Jacqueline Bisset

At 80 years old, Jacqueline Bisset has this physical status:

Bisset first appeared uncredited as a prospective model in The Knack ...and How to Get It (1965), directed by Richard Lester. She made her official debut the following year in Roman Polanski's Cul-de-sac (1966). In 1967, Bisset had her first noticeable part in the Albert Finney/Audrey Hepburn vehicle Two for the Road, as a woman in whom Finney's character is romantically interested. It was made by 20th Century Fox, which put her under contract. She had a more sizeable role in the James Bond satire Casino Royale, as Miss Goodthighs.

Fox cast Bisset in her first lead part in The Cape Town Affair, opposite a then-unknown Fox contract star James Brolin, filmed in South Africa on a low budget. She gained mainstream recognition in 1968, when she replaced Mia Farrow in The Detective opposite Frank Sinatra. The same year, she co-starred with Michael Sarrazin in Fox's The Sweet Ride, which brought her a Golden Globe nomination for Most Promising Newcomer. She capped her year as Steve McQueen's girlfriend in the police drama Bullitt, which was among the top five highest-grossing films of the year. In 1969, Bisset was top billed in The First Time and Secret World, appearing as a blonde in the latter.

In 1970, Bisset was one of the many stars in the disaster film Airport; her role was that of a pregnant stewardess carrying Dean Martin's love child. It was a huge hit at the box office, ushering in an era of disaster films.

Bisset had another starring part in The Grasshopper (1970), which was little seen, and was in The Mephisto Waltz (1971) with Alan Alda.

She reteamed with her real-life romantic partner Michael Sarrazin for the romantic drama Believe in Me, in which she played a drug addict, and had the lead in the comedy Stand Up and Be Counted (1972). More popular was The Life and Times of Judge Roy Bean (1972), where she played the daughter of Paul Newman's title character. She played the female lead in The Thief Who Came to Dinner (1973) with Ryan O'Neal, stepping in for a pregnant Charlotte Rampling.

Bisset went to France to appear in François Truffaut's Day for Night (1973), earning the respect of European critics and moviegoers as a serious actress. She stayed in France to make Le Magnifique (1973) with Jean-Paul Belmondo, a hit in France but little seen in English-speaking countries. She was one of many stars in the British whodunnit Murder on the Orient Express (1974), an enormous success. In Britain, she starred in the remake of The Spiral Staircase (1975). Bisset went to Germany for End of the Game (1975), co-starring Jon Voight. In Italy, she played opposite Marcello Mastroianni in Luigi Comencini's The Sunday Woman (1975). She returned to Hollywood to support Charles Bronson in St. Ives (1976).

In 1977, Bisset gained wide publicity in America with The Deep, directed by Peter Yates, who had previously directed her in Bullitt. The film had several obvious tie-ins to Jaws, including actor Robert Shaw and screenplay writer Peter Benchley. A marketing strategy based around Bisset appearing in some scenes underwater wearing only a white T-shirt for a top helped make the film a box-office success. Producer Peter Guber allegedly quipped, "That T-shirt made me a rich man!" Many credit her with popularising wet T-shirt contests.

Bisset was disappointed that the marketing of her translucent costume detracted from the film's technical achievements. As a tie-in with the film's release, Newsweek published a cover story on Bisset named "A Beauty Named Bisset", calling her "the most beautiful film actress of all time." Appearing on July 11, 1977, the Newsweek cover was an intriguing counterpoint to the earlier February 14, 1977 Newsweek cover which featured Sissy Spacek, under the headline "The New Actresses."

Shortly thereafter, a UK production, Secrets, that Bisset had made in 1971 was re-released in the United States. That movie featured the only extensive nude scenes of Bisset's career and the producers cashed in on her fame.

By 1978, Bisset was a household name. She earned a Golden Globe nomination that year as Best Actress – Motion Picture Comedy for her performance opposite George Segal in Who Is Killing the Great Chefs of Europe?, and starred with Anthony Quinn in The Greek Tycoon, playing a role based on Jackie Onassis.

After these she made Together? (1979) in Italy with Terence Stamp and Maximilian Schell.

Bisset appeared in some all-star films: When Time Ran Out (1980), starring alongside Paul Newman and William Holden, and Inchon (1981), with Laurence Olivier. Her fee around this time was $1 million a movie. Both When Time Ran Out and Inchon were big flops.

More popular was George Cukor's Rich and Famous (1981) with Candice Bergen, where Bisset also served as co-producer. One of her best-known roles came in the coming-of-age comedy Class (1983), as a married woman having an affair with her son's (Rob Lowe) prep school roommate (Andrew McCarthy). Bisset received her third Golden Globe nomination for John Huston's Under the Volcano (1984) in the Best Supporting Actress category.

In 1984 Bisset made the wartime drama Forbidden with Jürgen Prochnow, and earned a CableACE Award nomination as Best Actress. For television she played the title role in Anna Karenina (1985), opposite Christopher Reeve, and did an abortion drama, Choices (1986). Bisset portrayed Joséphine de Beauharnais in the miniseries Napoleon and Josephine: A Love Story (1987) with Armand Assante. She also had the lead in some comedies: High Season (1987) and Scenes from the Class Struggle in Beverly Hills (1989), taking over for Faye Dunaway due to scheduling conflicts. Between those she made La maison de jade (1988) in France with Vincent Perez. She was Carré Otis' boss in the controversial erotic thriller Wild Orchid (1989) starring Mickey Rourke.

