Joseph Chinard
Joseph Chinard was born in Lyon, Auvergne-Rhône-Alpes, France on February 12th, 1756 and is the Sculptor. At the age of 57, Joseph Chinard biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.
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Joseph Chinard (Lyon, 12 February 1756 — Lyon, 20 June 1813) was a French sculptor whose Neoclassical style was infused with naturalism and sentiment.
Life
He began his studies in Lyon as a painter in the government-funded École Royale de Dessin and then spent time with a local sculptor. He attracted the attention of a patron who brought him to Rome, 1784-87. He sent antiquities from Lyon to Lyon. He received a prize from the Accademia di San Luca in Rome, a rare honour for a non-Italian: his prize-winning sculpture, a terracotta Perseus, and Andromeda are among the Accademia's collection of the Accademia.
In 1791, he returned to Rome again, sparking the authorities' scrutiny, particularly because of his espousal of Revolutionary views during the French Revolution; in 1791, he was interned in the Castel Sant'Angelo's orders for an action that was deemed as subversive, see the exhibition in terracotta of a model for the base of a candelabrum in which Apollo trampled underfoot. He was deposed and returned to Dijon on his release in December 1792.
Madame de Verninac's marble bust was on display at the Salon of 1800 and in marble (illustrated) at the Salon of 1808. The Chineserd divided his time between Lyon and Italy on two separate trips to Paris, restricting his visit to Paris. He created the bust of Mme Récamier (now at the J. Paul Getty Museum) on one occasion in Paris, which was reproduced in marble.
In the section of Portraits Nationaux, Chinard sculpted a terra cotta bust of Pierre-Pomponne-Amédée Pocholle, which was on display at the Exposition Universelle of 1878 at the Palais du Trocadéro (catalogue number 440). During Pocholle's even-handed treatment of the town during his government service there in 1794, the town of Lyon commissioned Chinard to make the bust in honor of the town's always-handed treatment of the area. When Pocholle first became sous-prefét of Neufchâtel-en-Bray in 1804, he rode the bust with him and then transferred the bust to his sister, widowed Mrs. Delile, when he went into exile in 1816. M. Mabire returned the bust to her niece, who later donated it to the newly established museum of Neufchâtel-en-Bray, which was opened in 1832. No. 1 in 1er année, Bulletin des Musées de France. A bust photograph from November 11, 1929, is included in this article.
During the Revolution, a significant portion of his public sculpture in Lyon was lost. His personal terracotta or marble family allegories adapted funeral monument conventions in order to display realistic allegories of family love.
Interest in Chinard was revived with the unveiling of a retrospective of his sculpture at the Musée des Arts Décoratifs, Paris, 1909-10.
The work of Chinard in many museum exhibits, including those of the Louvre, the Musée des Beaux-Arts de Lyon, the Metropolitan Museum of Art, and the National Gallery of Art in Washington, are among the many museum exhibits on view, including those of the Louvre, the Musée des Beaux-Arts de Lyon, the Metropolitan Museum of Art and the National Gallery of Art.