she appeared at Town Hall for the first time. "That stunning soprano voice, as lustrous and rich as old gold, flowed purely with a wondrous ease all evening with a wondrous ease," Robert Shelton, a New York Times folk critic. Her singing (unwound) looks like a spool of satin." "I remember in 1961 your boss gave me this newspaper (clipping) in the mail,' a child of Baez Town Hall Concert, SRO." 'sold right out,' I thought, as SRO's main theme.' "I was so innocent of it all."

Joan Baez, Vol. 2, was her second appearance on the radio. Part 2 (1961): 2 (1961), went "gold" as did Joan Baez in Concert, Part 1 (1962) and Joan Baez in Concert, Part 1 (1963). Vol. 28, like its immediate predecessor, Joan Baez, Vol. The two boxes were mainly traditional. Joan Baez in Concert, Part 1 and its second edition were more unique in that they featured only new songs rather than established favorites, rather than traditional favorites. It was Joan Baez in Concert, Part 2 of Baez's first-ever Dylan cover.

Baez came out of the 1960s to be at the forefront of the American roots revival, where she introduced her fans to the then-unknown Bob Dylan and was imitated by musicians like Judy Collins, Emmylou Harris, Joni Mitchell, and Bonnie Raitt. Baez appeared on the front page of Time Magazine on November 23, 1962, a rare omension for a singer.

Despite being primarily an album artist, several of Baez's singles have charted, the first being her 1965 cover of Phil Ochs' "There but for Fortune," which has since become a top-ten hit in the United States and a top-ten single in the United Kingdom.

Baez also added other instruments to her albums on Farewell, Angelina (1965), which features several Dylan songs interspersed with more conventional fare.

Baez, a classical music conductor who made classical orchestrations for her next three albums, baptized: A Journey Through Our Time (1968). Nol was a Christmas album of traditional literature, while Baptism was akin to a concept album, starring Baez reading and performing poems by celebrated poets such as James Joyce, Federico Garca Lorca, and Walt Whitman. Joan compiled an exhibition of work by then-contemporary composers including John Lennon and Paul McCartney, Tim Hardin, Paul Simon, and Donovan.

In 1968, Baez rode in Nashville, Tennessee, where a marathon recording session resulted in two albums. Any Day Now (1968), the first book in the series, is mainly made up of Dylan covers. David's Album (1969), the country-infused David's Album (1969), was released by then-husband David Harris, a famous anti-Vietnam War protester who was later imprisoned for draft resistance. Beginning with David's album, Harris, a country music enthusiast, led Baez toward more complex country-rock influences.

Baez' first memoir, Daybreak, appeared in 1968 (by Dial Press). Her appearance at Woodstock in upstate New York in August 1969 raised her international musical and political profile, particularly after the success of the documentary film Woodstock (1970).

Baez began writing many of her own songs, beginning with "Sweet Sir Galahad" and "A Song For David," two songs on her 1970 (I Live) One Day at A Time; "Mimi" was a tribute to Harris; "A Song For David" was written about her sister Mimi's second marriage. A decidedly country sound was on display in One Day at a Time, like David's Album.

Baez' distinctive vocal style and political activism left a lasting impression on American popular music. She was one of the first performers to use her fame as a platform for political activism, singing, and marching for human rights and peace. Her early social justice campaigners included Pete Seeger, Odetta, and Harry Belafonte, a long friend. Baez came to be known as the "most gifted interpretive folksinger/songwriter of the 1960s." Her fame grew outside of the folk music audience. Of her fourteen Vanguard albums, thirteen made the top ten of Billboard's top 100, eight made the top ten, and four of her top ten.

Baez, who had been with Vanguard for eleven years, decided in 1971 to break ties with the brand that had not released her albums since 1960. Vanguard's last album, Blessed Are... (1971), featured a top-ten hit in "The Night They Drove Old Dixie Down," her band's tribute to The Band's signature song. Baez, who came from the Shadows (1972), moved to A&M Records, where she remained for four years and six albums.

In 1971, Joan Baez wrote "The Story of Bangladesh." This song was based on the Pakistani army crackdown on unarmed Bengali students at Dhaka University on March 25, 1971, which sparked the long-running Bangladesh Liberation War. The song was later released on Chandos Music's 1972 album "The Song of Bangladesh."