During the early 1990s, Bisset shot projects on multiple continents, co-starring in Mario Monicelli's Rossini! Rossini! (1991), a biopic of Italian composer Gioachino Rossini; with Martin Sheen for a Paris-based TV movie called The Maid (1991); with Elliott Gould in the Dutch miniseries Hoffman's honger (1993); with Jean-Hugues Anglade in the French language film Les marmottes (1993); and with one of Japan's top stars, Masaya Kato in the Australian TV movie Crimebroker (1993). "I used to work [in the states] a lot, and then I started to go and do more of the intimate little films I wanted to do that I didn't find here," she said in 1994. "I started to have two lives, really. I was able to cover more of the ground that I wanted to as an actress. But now I need to do more things that get seen." Bisset returned to North American screens with the TV movie Leave of Absence (1994), opposite Brian Dennehy.

In 1995, Bisset was nominated for a César Award for her role in the French film La Cérémonie, directed by Claude Chabrol. She did a couple of period pieces, playing a spinster in 1890s New York in Linda Yellen's End of Summer (1997), and a retired courtesan in 16th-century Venice in Dangerous Beauty (1998) with Catherine McCormack.

In 1999, Bisset appeared in two high-caliber television projects, playing the Virgin Mary in Jesus and Isabelle d'Arc in Joan of Arc, opposite Jeremy Sisto and Leelee Sobieski in the respective titular roles. Bisset earned a Primetime Emmy Award nomination as Best Supporting Actress for the latter performance. Let the Devil Wear Black (1999) was an independent film featuring Bisset in an ensemble cast, loosely retelling Shakespeare's Hamlet in modern-day Los Angeles.

Bisset returned to the Biblical genre with In the Beginning (2000), playing Sarah, wife of Abraham. She had the leading role in The Sleepy Time Gal (2001), which premiered on SundanceTV and was cited by the Village Voice in its annual survey of the year's best undistributed films. One of her later TV movies, in 2003, was America's Prince: The John F. Kennedy Jr. Story, in which she portrayed Jacqueline Bouvier Kennedy Onassis. She did guest shots on Hey Arnold!, Ally McBeal and Law & Order: Special Victims Unit, and had key roles in the independent features Swing (2003), Latter Days (2003) and Fascination (2004).

In 2005, Bisset was seen in the Domino Harvey biographical film Domino with Keira Knightley, directed by Tony Scott, playing a fictionalized version of Paulene Stone (renamed "Sophie Wynn"), whom she actually knew from their time as models in London. She filmed a cameo appearance for Mr. & Mrs. Smith, but her performance was cut from the movie. In 2006, Bisset had a recurring role on the FX series Nip/Tuck as the ruthless extortionist James LeBeau. Her next role was in Save the Last Dance 2 (2006) as the protagonist's ballet instructor. On Lifetime she appeared in an adaption of the Nora Roberts novel Carolina Moon (2007).

Bisset starred in the lead role of Boaz Yakin's Death in Love, which premiered at the 2008 Sundance Film Festival. Her performance as a volatile Holocaust survivor earned her the Best Actress award at the Boston Film Festival. Later that year, she starred in An Old Fashioned Thanksgiving for the Hallmark Channel, and was nominated for a Satellite Award as Best Actress.

In 2009, Bisset reunited with Linda Yellen for The Last Film Festival, which was Dennis Hopper's final screen appearance. Hopper's untimely death in spring 2010 occurred before Yellen could begin postproduction, and she eventually launched a crowd funding campaign to complete the movie. It finally premiered in 2016.

In 2010, Bisset was awarded the Legion of Honour insignia, with French President Nicolas Sarkozy calling her "a movie icon". Later that year she reprised her role in the sequel to An Old Fashioned Thanksgiving, An Old Fashioned Christmas.

Following a recurring role on Rizzoli & Isles from 2011 to 2012, Bisset returned to the UK to film Stephen Poliakoff's 1930s jazz drama series Dancing on the Edge, which started on BBC2 in 2013. For her work, she won the Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film. Next, she played Gérard Depardieu's wife in Welcome to New York (2014) for controversial director Abel Ferrara. In 2015, she co-starred with Drew Barrymore and Toni Collette in Miss You Already. The same year, she received a Stanislavsky Award at the 37th Moscow International Film Festival.

Bisset had a recurring role in the American TV series Counterpart in 2017. On the indie circuit, Bisset kept busy with roles in four features in 2018: Head Full of Honey, which reunited her with The Deep co-star Nick Nolte; Backstabbing for Beginners (opposite Ben Kingsley); Here and Now with Sarah Jessica Parker; and Asher with Famke Janssen and Ron Perlman. In 2019, she co-starred with Fabio Testi in the Lifetime movie Very Valentine.

In 2020, Bisset joined the cast of Birds of Paradise from Amazon Studios, shot in Budapest. She plays a title character in Loren & Rose (2021) and has a co-starring role in the fantasy/horror film The Lodger alongside Alice Isaaz.

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