George Inness
George Inness was born in Newburgh (town), New York, New York, United States on May 1st, 1825 and is the Painter. At the age of 69, George Inness biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.
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George Inness (May 1, 1825 – August 3, 1894) was a well-known American landscape painter. Inness, one of the nineteenth century's most influential American artists, was influenced by the Old Masters, the Hudson River school, the Barbizon school, and, eventually, the theology of Emanuel Swedenborg, whose spirituality found a vivid presence in Inness's mature (1879–1894). Although Inness' style morphed through various stages throughout his prolific career of more than 40 years and 1,000 paintings, his works have consistently received acclaim for their ability to elicit depth of mood, atmosphere, and emotion.
Inness, neither pure realist nor impressionist, was a transitional figure whose aim was for his creations to capture both the earthly and the ethereal in order to capture the true essence of a place.
He became known for creating highly ordered and complex scenes that often juxtaposed hazy or blurred elements with sharp and refined details to create an interweaving of both the physical and spiritual aspects of experience.
He attempted to capture the "trueness of the unseen" and connect the "visible upon the invisible" in Inness's words. "Art critics praised Inness as one of America's best artists during his lifetime."
Inness, who is often referred to as "the father of American landscape painting," is best known for his mature works, which not only exemplified the Tonalist movement but also displayed an original and uniquely American style.
Early career
In 1851, a patron named Ogden Haggerty sponsored Inness' first trip to Europe to paint and study. Inness spent fifteen months in Rome, where he studied landscapes by Claude Lorrain and Nicolas Poussin. He also rented a studio above the artist's one who probably introduced the artist to Swedenborgianism. In May 1852, he and his wife returned to America on the SS Great Britain. He was elected as an Associate member of the National Academy of Design in 1853 and became a full Academician in 1868.
Inness came under the influence of artists in France's Barbizon school in the early 1850s. Landscapes in Barbizon were known for their looser brushwork, a darker palette, and a strong emphasis on mood. Inness debuted as the leading American exponent of Barbizon-style painting, which he influenced into a more personal style. George Inness, Jr., Jr., who later became a landscape painter of note, was born in Paris in 1854.
In the mid-1850s, Inness was hired by the Delaware, Lackawanna, and Western Railroad to produce paintings that chronicled the evolution of DLWRR's expansion in early Industrial America. The Lackawanna Valley, painted in 1855, depicts the railroad's first roundhouse in Scranton, Pennsylvania, and weaves technology and wilderness into an imagined landscape; in time, Inness will abandon the industrial presence in favour of bucolic or agrarian subjects, but he will continue to produce a large portion of his mature artwork in the studio, but he will be concerned about formal considerations.
Mid-career
In 1860, Inness moved from New York City to Medfield, Massachusetts, where he converted a barn into a studio. He was an art teacher to Charles Dormon Robinson in 1862-63. In 1864, he moved to Eagleswood, New Jersey. (See George Inness House) (See George Inness House.) In the spring of 1870, he returned to Europe, visiting Tivoli, Lake Albano, and Venice. He returned to New York in 1878, taking a studio in the New York University Building. He also participated in the Universal Exposition in Paris and wrote an art review in the New York Evening Post and Harper's New Monthly Magazine, both in the United States and Harper's New Monthly Magazine.
His 1860s and 1870s paintings often portrayed views of his homeland country, topped by cloud-laden and threatening skies, as well as scenes from many travels around the world, particularly to Italy and France (The Monk, 1877, Wadsworth Atheneum). These works are regarded among the best and most influential landscape painters in America in terms of composition, precision of drawing, and emotive use of color.
Inness built a home and studio in Tarpon Springs, Florida, in 1877. He ignored the characteristic palm and painted the drab pine woods. Tarpon Springs' painting Early Morning depicts this scene.
The influence of Emanuel Swedenborg's theology was evident in Inness' art, which was later shown by his works. Of particular concern to Inness was the belief that everything in nature had a direct link with something spiritual and that, as a result of God's "influx" in order to continue existing. William James, who was also an adherent to Swedenborgianism, had another influence on Inness's thinking. In particular, Inness was inspired by James' notion of consciousness as a "stream of thought," as well as his theories about how mystical experience influences one's outlook toward nature.
Innes was the subject of a major retrospective in 1884, which was arranged by the American Art Association, which earned him acclaim in the United States. He earned international recognition when he was given a gold medal at the 1889 Paris Exposition.
Late career
Since Inness settled in Montclair, New Jersey, in 1885, and particularly in the last decade of his life, a more abstracted interpretation of form, softened edges, and saturated color became apparent in his art (October, 1888, Montclair Art Museum, an emphasis on the intimate landscape view), as well as a more vibrant, spontaneous, and often violent handling of paint (Early Autumn, Montclair, 1888, Corcoran Gallery of Art), a more personal, intuitive, It's precisely this last attribute that distinguishes Inness from those painters who are described as Luminists.
In a published interview, Inness said, "The true use of art is, first, to foster the artist's own spirituality." His fervent interest in spiritual and emotional concerns did not prevent Inness from conducting a scientific investigation of color nor a mathematical, structural, or developmental approach to composition: "The poetic quality is not gained by rejecting any truths of truth or Nature."
Inness died in 1894 at Bridge of Allan, Scotland. As he threw up his hands into the air and exclaimed, "My God!" he said, according to his son.