Roy Budd
Roy Budd was born in Mitcham, England, United Kingdom on March 14th, 1947 and is the Pianist. At the age of 46, Roy Budd biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.
At 46 years old, Roy Budd physical status not available right now. We will update Roy Budd's height, weight, eye color, hair color, build, and measurements.
In 1970, Budd made his film score début for director Ralph Nelson, who was looking for an English composer for his western Soldier Blue. Budd recorded a tape of his own interpretation of music by composers Jerry Goldsmith, John Williams, Max Steiner, Dimitri Tiomkin and Lalo Schifrin. Apart from the main theme, which he based on Buffy Sainte-Marie's hit song of the same title, he composed all the music required for the film and conducted the Royal Philharmonic Orchestra, which Nelson commissioned at the start of the film's production.
In 1971, still in his early twenties, he composed one of his best known scores, the music for the film Get Carter. The film's budget reputedly allowed only £450 for the score, but he overcame this restriction by using only three musicians, including himself playing electric piano and harpsichord simultaneously. In 1981 The Human League covered the film's theme on their album Dare.
Also in 1971, Budd was asked by Nelson to compose the music to Flight of the Doves, and worked with Dana who sang the film's theme; and composed the scores for the adventure Kidnapped and the western Catlow. In 1972 he recorded the score to Fear Is the Key, which was based on the Alistair MacLean novel. Whilst recording the score, Budd was influenced by Ronnie Scott, Tubby Hayes and Kenny Baker, thus giving the music a jazz-sounding theme. Scott played the saxophone for the car chase sequence.
Budd later worked for the producer Euan Lloyd on films, including Paper Tiger (1975), The Wild Geese (1978), The Sea Wolves (1980), Who Dares Wins (1982) and Wild Geese II (1985).
Later career
Budd's film work in the eighties included the scores for Mama Dracula (1980), Field of Honor (1986), and Picha's adult cartoons The Missing Link (1980) and The Big Bang (1987). Returning to his first love, he played jazz shows at Duke's Bar in Marylebone, London, partnering with harmonica player, Larry Adler. He also arranged for and accompanied Bob Hope, Tony Bennett, and Charles Aznavour.
Budd recorded two albums of film music with the London Symphony Orchestra. The first contained "Star Wars Trilogy", "Superman", "E.T.", "Raiders of the Lost Ark", "Star Trek: The Full Suite", "Alien", "Dr. Who", "Sinbad and the Eye of the Tiger". This was recorded at the end of May and beginning of June 1984 at the CTS Studio in Wembley. In 1985, the London Symphony Orchestra made a recording of the music from The Wild Geese, again at CTS Studio. Budd's other solo albums include Live at Newport, Everything is Coming Up Roses, and Have a Jazzy Christmas.
Budd's last work was a symphonic score for the 1925 silent film The Phantom of the Opera.