Jan Kaplicky

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In England, Kaplický first worked for Denys Lasdun and Partners (1969–1971), then obtained employment with the office of Renzo Piano and Richard Rogers (1971–1973), where he worked on DRU extension at Aybrook Street, London and later helping to develop the design for the Centre Georges Pompidou (constructed 1971–1977) in Paris by joining the team of more than 30 strong. When the practice relocated to Paris, he was unable to follow as at that time he still did not have a British passport. After working with Jiřičná, and a short spell at Spencer and Webster, Associates (1974–1975), he joined Foster Associates, now Foster and Partners (1979–1983).

At the same time, in 1979 Kaplický set up his own architectural think tank called Future Systems with David Nixon, and began to develop an architectural style that combined organic forms with high tech futurism. Among the drawings he made were structures orbiting the earth built by robots, weekend houses resembling survival capsules that could be transported by helicopter, and home interiors that could be manipulated. In the 1980s his design for the Grand Buildings in Trafalgar Square, London, was a free-form monocoque structure pierced by portholes; it lost to a more conventional reconstruction of an Edwardian facade. Kaplický told BusinessWeek in 2005: "Where is it written that buildings have to be boxes? People aren't boxes."

Amanda Levete joined Future Systems as a partner in 1989. Kaplický and Levete married in 1991 and were a couple for 15 years; they had a son named Josef. Although they divorced in 2006, they continued their professional association in the architectural practice, saying that the separation strengthened their working relationship.

Although Kaplický was a finalist for the Prince Philip Prize for designer of the year in 1991, for the first 15 years of its existence Future Systems received few commissions, and it was not until 1994 that the company was commissioned to build the new media centre at Lord's Cricket Ground which eventually won the Royal Institute of British Architects (RIBA) Stirling Prize – considered the most prestigious architecture award in the UK – in 1999 and the World Architecture Awards in 2001. Kaplický considered the media centre "my favourite creation", saying, "It is something which was revolutionary in many areas – a real technical achievement – but above all, the people operating inside it have said: 'We love it,' and that's great." In 2000, he was made an Honourable Fellow of RIBA. Future Systems' next major project, the iconic Selfridges Building in the Bull Ring in Birmingham, won seven awards, including the RIBA Award for Architecture 2004. That year, Kaplický was the subject of a Czech documentary entitled Profil (Profile).

In 2007, Kaplický won the design competition for the new Czech National Library building. This was to have been his first major building in his home country, and he said the project was the most important event in his life. However, the design for the building, resembling a green and purple blob and nicknamed by locals "the Octopus", was heavily criticised. President of the Czech Republic Václav Klaus was overheard saying he would be willing to prevent the building going ahead with his own body; his spokesman later clarified it was an off-hand remark that had not been meant to be taken seriously. Pavel Bém, the Civic Democrat Mayor of Prague, supported the design when it was selected but later become hostile to it, saying that the City Council of Prague, which is dominated by the Civil Democratic Party, would not allow the Octopus to be built as it would ruin Prague's panorama. Vlastimil Jezek, a former director of the Library, regarded Kaplický as "another protagonist of Czech culture who has been crushed by Czech narrow-mindedness." Although the design was eventually dropped, Kaplický remained hopeful that the building would be built through funds from a private foundation established for this purpose.

Apart from his design work, Kaplický was active in the education of architects. He taught from 1982 to 1988 at the Architectural Association School of Architecture, the oldest independent architectural school in the UK, and in 1992 at the School of Architecture in Bordeaux and at the Design Workshop of the Technische Universität Berlin. He was also an external examiner for the Architectural Association between 1995 and 1998, and in 2000 was an assessor for the Domus Awards of the B.B.J. Competition in Milan.

In October 2008, news broke that Kaplický and Levete intended to go their separate ways after having collaborated professionally for 20 years. Kaplický was due to keep the Future Systems practice name.

Towards the end of his life, Kaplický began to spend more time in the Czech Republic, where he was awaiting the construction of the Czech National Library and where his design for the Congress and Concert Hall Centre in České Budějovice (Budweis) had been approved. He married the film producer Eliška Kaplický, née Fuchsová, in 2007. On 14 January 2009, hours after the birth of his daughter Johanna Kaplická, he collapsed on a street in Prague near Vítězné náměstí (Victory Square) with heart failure and could not be revived by emergency services. The city authorities of Budweis have announced their determination to obtain funding to finally build a Kaplický building in his native Czech Republic.

In a 2002 interview with The Observer, Kaplický said: "The world is full of beautiful things, and you have to be observant as an architect – if not, you are in trouble. Creativity is everywhere. ... The initial idea for a job comes to me literally just like that sometimes, and if that first idea is good then you are on the right track. It's not a sign of creativity to have 65 ideas for one problem, that's just a waste of energy. I also don't think you need to go anywhere particular to be creative; people just use that as an excuse. But I do think a lot of creativity depends on your relationships with other people, your personal relationships, your partner or whatever. Your personal happiness or unhappiness comes out in your work, it's a reflection of your emotional state and you can't separate the two."

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