Kathryn Bigelow

Director

Kathryn Bigelow was born in San Carlos, California, United States on November 27th, 1951 and is the Director. At the age of 72, Kathryn Bigelow biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.

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Other Names / Nick Names
Kathryn Ann Bigelow, Kathryn
Date of Birth
November 27, 1951
Nationality
United States
Place of Birth
San Carlos, California, United States
Age
72 years old
Zodiac Sign
Sagittarius
Networth
$20 Million
Profession
Executive Producer, Film Director, Film Producer, Screenwriter, Writer
Kathryn Bigelow Height, Weight, Eye Color and Hair Color

At 72 years old, Kathryn Bigelow has this physical status:

Height
182cm
Weight
64kg
Hair Color
Light Brown
Eye Color
Hazel
Build
Slim
Measurements
Not Available
Kathryn Bigelow Religion, Education, and Hobbies
Religion
Not Available
Hobbies
Not Available
Education
Sunny Hills High School, San Francisco Art Institute, Whitney Museum of American Art, Independent Study Program
Kathryn Bigelow Spouse(s), Children, Affair, Parents, and Family
Spouse(s)
James Cameron (1988-1991)
Children
Not Available
Dating / Affair
James Cameron (1988-1991)
Parents
Ronald Elliot Bigelow, Gertrude Kathryn
Siblings
She is an only child.
Other Family
Cecil Elliot Bigelow (Paternal Grandfather), Maude Lulu Folkers (Paternal Grandmother), Samuel Larson (Maternal Grandfather), Bertha L. Dahl (Maternal Grandmother)
Kathryn Bigelow Career

Bigelow's short The Set-Up is a 20-minute deconstruction of violence in film. The film portrays "two men fighting each other as the semioticians Sylvère Lotringer and Marshall Blonsky deconstruct the images in voice-over." Bigelow asked her actors to actually beat and bludgeon each other throughout the film's all-night shoot.

Her first full-length feature was The Loveless (1981), a biker film that she co-directed with Monty Montgomery. It featured Willem Dafoe in his first starring role.

Next, she directed Near Dark (1987), which she co-scripted with Eric Red. With this film, she began her lifelong fascination with manipulating movie conventions and genre. The main cast included three actors who had appeared in the film Aliens. In the same year, she directed a music video for the New Order song "Touched by the Hand of God"; the video is a spoof of glam metal imagery.

Bigelow's subsequent films, Blue Steel, Point Break, and Strange Days, merged her philosophically minded manipulation of pace with the market demands of mainstream film-making. In the process, Bigelow became recognizable as both a Hollywood brand and an auteur. All three films rethink the conventions of action cinema while exploring gendered and racial politics.

Blue Steel starred Jamie Lee Curtis as a rookie police officer who is stalked by a psychopathic killer, played by Ron Silver. As with Near Dark, Eric Red co-wrote the screenplay. The film, originally bankrolled for $10 million, was shot on location in New York due to financial considerations and because Bigelow doesn't "like movies where you see a welfare apartment and it's the size of two football fields."

Bigelow followed Blue Steel with the cult classic Point Break (1991), which starred Keanu Reeves as an FBI agent who poses as a surfer to catch the "Ex-Presidents", a team of surfing armed robbers led by Patrick Swayze who wear Reagan, Nixon, LBJ and Jimmy Carter masks when they hold up banks. Point Break was Bigelow's most profitable 'studio' film, taking approximately $80 million at the global box office during the year of its release, and yet it remains one of her lowest rated films, both in commercial reviews and academic analysis. Critics argued that it conformed to some of the clichés and tired stereotypes of the action genre and that it abandoned much of the stylistic substance and subtext of Bigelow's other work.

In 1993, she directed an episode of the TV series Wild Palms and appeared in one episode as Mazie Woiwode (uncredited).

Bigelow's 1995 film Strange Days was written and produced by her ex-husband James Cameron. Despite some positive reviews, the film was a commercial failure. Furthermore, many attributed the creative vision to Cameron, diminishing Bigelow's perceived influence on the film.

She directed three episodes of Homicide: Life on the Street in 1997 and 1998.

Based on Anita Shreve's novel of the same name, Bigelow's 2000 film The Weight of Water is a portrait of two women trapped in suffocating relationships.

In 2002, she directed K-19: The Widowmaker, starring Harrison Ford and Liam Neeson, about a group of men aboard the Soviet Union's first nuclear-powered submarine. The film fared poorly at the box office and was received with mixed reactions by critics.

