Sherman Alexie

At 58 years old, Sherman Alexie physical status not available right now. We will update Sherman Alexie's height, weight, eye color, hair color, build, and measurements.

Alexie published his first collection of poetry, The Business of Fancydancing: Stories and Poems, in 1992 through Hanging Loose Press. With that success, Alexie stopped drinking and quit school just three credits short of a degree. However, in 1995, he was awarded an honorary bachelor's degree from Washington State University.

In 2005, Alexie became a founding board member of Longhouse Media, a non-profit organization that is committed to teaching filmmaking skills to Native American youth and using media for cultural expression and social change. Alexie has long supported youth programs and initiatives dedicated to supporting at-risk Native youth.

Alexie's stories have been included in several short story anthologies, including The Best American Short Stories 2004, edited by Lorrie Moore; and Pushcart Prize XXIX of the Small Presses. Additionally, a number of his pieces have been published in various literary magazines and journals, as well as online publications.

Alexie's poetry, short stories and novels explore themes of despair, poverty, violence and alcoholism among the lives of Native American people, both on and off the reservation. They are lightened by wit and humor. According to Sarah A. Quirk from the Dictionary of Library Biography, Alexie asks three questions across all of his works: "What does it mean to live as an Indian in this time? What does it mean to be an Indian man? Finally, what does it mean to live on an Indian reservation?" The protagonists in most of his literary works exhibit a constant struggle with themselves and their own sense of powerlessness in white American society.

Within a year of graduating from college, Alexie received the Washington State Arts Commission Poetry Fellowship and the National Endowment for the Arts Poetry Fellowship. His career began with the publishing of his first two collections of poetry in 1992, entitled, I Would Steal Horses and The Business of Fancydancing. In these poems, Alexie uses humor to express the struggles of contemporary Indians on reservations. Common themes include alcoholism, poverty and racism. Although he uses humor to express his feelings, the underlying message is very serious. Alexie was awarded The Chad Walsh Poetry Prize by the Beloit Poetry Journal in 1995.

The Business of Fancydancing: Stories and Poems (1992) was well received, selling over 10,000 copies. Alexie refers to his writing as "fancydancing," a flashy, colorful style of competitive Pow wow dancing. Whereas older, traditional forms of Indian dance may be ceremonial and kept private among tribal members, the fancydance style was created by Native American veterans from World War II as a form of public entertainment. Alexie compares the mental, emotional, and spiritual outlet that he finds in his writings to the vivid self-expression of the dancers. Leslie Ullman commented on The Business of Fancydancing in the Kenyon Review, writing that Alexie "weaves a curiously soft-blended tapestry of humor, humility, pride and metaphysical provocation out of the hard realities...: the tin-shack lives, the alcohol dreams, the bad luck and burlesque disasters, and the self-destructive courage of his characters."

Alexie's other collections of poetry include:

Alexie published his first prose work, entitled The Lone Ranger and Tonto Fistfight in Heaven, in 1993. The book consists of a series of short stories that are interconnected. Several prominent characters are explored, and they have been featured in later works by Alexie. According to Sarah A. Quirk, The Lone Ranger and Tonto Fistfight in Heaven can be considered a bildungsroman with dual protagonists, "Victor Joseph and Thomas Builds-the-Fire, moving from relative innocence to a mature level on experience."

Ten Little Indians (2004) is a collection of "nine extraordinary short stories set in and around the Seattle area, featuring Spokane Indians from all walks of urban life," according to Christine C. Menefee of the School Library Journal. In this collection, Alexie "challenges stereotypes that whites have of Native Americans and at the same time shows the Native American characters coming to terms with their own identities."

War Dances is a collection of short stories, poems, and short works. It won the 2010 PEN/Faulkner Award for Fiction. The collection, however, received mixed reviews.

