Ryuichi Sakamoto

At 72 years old, Ryuichi Sakamoto physical status not available right now. We will update Ryuichi Sakamoto's height, weight, eye color, hair color, build, and measurements.

Career

In 1970, Sakamoto received a B.A. degree from Tokyo National University of Fine Arts and Music, earning a B.A. An M.A. and a D.M.A. Both electronic and ethnic music are prominent in this book. He studied ethnomusicology with the intention of becoming a researcher in the field, especially in Japan (especially Okinawan), Indian, and African musical traditions. He was also trained in classical music and began experimenting with the latest in electronic music technology at the University, including synthesizers like the Buchla, Moog, and ARP. Claude Debussy, who referred to himself as his "hero" and said that "Asian music heavily inspired Debussy, and Debussy heavily influenced me, was one of Sakamoto's classical influences, and Debussy heavily influenced me. So, the music goes around the world and comes full circle."

Sakamoto collaborated with percussionist Tsuchitori Toshiyuki in 1975 to produce Disappointment-Hateruma. The trio formed the internationally famous electronic music band Yellow Magic Orchestra (YMO) in 1978 after being active as a session musician with Haruomi Hosono and Yukihiro Takahashi in 1977. The company, which is best known for its seminal influence on electronic music, pioneered electropop/technopop, synthpop, cyberpunk, cyberpunk music, ambient house, and electronica. The group's work has a long history in pop culture, from hip hop and techno to acid house, and general melodic music. Sakamoto was the guitarist and composer for a number of the band's hits, including "You're Ongaku" (1979), "You've Got to Help Yourself" (1980), and "Computer Game/Firecracker" (1979), "Rydeen" (1979), and "You've Got to Help Yourself" (1983); all of the band's hits include "Computer Game/Firecracker" (1978). He appeared on several recordings, including "Kimi ni Mune Kyun" (1983). Sakamoto's composition "Technopolis" (1979) was credited with contributing to techno music's advancement, while "Behind the Mask" (1978), a synthpop song in which he performed vocals through a vocoder, was later covered by a number of international artists, including Michael Jackson and Eric Clapton.

Sakamoto released his first solo album Thousand Knives of Ryichi Sakamoto in mid-1978 with the support of Hideki Matsutake —Hosono also contributed to the album "Thousand Knives." The album explored various styles, including "Thousand Knives" and "The End of Asia" (in which electronic music was mixed with traditional Japanese music), while "Grasshoppers" is a more minimalistic piano piece. The collection was released from April to July 1978 with a variety of electronic musical devices; the Oberheim Eight-Voice; the Moog III-C; the MINIMoog; the Korg SQ-10, an analog sequencer; and the Roland MC-8 Microcomposer, a music sequencer built by Matsutake and performed by Sakamoto; the Moog III-C; the Moog III-C; and the Micromoog; the VC; On the 1981 album BGM, The Yellow Magic Orchestra's "Thousand Knives" was released. This version was one of the first uses of the Roland TR-808 drum unit for YMO's live performance of "1000 Knives" in 1980 and their BGM album debut in 1981.

Sakamoto's solo album B-2 Unit, which has been referred to as his "edgiest" album and is best known for the electro-funk song "Riot in Lagos), which is considered a precursor to electro music (electro-funk), came as Sakamoto anticipated the beats and sounds of electro. Early electro and hip hop artists, such as Afrika Bambaata and Kurtis Mantronik, were inspired by the album, particularly "Riot in Lagos," with Mantronik blaming the work as a major influence on his electro hip hop band Mantronix. "Riot in Lagos" was included in Playgroup's compilation album Kings of Electro (2006), as well as other important electro compositions, such as Hashim's "Al-Naafyish" (1983).

Sakamoto's use of squelching bounce sounds and mechanical beats was later integrated into early electro and hip hop music performances, such as "Message II (Survival) (1982), by Melle Mel and Thomas Dolby; "Average" (1982), by Melle Mel and Thomas Dolby; Kurt Mantronik's Mantronix (1985). The 1980 release of "Riot in Lagos" by The Guardian in 2011 was voted one of the top events in dance history by The Guardian.