Bigelow next directed The Hurt Locker, which was first shown at the Venice Film Festival in September 2008, was the Closing Night selection for Maryland Film Festival in May 2009, and theatrically released in the US in June 2009. It qualified for the 2010 Oscars as it did not premiere in an Oscar-qualifying run in Los Angeles until mid-2009. Set in post-invasion Iraq, the film received "universal acclaim" (according to Metacritic) and a 97% "fresh" rating from the critics aggregated by Rotten Tomatoes. The film stars Jeremy Renner, Brian Geraghty and Anthony Mackie, with cameos by Guy Pearce, David Morse and Ralph Fiennes. She won the Directors Guild of America award for Outstanding Directorial Achievement in Motion Pictures (becoming the first woman to win the award) and also received a Golden Globe nomination for her direction. In 2010, she won the award for Best Director and The Hurt Locker won Best Picture at the 63rd British Academy Film Awards. She became the first woman to receive an Academy Award for Best Director for The Hurt Locker. She was the fourth woman in history to be nominated for the honor, and only the second American woman. A competitor in the category was her ex-husband, James Cameron, who directed the sci-fi film Avatar.

In her acceptance speech for her Academy Award, Bigelow surprised many audience members when she didn't mention her status as the first woman to ever receive an Oscar for Best Director. In the past, Bigelow has refused to identify herself as a "woman filmmaker" or a "feminist filmmaker." She has been criticized for the violence in her films by writers like Mark Salisbury, who asked in The Guardian, "Why does she make the kind of movie she makes?" and by Marcia Froelke Coburn, who asked in the Chicago Tribune, "What's a nice woman like Bigelow doing making erotic, violent vampire movies?"

Bigelow's next film was Zero Dark Thirty, a dramatization of American efforts to find Osama bin Laden. Zero Dark Thirty was acclaimed by film critics but also attracted controversy and strong criticism for its allegedly pro-torture stance. Bigelow won the New York Film Critics Circle Award for Best Director for the film, making her the first woman to win the award twice. She had already won previously for directing The Hurt Locker. She was also the first woman to receive the National Board of Review Award for Best Director.

Bigelow collaborated with Mark Boal for the third time on the film Detroit, set during the 1967 Detroit riots. Detroit began filming in the summer of 2016 and was released in July 2017, around the time of the 50th anniversary of the riots, and on the anniversary day of the Algiers Motel incident, which is depicted in the film. John Boyega, Hannah Murray, Will Poulter, Jack Reynor, Anthony Mackie, and Joseph David-Jones starred in the film.

She served as executive producer of Triple Frontier, a film that she was originally going to direct. She gave up directing duties to J. C. Chandor to focus on other projects.

In March 2022, it was announced that Bigelow will direct an adaptation of David Koepp’s book, Aurora for Netflix, with Koepp writing the script.

Bigelow also directs commercials. She is represented internationally by commercial production company SMUGGLER, where she has directed commercials for the Army National Guard, Budweiser and AT&T, some of which were broadcast during the Super Bowl. In 2022, Bigelow was nominated by the Directors Guild of America for Outstanding Directorial Achievement in Commercials for Apple's "Hollywood In Your Pocket".

In 2014, Bigelow announced plans to direct two movies: an adaptation of Anand Giridharadas's non-fiction book The True American: Murder and Mercy in Texas starring Tom Hardy and a feature based on the life of Bowe Bergdahl written by Mark Boal.

Source

Best Actress nominee Lily Gladstone arrives in a strapless midnight blue gown at the ceremony

www.dailymail.co.uk, March 11, 2024
Lily Gladstone, the 2024 Oscar nominee, appeared stunning on Sunday as she rrived at the 2024 Oscars. The Killers of the Flower Moon actress, 37, who might have made history by winning if she wins, wowed in a midnight blue strapless gown with a flowing train.

Oscars 2024: Anya Taylor-Joy is the epitome of glamour in a strapless bejewelled gown as she makes an early red carpet appearance

www.dailymail.co.uk, March 11, 2024
Anya Taylor-Joy performed a show-stopping role in a sparkling bejewelled gown at the 96th Annual Academy Awards at the Dolby Theatre in Hollywood, California, on Sunday evening. In the frilled strapless number, which featured a slew of dazzling beaded embellishment, the Peaky Blinders actor, 27, looked ethereal. As she looked stunning under the spotlight, the faded-grey dress boosted her lithe figure.

Welcome to the snub club! The 96th annual Academy Award nominations have been revealed, providing an examination of the prestigious ceremony's key oversights

www.dailymail.co.uk, January 23, 2024
While a few people have been praised for their contributions, there are others whose efforts fell short of winning the covered statuette. Some, you might argue, were robbed - but which are the biggest Oscars snubs in the ceremony's rich and varied history?