Polly Platt

American Film Producer

Polly Platt was born in Fort Sheridan, Illinois, United States on January 29th, 1939 and is the American Film Producer. At the age of 72, Polly Platt biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.

Date of Birth
January 29, 1939
Nationality
United States
Place of Birth
Fort Sheridan, Illinois, United States
Death Date
Jul 27, 2011 (age 72)
Zodiac Sign
Aquarius
Profession
Costume Designer, Film Producer, Production Designer, Screenwriter
Polly Platt Height, Weight, Eye Color and Hair Color

At 72 years old, Polly Platt physical status not available right now. We will update Polly Platt's height, weight, eye color, hair color, build, and measurements.

Height
Not Available
Weight
Not Available
Hair Color
Not Available
Eye Color
Not Available
Build
Not Available
Measurements
Not Available
Polly Platt Religion, Education, and Hobbies
Religion
Not Available
Hobbies
Not Available
Education
Not Available
Polly Platt Spouse(s), Children, Affair, Parents, and Family
Spouse(s)
Philip Klein, (m. 195?; died 1959), Peter Bogdanovich, ​ ​(m. 1962; div. 1971)​, Tony Wade, (m. 1979; died 1985)
Children
2
Dating / Affair
Not Available
Parents
Not Available
Polly Platt Career

Platt worked in summer stock theatre as a costume designer in New York and there met Peter Bogdanovich, whom she later married. She co-wrote with him his first movie Targets (1968), conceiving the plot outline of a "Vietnam veteran-turned-sniper", and served as production designer on the film. She repeated the latter role on his film The Last Picture Show (1971), having made the original suggestion to adapt Larry McMurtry's novel and having recommended Cybill Shepherd for her first film role therein. Despite the breakdown of her marriage to Bogdanovich, Platt was again production designer on What's Up, Doc? (1972) and Paper Moon (1973). Bogdanovich commented that: "She worked on important pictures and made major contributions. She was unique. There weren't many women doing that kind of work at that time, particularly not one as well versed as she was. She knew all the departments, on a workmanlike basis, as opposed to most producers who just know things in theory." Platt was the first female member of the Art Directors Guild. She was also production designer on A Star Is Born (1976).

She wrote the screenplay for Pretty Baby (1978), for which she was also an associate producer, as well as Good Luck, Miss Wyckoff (1979), and A Map of the World (1999). She wrote the screenplay for the 1995 Academy Award-winning short film Lieberman in Love, based on a short story by W. P. Kinsella.

Platt worked extensively with James L. Brooks throughout her career. She was the executive vice president of his production company Gracie Films from 1985 to 1995. Platt was nominated for an Academy Award for Best Art Direction for Brooks' film Terms of Endearment (1983). She co-produced many of the films he worked on, which Gracie made, including Broadcast News (1987), The War of the Roses (1989) and Bottle Rocket (1996), as well as producing Say Anything... (1989) in which she also had a bit part.

Platt gave Brooks the nine-panel Life in Hell cartoon, "The Los Angeles Way of Death" by cartoonist Matt Groening. She suggested that the two meet and that Brooks produce an animated TV version of Groening's characters; the meeting spawned a series of short cartoons about the Simpson family, which aired as part of The Tracey Ullman Show and later became The Simpsons.

In 1994, she was awarded the Women in Film Crystal Award. Brooks said that Platt "couldn't walk into a gas station and get gas without mentoring somebody. Movies are a team sport, and she made teams function. She would assume a maternal role in terms of really being there. The film was everything, and ego just didn't exist." In 2003, she appeared in the BBC documentary film Easy Riders, Raging Bulls. Platt was working on a documentary about the filmmaker Roger Corman at the time of her death. She was very involved with the Austin Film Festival up until her death, and mentored many filmmakers through her participation in the annual festival, which is geared toward screenwriting and production skill-sharing. According to her daughter, Antonia Bogdanovich, "She came every year, religiously, she was a huge supporter," of the Austin Film Festival, and Platt attended the very first festival.

(Source IMDB)

Source