She reunited with composer Peter Schickele to record two songs, "Rejoice in the Sun" and "Silent Running" for the science-fiction film Silent Running, during this period in late 1971. On Dec. (32890), the two songs were released as a single. In addition to this, Varèse Sarabande released another LP on Decca (DL 7-9188) and later reissued on black (STV-81072) and green (VC-81072) vinyl. The "Valley Forge Record Groupe" was the first limited edition on CD released in 1998.

Come From the Shadows, Baez' first album for A&M, was released in Nashville, and featured a number of more personal compositions, including "Love Song to a Stranger" and "Myth," as well as work by Mimi Farina, John Lennon, and Anna Marley.

Where Are You Now, My Son?

Gracias a la Vida (1974) (the title song written and first performed by Chilean folk singer Violeta Parra) followed, and was a huge hit in both Latin America and North America. It contained the song "Cucurrucuc Paloma." The album featured her second top-ten hit single in the form of the title track, as well as writing her own songs for Diamonds & Rust (1975).

Baez parted ways with a record company after Gulf Winds (1976), an album of completely self-composed songs and From Every Stage (1976), a live album on which Baez performed songs "from every stage" of her career, and From Every Stage (1979), a tribute to her 1979-British composer.

Baez earned her Doctor of Humanities Letters degree from Antioch University and Rutgers University in 1980 for her political activism and her "universality of her music." She appeared on the Grammy Awards in 1983, performing Dylan's "Blowin' in the Wind," a number she first performed twenty years ago.

Baez was also involved in the 1985 Live Aid concert for African famine relief in Philadelphia, Pennsylvania, opening the U.S. segment of the festival. She has toured for many causes, including Amnesty International's 1986 A Conspiracy of Hope tour and a guest spot on their forthcoming Human Rights Now tour. Tour de France.

Baez discovered herself without an American label for the launch of Live Europe 83 (1984), which was released in Europe and Canada but not in the United States, but not in the United States. Until recently (1987) on Gold Castle Records, she did not have an American release until the album.

And a Voice to Sing With, Baez' second autobiography, was published in 1987 and became a New York Times bestseller. She returned to the Middle East in the same year as a child to visit Israel and the Palestinians in order to play songs of peace.

Baez appeared at a music festival in Czechoslovakia's communist Czechoslovakia in May 1989. Bratislavská lra (Bratislavská lra) While visiting there, she met with future Czechoslovak President Václav Havel, who allowed her guitar to be carried to avoid his capture by government agents. She welcomed members of Charter 77, a dissident human rights group, which culminated in her microphone being cut off abruptly. For the nearly four thousand people assembled, Baez then proceeded to perform a cappella. Havel cited her as a source of inspiration and influence in that country's Velvet Revolution, which saw the overthrown Soviet-ruled Communist government deposing the opposition.

Baez released two more albums with Gold Castle, including a 'Talking of Dreams (1989) and Brothers in Arms (1991). She then secured a Virgin Records recording Play Me Backwards (1992) for Virgin shortly before the company was purchased by EMI. She then moved to Guardian, where she produced Ring Them Bells (1995) and Gone from Danger (1997).

She came to Bosnia and Herzegovina, former Yugoslavia's war-torn, in 1993 on the invitation of Refugees International and funded by the Soros Foundation in an attempt to bring greater awareness to the people there. She was the first major artist to perform in Sarajevo after the Yugoslav civil war's outbreak.

In October of that year, Baez became the first major artist to perform in a professional concert on Alcatraz Island (a former US federal jail) in San Francisco, California, for her sister Mimi's Bread and Roses group. In 1996, she appeared at a new venue for the second time.

Baez has had several fruitful long-term appearances as a lead character at San Francisco's Teatro Zinzanni beginning in 2001. Vanguard re-released Baez's first 13 albums in August 2001, which she recorded for the brand between 1960 and 1971. The reissues, which are available as part of Vanguard's Original Master Series, feature digitally enhanced sound, unreleased bonus songs, new and original artwork, and Arthur Levy's new liner-note essays. In the same way, her six A&M albums were reissued in 2003.