"Differencia" is one of several B-2 Unit tracks on "true tumbling beats and a stabbing bass synth that foreshadows jungle by nearly a decade. Some songs on the album also foreshadow genres such as IDM, broken beat, and industrial techno, as well as Actress and Oneohtrix Point Never. Sakamoto collaborated with UK reggae producer Dennis Bovell on several tracks on the record, incorporating elements of afrobeat and dub music.

Sakamoto released the single "War Head/Lexington Queen," an experimental synthpop and electro music collection, in 1980, and began a long-running relationship with David Sylvian, co-wrote and performed on the Japan track "Taking Islands In Africa." Sakamoto collaborated with Talking Heads and King Crimson guitarist Adrian Belew and Robin Scott on a album titled Left-Handed Dream in the following year. Sakamoto embarked on a new collaboration with Sylvian, "Bamboo Houses/Bamboo Music" in 1982, following Japan's dissolution. The Oricon singles chart was topped by Sakamoto's 1980 collaboration with Kiyoshiro Imawano, "Ikenai Rouge Magic."

Sakamoto appeared alongside David Bowie in director Nagisa Oshima's Merry Christmas Mr. Lawrence in 1983. Sakamoto not only starred in the film but also contributed to the film's main theme ("Forbidden Colours"), which became a minor hit. Sakamoto reflected on his time as an actor in the film, saying he "hung out" with Bowie every evening for a month while filming on location. Bowie was remembered as "straightforward" and "good," as he regretted that he never had the confidence to request Bowie's assistance when filming because Bowie was too "concentrated on acting" to be directed.

During the 1980s, Sakamoto released several solo albums. This collection of albums, while primarily focusing on the piano and synthesizer, included collaborations with artists such as Sylvian, David Byrne, Thomas Dolby, Nam June Paik, and Iggy Pop. Sakamoto's varied musical styles and narrowing down on a particular subject or theme, such as the Italian Futurism movement, would alternate between exploring a variety of musical styles and focusing on a particular subject or theme.

Sakamoto's explorations, influences, and collaborators continued to flourish outside of Japan in the late 1980s. Beauty (1989) includes a track list that blends pop with traditional Japanese and Okinawan songs, as well as Jill Jones' guest appearances, Robert Wyatt, Brian Wilson, and Robbie Robertson. Sakamoto's collaborations with a global range of artists include Roddy Frame, Dee Brave, Marco Prince, Marco Prince, Arto Lindsay, David Sylvian, and Ingrid Chavez were included in Heartbeat (1991) and Sweet Revenge (1994).

Sakamoto's "excursion into the land of easy-listening and Latin" was released in 1995, followed by the 1996 album, which featured a number of previously unveiled pieces arranged for solo piano, violin, and cello on the Sound On Sound website. Sakamoto created the entirety of an hour-long orchestral composition titled "Untitled 01" and was released on the album Discord (1998). The Sony Classical's Discord release was limited to a jewel case that was backed by a blue-colored slipcase made of foil, while the CD also included a data video track. The Ninja Tune record label released the Prayer/Salvation Remixes in 1998, for which popular electronica artists like Ashley Beedle and Andrea Parker remixed sections from Discord's "Prayer" and "Salvation" sections. Sakamoto collaborated mostly with guitarist David Torn and DJ Spooky; artist Laurie Anderson speaks out about the performance, and the recording was condensed from nine live performances of the work filmed during a Japanese tour. Discord was divided into four parts: "Grief," "Anger," "Prayer," and "Salvation"; Sakamoto said in 1998 that he was "not religious, but maybe spiritual"; and "The Prayer is to anyone or anything you want to hear."

Sakamoto further explained:

Massimo Milano, an Italian ethnomusicologist, first published Ryuichi Sakamoto in 1998. Conversazioni is a magazine published in Padova, Arcana. Both three editions of the book were released in Italian language. Sakamoto's new album, BTTB (1998), an acronym that stands for "Back to the Basics," was a rather dismissive reaction to the prior year's multilayered, elaborately orchestrated Discord. The album featured a number of original pieces on solo piano, including "Energy Flow" (a big success in Japan) and a dramatic, four-hand arrangement of the Yellow Magic Orchestra's classic "Tong Poo." He opened the show with a brief avant-garde DJ set under the stage name DJ Lovegroove.