Other short stories by Alexie include:

In his first novel, Reservation Blues (1995), Alexie revisits some of the characters from The Lone Ranger and Tonto Fistfight in Heaven. Thomas Builds-the-Fire, Victor Joseph, and Junior Polatkin, who have grown up together on the Spokane Indian reservation, were teenagers in the short story collection. In Reservation Blues they are now adult men in their thirties. Some of them are now musicians and in a band together. Verlyn Klinkenborg of the Los Angeles Times wrote in a 1995 review of Reservation Blues: "you can feel Alexie's purposely divided attention, his alertness to a divided audience, Native American and Anglo." Klinkenborg says that Alexie is "willing to risk didacticism whenever he stops to explain the particulars of the Spokane and, more broadly, the Native American experience to his readers."

Indian Killer (1996) is a murder mystery set among Native American adults in contemporary Seattle, where the characters struggle with urban life, mental health, and the knowledge that there is a serial killer on the loose. Characters deal with the racism in the university system, as well as in the community at large, where Indians are subjected to being lectured about their own culture by white professors who are actually ignorant of Indian cultures.

Alexie's young adult novel, The Absolutely True Diary of a Part-Time Indian (2007) is a coming-of-age story that began as a memoir of his life and family on the Spokane Indian reservation. The novel focuses on a fourteen-year-old Indian named Arnold Spirit. The novel is semi-autobiographical, including many events and elements of Alexie's life. For example, Arnold was born with hydrocephalus, and was teased a lot as a child. The story also portrays events after Arnold's transfer to Reardan High School, which Alexie attended. The novel received great reviews and continues to be a top seller. Bruce Barcott from the New York Times Book Review observed, "Working in the voice of a 14-year-old forces Alexie to strip everything down to action and emotion, so that reading becomes more like listening to your smart, funny best friend recount his day while waiting after school for a ride home."

Flight (2007) also features an adolescent protagonist. The narrator, who calls himself "Zits," is a fifteen-year-old orphan of mixed Native and European ancestry who has bounced around the foster system in Seattle. The novel explores experiences of the past, as Zits experiences short windows into others' lives after he believes to be shot while committing a crime.

Alexie's memoir, You Don't Have to Say You Love Me, was released by Hachette in June 2017. Claudia Rowe of The Seattle Times wrote in June 2017 that the memoir "pulls readers so deeply into the author's youth on the Spokane Indian Reservation that most will forget all about facile comparisons and simply surrender to Alexie's unmistakable patois of humor and profanity, history and pathos." Alexie cancelled his book tour in support of You Don't Have to Say You Love Me in July 2017 due to the emotional toll that promoting the book was taking. In September 2017, he decided to resume the tour, with some significant changes. As he related to Laurie Hertzel of The Star Tribune, "I’m not performing the book," he said. "I’m getting interviewed. That's a whole different thing." He went on to add that he won't be answering any questions that he doesn't want to answer. "I’ll put my armor back on," he said.

In 1998 Alexie's film, Smoke Signals gained considerable attention. Alexie based the screenplay on his short story collection, The Lone Ranger and Tonto Fistfight in Heaven, and characters and events from a number of Alexie's works make appearances in the film. The film was directed by Chris Eyre, (Cheyenne-Arapaho) with a predominantly Native American production team and cast. The film is a road movie and buddy film, featuring two young Indians, Victor Joseph (Adam Beach) and Thomas Builds the Fire (Evan Adams), who leave the reservation on a road trip to retrieve the body of Victor's dead father (Gary Farmer). During their journey the characters' childhood is explored via flashbacks. The film took top honors at the Sundance Film Festival. It received an 86% and "fresh" rating from the online film database Rotten Tomatoes.

The Business of Fancydancing, written and directed by Alexie in 2002, explores themes of Indian identity, gay identity, cultural involvement vs blood quantum, living on the reservation or off it, and other issues related to what makes someone a "real Indian." The title refers to the protagonist's choice to leave the reservation and make his living performing for predominantly-white audiences. Evan Adams, who plays Thomas Builds the Fire in "Smoke Signals", again stars, now as an urban gay man with a white partner. The death of a peer brings the protagonist home to the reservation, where he reunites with his friends from his childhood and youth. The film is unique in that Alexie hired an almost completely female crew to produce the film. Many of the actors improvised their dialogue, based on real events in their lives. It received a 57% and "rotten" rating from the online Film database Rotten Tomatoes.

Other film projects include:

Source