Baez was also a judge for the third annual Independent Music Awards to promote independent artists' careers in 2003. Dark Chords on a Big Guitar, a compilation of composers half her age, was released in November 2004, Bowery Songs (2005), a live broadcast in New York City.

She appeared at the Hardly Strictly Bluegrass festival in Golden Gate Park, San Francisco, on October 1, 2005. Baez appeared at Lou Rawls' funeral, where she led Jesse Jackson, Sr., Wonder, and others in the singing of "Amazing Grace" on January 13, 2006. Baez appeared with Bruce Springsteen on stage at his San Francisco show "Pay Me My Money Down," where the two performed the rolling anthem "Pay Me My Money Down." Baez contributed a live, retooled version of her legendary song "Sweet Sir Galahad" to a Starbucks exclusive XM Artist Confidential album in September 2006. In the current version, she renamed the lyric "here's to the dawn of their days" to "here's to the dawn of her days" as a nodulation to her late sister Mimi, about whom Baez wrote the song in 1969. She appeared at the opening ceremony of the Forum 2000 international conference in Prague, Czech Republic, later today, October 8, 2006. Until the moment she appeared on stage, her performance was kept private from former Czech Republic President Havel until she appeared on stage. Havel was a huge fan of both Baez and her art. The two performers met again in Prague's Lucerna Hall, a building that was erected by Havel's grandfather during Baez' next visit to Prague in April 2007. She made a guest appearance at the Oakland, California, Paraphrasedoutput: On December 2, 2006, she appeared at the Interfaith Gospel Choir's Christmas Concert. Her appearances included "Let Us Break Bread Together" and "Amazing Grace" as two separate projects. In the final of "O Holy Night," she also joined the choir.

Proper Records reissued her live album Ring Them Bells (1995), which featured duets with artists ranging from Dar Williams and Mimi Faria to Indigo Girls and Mary Chapin Carpenter. The reissue includes a 16-page booklet and six unreleased live tracks from the original recording sessions, including "You Ain't Goin' Nowhere," "Gracias Alive," "You Ain't Goin' Nowhere," "You Ain't Goin't Goin' Nowhere," "Meordie," "You Ain't Goin' Nowhere," "The Water Is Wide," and "Stones in the Road," In addition, Baez's "Jim Crow" duet with John Mellencamp appears on his album Freedom's Road (2006). She received the Grammy Lifetime Achievement Award in February 2007. She appeared at the Grammy Awards ceremony and introduced the Dixie Chicks' appearance the day after being honoured.

The studio album Day After Tomorrow, produced by Steve Earle and starring three of his songs, was released on September 9, 2008. Baez's first charting record in nearly three decades was on the album. Baez performed on the acoustic stage at the Glastonbury Festival in Glastonbury, United Kingdom, on June 29, 2008, to a packed audience. She appeared at the Montreux Jazz Festival in Montreux, Switzerland, on July 6, 2008. She spontaneously danced on stage with a group of African percussionists during the concert's finale.

Baez appeared at the Newport Folk Festival on August 2, 2009, marking her 50th anniversary of her debut at the first festival. PBS aired an episode of its documentary series American Masters, titled Joan Baez: How Sweet the Sound, on October 14, 2009. It was created and directed by Mary Wharton. The soundtrack's DVD and CD were released at the same time.

"Nasty Man," Baez' first new song in 27 years, became a viral hit on April 4, 2017. She was inducted into the Rock and Roll Hall of Fame on April 7, 2017. Whistle Down the Wind, a Grammy-nominated artist who was nominated for a Grammy, debuted in several countries and was nominated for a Grammy, and she undertook "Fare the E Well Tour" to promote the album on March 2, 2018. Baez told Rolling Stone on April 30, 2019 that she had been invited to appear at the Woodstock 50 festival but had to decline because "it was too difficult to even participate in" and her "instincts" were saying "no."

Joan Baez played her last concert at Teatro Real in Madrid on July 28, 2019.

In 2021, it was announced that she would be honoured with a 2020 Kennedy Center Honor in a ceremony that had been postponed due to the COVID-19 pandemic pandemic.

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