In 1999, Sakamoto's long-awaited "opera" LIFE was released, with visual direction by Shiro Takatani, Dumb Type's artistic director. It debuted in Tokyo and Osaka with seven sold-out performances. Hundreds of artists, including Pina Bausch, Bernardo Bertolucci, Josep Carreras, the Dalai Lama, and Salman Rushdie were among the project's groundbreaking multi-genre multi-media project's contributions, including Pina Bausch, Bernardo Bertolucci, Josép Carreras, were included in this exciting multi-media project.

Sakamoto collaborated with cellist Jaques Morelenbaum (a member of his 1996 trio) and Paula Morelenbaum's wife, Paula, on a pair of albums honoring boss Antonio Carlos Jobim's career. Casa (2001), mainly in Jobim's home studio in Rio de Janeiro, with Sakamoto appearing on the late Jobim's grand piano. Since being included in The New York Times' top albums of 2002, the album was well-received. A live album, Live in Tokyo, and a second album, A Day in New York, are both forthcoming. Sakamoto and the Morelenbaums will also work on N.M.L. No More Landmine, an international effort to raise funds for the removal of landmines. Among the more than 300 performers, the trio will debut "Zero Landmine," which also includes David Sylvian, Brian Eno, Kraftwerk, Cyndi Lauper, and Haruo & Yukihiro Takahashi, the other two founding members of Yellow Magic Orchestra.

Sakamoto collaborated with Alva Noto (carsten Nicolai's alias) to produce Vrioon, an album of Sakamoto's piano clusters treated by Nicolai's unique method of digital manipulation, which involved the design of "micro-loops" and minimal percussion. The two artists created this piece by moving the pieces back and forth until they were satisfied with the end. This debut, which was released on German label Raster-Noton, was voted best in the electronica category for the year 2004 by British newspaper The Wire. Insen (2005), they continued to be released in a similar vein as Vrioon, but this album is a little more restrained and minimalist. They keep on collaborating and have two more albums out: utp_ (2008) and Summvs (2011).

Nokia, a Finnish smartphone manufacturer, had Sakamoto design ring and alert tones for their high-end phone, the Nokia 8800. Nokia's website had the ringtones for free in 2006. Around this time, a reunion of YMO cofounders Hosono and Takahashi caused a stir in the Japanese media. In 2007, they released a single "Reserve" and a DVD "HAS/YMO" in 2008. Sakamoto was honoured at the French Embassy in Tokyo in July 2009 as Officier des Arts et des Lettres.

Sakamoto worked on several projects with visual artist Shiro Takatani, including the installation LIFE - flexible, invisible, inaudible... (2007–2013) at the Museum of Contemporary Art Tokyo, Tokyo, between 2012 and the 2013 Sharjah Biennial (U.A.E. LIFE-WELL performed in 2013 and a special version for Park Hyatt Tokyo's 20th anniversary in 2014, and he performed live in two concerts LIFE-WELL starring actor Noh/Kyogen Mansai Nomura and Shiro Takatani's appearance in 2015.

Sakamoto, a 2013 jury member at the Venice International Film Festival, was a jury member. The jury watched 20 films and was chaired by filmmaker Bernardo Bertolucci.

Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014). Sakamoto issued a statement on July 10 announcing that he had been diagnosed with oropharyngeal cancer in late June of the same year. When he sought medical attention and recovery, he took a break from his work. Sakamoto's website revealed on August 3, 2015, that he was "in fantastic shape." I'm considering returning to work" and announcing that Haha to Kuraseba (Life with My Mother) will be provided by Yoji Yamada. Sakamoto also wrote the score for the Alejandro González Irrritu's film, The Revenant, for which he received a Golden Globe award in 2015.

Sakamoto would release a solo album in April 2017 through Milan Records; the new album, called async, was released on March 29, 2017 to critical acclaim. He was chosen to be on the jury for the main competition section of the 68th Berlin International Film Festival in February 2018.

A documentary about Sakamoto's life and work, Coda, was released on June 14, 2018. Sakamoto is chronicled in the film as he recovers from cancer and resumes producing music, protests nuclear power plants after the Fukushima Daiichi Nuclear Disaster, and produces field recordings in a variety of countries. Stephen Nomura Schible, the documentary's producer, had received critical praise.

Source