Ira Deutchman

American Film Producer

Ira Deutchman was born in Marine Corps Air Station Cherry Point, North Carolina, United States on March 24th, 1953 and is the American Film Producer. At the age of 71, Ira Deutchman biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.

Date of Birth
March 24, 1953
Nationality
United States
Place of Birth
Marine Corps Air Station Cherry Point, North Carolina, United States
Age
71 years old
Zodiac Sign
Aries
Profession
Film Producer
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Ira Deutchman Height, Weight, Eye Color and Hair Color

At 71 years old, Ira Deutchman has this physical status:

Height
Not Available
Weight
Not Available
Hair Color
Dark brown
Eye Color
Not Available
Build
Average
Measurements
Not Available
Ira Deutchman Religion, Education, and Hobbies
Religion
Not Available
Hobbies
Not Available
Education
Graduate of Paramus (NJ) High School, 1971
Ira Deutchman Spouse(s), Children, Affair, Parents, and Family
Spouse(s)
Not Available
Children
Not Available
Dating / Affair
Not Available
Parents
Not Available
Ira Deutchman Career

While still in college at Northwestern University, Deutchman organized and marketed the Midwest premiere of John Cassavetes' "A Woman Under the Influence." Shortly after graduation in 1975, Deutchman began his professional career, working under Don Rugoff at Cinema 5 Ltd., where he began in non-theatrical sales, moving into advertising before being named Director of Acquisitions. While there, he worked on the marketing of a number of high-profile art films such as "Scenes from a Marriage", "Monty Python and the Holy Grail", "Swept Away", "Harlan County USA; and "Pumping Iron."

Deutchman was one of the original founding team of United Artists Classics, where he worked as Director of Advertising and Publicity on such films as "Lili Marleen" (Rainer Werner Fassbinder), "Diva" (Jean-Jacques Beineix), "The Last Metro" (François Truffaut), "Lola" (Rainer Werner Fassbinder), and "Cutter's Way" (Ivan Passer), as well as the re-release of "New York, New York" (Martin Scorsese) and "The Last Waltz" (Martin Scorsese). From United Artists Classics he moved on to become one of the founding partners for a number of distribution companies that made an impact on the independent film business, including Cinecom Pictures (originally called Cinecom International Films); Fine Line Features; and Redeemable Features.

At Cinecom Pictures (1982–1988), where Deutchman was co-founder and president, Deutchman released films including "A Room With a View," "Swimming to Cambodia," "El Norte," "The Brother from Another Planet" and "Stop Making Sense." After Cinecom, Deutchman formed Deutchman Company Inc. to act as a producers' rep and marketing consultant. The company worked on "Sex, Lies, and Videotape" (winner of the Palme d'Or at the Cannes Film Festival), "Metropolitan" and "To Sleep with Anger" among others.

While working as a consultant on Whit Stillman's "Metropolitan" for New Line Cinema, Deutchman was recruited to create a new specialized division of the company, which became Fine Line Features. Fine Line had an extraordinary five-year run from 1990-1995 under founder and president Ira Deutchman, distributing such critically acclaimed films as "Hoop Dreams," " The Player," "Short Cuts," "Night on Earth," "My Own Private Idaho" "Mrs. Parker and the Vicious Circle."

Deutchman left Fine Line in 1995, to co-found independent film production company, Redeemable Features, with partners Peter Newman and Greg Johnson. Films included Tony Vitale's "Kiss Me, Guido," Sarah Kernochan's "All I Wanna Do," Adam Davidson's "Way Past Cool" and Tanya Wexler's "Ball in the House."

Academic career

Deutchman began teaching at Columbia University in 1987 as an adjunct professor in the MFA Film Program of the School of the Arts. His first course in Marketing and Distribution of Feature Films has been taught continuously since, and is now called The Business of Motion Pictures. He became a full-time Associate Professor in 2000, and was promoted to full Professor in 2009. He was named Chair of the Film Program in July 2011 and served until 2015.

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