George Roy Hill

Director

George Roy Hill was born in Minneapolis, Minnesota, United States on December 20th, 1921 and is the Director. At the age of 81, George Roy Hill biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.

  Report
Date of Birth
December 20, 1921
Nationality
United States
Place of Birth
Minneapolis, Minnesota, United States
Death Date
Dec 27, 2002 (age 81)
Zodiac Sign
Sagittarius
Profession
Actor, Film Director, Film Producer, Theater Director
George Roy Hill Height, Weight, Eye Color and Hair Color

At 81 years old, George Roy Hill physical status not available right now. We will update George Roy Hill's height, weight, eye color, hair color, build, and measurements.

Height
Not Available
Weight
Not Available
Hair Color
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Eye Color
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Build
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Measurements
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George Roy Hill Religion, Education, and Hobbies
Religion
Not Available
Hobbies
Not Available
Education
Yale University
George Roy Hill Spouse(s), Children, Affair, Parents, and Family
Spouse(s)
Louisa Horton, ​ ​(m. 1951; div. 1971)​
Children
4
Dating / Affair
Not Available
Parents
Not Available
Siblings
Tim Hill (nephew)
George Roy Hill Career

After being discharged, Hill worked as a newspaper reporter in Texas, then took advantage of the GI Bill to do graduate work at Trinity College, Dublin, studying James Joyce's use of music in Ulysses and Finnegans Wake. Some sources say he graduated in 1949 with a bachelor's degree in literature.

Other sources say his thesis was never completed because he became sidetracked by the Irish theater, making his stage debut as a walk-on part in 1947 at the Gaiety Theatre, Dublin, with Cyril Cusack's company in a production of George Bernard Shaw's The Devil's Disciple. He had a leading role in Raven of Wicklow by Bridget G. MacCarthy in the same theater in February 1948.

On his return to the U.S., Hill studied theatre at HB Studio in New York City. He acted Off Broadway and toured with Margaret Webster's Shakespeare Repertory Company. He appeared on Broadway in Richard II, The Taming of the Shrew, and August Strindberg's The Creditors (with Bea Arthur).

In 1952 he featured in a supporting role in the Hollywood movie Walk East on Beacon, and appeared in episodes of Lux Video Theatre including "The Doctor's Wife", "Man at Bay" and "Masquerade". He also acted in episodes of Kraft Theatre such as "The Golden Slate". He also acted on radio.

Hill used his Korean War experience as the basis for a TV drama, "My Brother's Keeper", which appeared on Kraft Television Theater, with Hill himself in the cast. During his military service at Cherry Point, he had had to be 'talked down' by a ground controller at Atlanta airport, an incident that led to his writing the screenplay. The episode was performed and transmitted live in 1953. After his demobilisation, he joined the Kraft Television Theater as a writer, one of his scripts included Keep Our Honor Bright. He later directed episodes of Ponds Theater ("Time of the Drought"), and Lux Video Theatre ("The Creaking Gate", "Not All Your Tears", "The Happy Man".) Hill returned to Broadway in 1957 as director of the Pulitzer Prize-winning play Look Homeward, Angel. Starring Jo Van Fleet and Anthony Perkins this ran for 564 performances.

Hill continued to direct television, most notably episodes of Kraft Theatre including "Eleven O'Clock Flight", "The Devil as a Roaring Lion", "Good Old Charlie Faye", "A Night to Remember", an adaptation of Walter Lord's book about the sinking of the Titanic (of which Hill also co-wrote the teleplay). In addition he did "Man on the White Horse", "Carnival", and "A Real Fine Cutting Edge" with George Peppard for The Kaiser Aluminum Hour. Hill's work on Night earned him two Emmy nominations for writing and directing. He directed some famous episodes of Playhouse 90 including "The Helen Morgan Story" (1957), "The Last Clear Chance" (1958), "Child of Our Time" (1958), and "Judgment at Nuremberg" (1959).

Hill then focused on theatre, directing the Broadway productions of The Gang's All Here (1960) with Melvyn Douglas (132 performances), Greenwillow (1960) with Anthony Perkins (97 performances) and Period of Adjustment (1961) by Tennessee Williams, which ran for 132 performances. He replaced Elia Kazan for the latter.

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