Sanzi
Sanzi was born in Yangzhou, Jiangsu, China on April 22nd, 1965 and is the Chinese Artist. At the age of 59, Sanzi biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.
At 59 years old, Sanzi physical status not available right now. We will update Sanzi's height, weight, eye color, hair color, build, and measurements.
However upon arrival in Shenzhen, he found his attempts to exhibit his work frustrated; boom time Shenzhen society was engrossed in fast money and commerce, not art. In addition, his unconventional approach to art and design set him apart from traditional Chinese work and was not appreciated by the few local art dealers.
After repeated rejection and out of increasing desperation, he decided that his only choice was to promote his works himself. During the year 2000, Sanzi's works increasingly came to the attention of private European collectors who appreciated the uniqueness of his art. This brought him both recognition and the funding necessary for his later, larger-scale solo exhibitions and promotions.
During the late 1990s to 2007, the subjects of his paintings were increasingly centered around Taoism. In parallel, he created the first female figurative series, and named the series "Summer".
The works in this period are often rendered in shades of pale grey, light gold, white and egg blue.
He also produced a series of conceptual landscapes later in this period, where the influence of surrealism and cubism can be clearly observed. These landscapes are appreciated as something of a rarity. He signed his works in this period with his full name, with either Chinese characters or Pinyin.
In early 2008, a few pieces of his work were exhibited in Hong Kong with the assistance of a private curator, which introduced his works to the upper echelons of Hong Kong business. He was contracted to work with the interior design of high-profile architecture projects, including the Bank of China Hong Kong Office.
These projects occupied most of his time outside the studio, and the frequent traveling replayed his childhood.
During this period, his works took on more intense colors such as fiery browns and bright oranges, although the iconic Taoism figures remained intact.