Dottie West

At 58 years old, Dottie West has this physical status:

West earned her first top-40 hit in 1963 with "Let Me Off at the Corner", followed a year later by the top-10 duet with Jim Reeves, "Love Is No Excuse". Also in 1964, she auditioned for RCA Victor producer Chet Atkins, the architect of the Nashville sound, who agreed to produce her composition "Here Comes My Baby". The single made West the first female country artist to win a Grammy Award (Best Female Country Vocal Performance), leading to an invitation to join the Grand Ole Opry. "Here Comes My Baby" reached number 10 on Billboard country charts in 1964. After releasing the Here Comes My Baby LP in 1965, West and producer Chet Atkins reunited the following year for Suffer Time, which generated her biggest hit yet in "Would You Hold It Against Me". In 1967, the West/Atkins pairing issued three separate albums: With All My Heart and Soul (featuring the number-eight smash "Paper Mansions"), Dottie West Sings Sacred Ballads, and I'll Help You Forget Her.

During the same period, she also appeared in a pair of films, Second Fiddle to a Steel Guitar and There's a Still on the Hill. She continued to have success as a solo artist during the late 1960s, with such songs as "What's Come Over My Baby" and "Country Girl", which garnered her an offer to write a commercial based on it for Coca-Cola in 1970. The soft-drink company liked the result so much, it signed her to a lifetime contract as a jingle writer.

After the 1968 LP Country Girl, West teamed with Don Gibson for a record of duets, Dottie and Don, featuring the number-two hit "Rings of Gold" released in 1969. The album was her last with Atkins, and she followed it in 1970 with two releases, Forever Yours and Country Boy and Country Girl, a collection of pairings with Jimmy Dean. Around the time of Have You Heard Dottie West, released in 1971, she left her husband Bill, and in 1972, married drummer Byron Metcalf, who was 12 years her junior. Due possibly in part to her recent stratospheric success with duets, her solo career suffered between 1969 and 1972. Most of her singles released at the time had failed even to peak in the top 40, and her album sales were declining.

In 1973, West provided Coca-Cola with another advertisement, featuring a song called "Country Sunshine". The popularity of the commercial prompted her to release the song as a single, and it became one of her biggest hits, reaching number two on the country chart and number 49 on the pop chart. The ad itself netted a Clio Award for commercial of the year and she became the first country artist ever to win that particular honor. "Country Sunshine" proved to be a solid comeback, as she was nominated for two Grammys for the song, Best Country Song and Best Female Country Vocal Performance a year later.

After the release of House of Love in 1974, West notched a number of top-40 hits, including the top-10 "Last Time I Saw Him", "House of Love", and "Lay Back Lover". Before signing with United Artists Records in 1976, her final RCA album, Carolina Cousins, was released in 1975.

In the late 1970s, West's image underwent a major metamorphosis; the woman who had once performed outfitted in conservative gingham dresses, and had originally refused to record Kris Kristofferson's "Help Me Make It Through the Night" because it was "too sexy", began appearing in spandex-sequined Bob Mackie designs with 20 costumes under a $400,000 contract (she had relented in late 1970 and recorded "Help Me Make It Through the Night" on the album Careless Hands, which was released in 1971). As the sexual revolution peaked, so did West's career. Under United Artists, West's material changed from traditional country to up-tempo and slow-tempo Adult Contemporary-styled music. In 1977, West released her first album under United Artists, When It's Just You and Me. The title track peaked at number 19 on the country chart.

In 1977, she was due to record the song "Every Time Two Fools Collide", when Kenny Rogers vocals were added. Released as a duet, the single hit number one, West's first; the duo's 1979 "All I Ever Need Is You" and 1981 "What Are We Doin' in Love" topped the chart. A 1979 duets album, Classics, also proved successful. The duo proved popular enough to be booked in some of the biggest venues in the United States and other countries. In 1978 and 1979, the duo won the Country Music Association's "Vocal Duo of the Year" award.

In 1980, West filed for divorce from Byron Metcalf, citing his drinking and infidelity.

During the 1980s, West continued to generate solo hits, most notably "A Lesson in Leavin'". Her popularity as a featured performer on the Grand Ole Opry endured. "A Lesson in Leavin'" was West's first number-one solo hit. It also peaked at number 73 on the pop charts. A week before "A Lesson in Leavin'" reached the number-one, it was part of a historic top five in country music, when those spots were all held by women. The album that included this song, Special Delivery, included two other top-15 country hits from 1980, "You Pick Me Up (And Put Me Down)" and "Leavin's for Unbelievers". In 1981, West had a pair of back-to-back number-one hits, "Are You Happy Baby" and "What Are We Doin' in Love" with Kenny Rogers. "What Are We Doin' in Love" was West's only top-40 hit on the pop charts, reaching number 14, becoming a major crossover hit in mid-1981. Her 1981 album Wild West was one of her biggest sellers.

As the 1980s progressed, West's popularity began to slip. However, she did introduce herself to younger audiences as she lent her voice to Melissa Raccoon in the film The Raccoons and the Lost Star (1983), a precursor to the later series produced by Kevin Gillis, The Raccoons. West's 1982 album High Time spawned her last top-20 hit, "It's High Time", which reached number 16. The album's other single, "You're Not Easy to Forget", peaked at only number 26. West's next two albums under Liberty Records, Full Circle and New Horizons, were both commercial failures. West's last top-40 hit was "Tulsa Ballroom" (1983). In 1984, West departed from her label and switched to the independent label Permian.

In 1981, West's daughter Shelly also made a career in country music; she is best known for her hit duet with David Frizzell, "You're the Reason God Made Oklahoma", which hit number one that year. As a solo artist, Shelly notched her own number one in 1983 entitled "José Cuervo". During the early and mid-1980s, Shelly achieved several more hits, including top-10 solo hits "Flight 309 to Tennessee" and "Another Motel Memory". After getting married in the late 1980s, Shelly left the music business.

In 1982, West was asked to play the lead role in the stage production of The Best Little Whorehouse in Texas. That summer, she toured for four weeks in the stage production, performing across the country. She had her own float in the Macy's Thanksgiving Day Parade that year. She also posed for a revealing photo in the men's magazine Oui. In 1983, she married her sound man, Al Winters, 22 years her junior. In 1984, she appeared in the play Bring It On Home. In 1986, she made her screen debut in the science-fiction film The Aurora Encounter. In 1984, West released her final studio album, Just Dottie. This album was not very successful; all three of the singles that it contained failed to chart in the top 40. Her last chart hit, "We Know Better Now", reached only number 53 in 1985.

In 1983, West, who was a lifelong active Democrat, performed on the party's syndicated telethon, "Celebrate America".

Source