David Niven

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Early film career

When Niven first appeared at Central Casting, he discovered that he needed a work permit to live and work in the United States. As this required leaving the United States, he went to Mexico, where he spent time as a "gunman," saning and polishing the rifles of visiting American hunters. When his birth certificate arrived from the United Kingdom, he received his resident alien visa from the American consulate. He returned to the United States and was accepted by Central Casting as "Anglo-Saxon Type No. 00." 2,008" is the number quoted in the brochure.

Barbary Coast (1935) and Mutiny on the Bounty (1935), two of the first films in which he can be seen, are among the first films in which he can be seen. He appeared in A Feather in Her Hat (1935) at Columbia before returning to Metro-Goldwyn-Mayer for a small part, billed as David Nivens in Rose Marie (1936).

Niven's role in Mutiny on the Bounty attracted the attention of independent film producer Samuel Goldwyn, who subsequently signed him to a film project and launched his career.

Niven had a small part in Splendor (1935), and this was another case for Goldwyn. He was lent to MGM for a small part in Rose Marie (1936), then a larger one in Palm Springs (1936) at Paradis.

In Dodsworth (1936), he appeared as a man who flirts with Ruth Chatterton, his first significant role for the actor. He was loaned out to 20th Century Fox to play Bertie Wooster in Thank You, Jeeves, in the same year. (1936), before starring his housemate at the time, Errol Flynn, in The Charge of the Light Brigade (1936) at Warners, an Imperial adventure film starring his housemate at the time.

Niven was the fourth billing in Beloved Enemy (1936) for Goldwyn, helping Merle Oberon, with whom he became intimately involved. Universal used him in We Have Our Moments (1937), and he had another solid supporting role in David O. Selznick's The Prisoner of Zenda (1937).

In a B picture, Dinner at the Ritz (1938), Fox Studios gave him the lead, and he appeared in Bell's Eighth Wife (1938), directed by Ernst Lubitsch at Paraphrasedoutput. Niven was one of John Ford's Four Men and a Prayer (1938), and also with Fox. In 1937, he stayed with Fox to appear in Three Blind Mice (1938).

Niven was one of the Hollywood Raj, a group of British actors in Hollywood that included Rex Harrison, Boris Karloff, Stan Laurel, Basil Rathbone, Leslie Howard, and C. Aubrey Smith. Errol Flynn and he were firm acquaintances and rented Rosalind Russell's home at 601 North Linden Drive as a bachelor pad, according to his autobiography.

Niven's role in "A" films with Warners' The Dawn Patrol (1938) remake; although he was billed less than Errol Flynn and Basil Rathbone, it was still a leading role and the film did well, and sales did well. Niven was hesitant to participate in Wuthering Heights (1939) for Goldwyn, but the film was a huge success.

RKO borrowed Ginger Rogers to star in the romantic comedy Bachelor Mother (1939), which was another big hit. Gary Cooper was used by Goldwyn in the adventure film The Real Glory (1939), and Walter Wanger played him opposite Loretta Young in Eternally Yours (1939). In final, Goldwyn gave Niven a leading role in Raffles (1939) as the eponymous gentleman safe-cracker.

Postwar career

Niven resurfaced in England when he was still in England, leading A Matter of Life and Death (1946), a work by Powell and Pressburger. The film was critically acclaimed, well-received in England, and it was named as the first Royal Film Performance in the United Kingdom.

Niven returned to Hollywood and died after his first wife died after falling down a flight of stairs at a party. Goldwyn was hired by Aaron Burr to star in Magnificent Doll (1946) opposite Ginger Rogers and later in The Other Love (1947) with Loretta Young and Enterprise Productions.

In The Bishop's Wife (1947), he supported Cary Grant and Young. He returned to England after Goldwyn lent him to Alexander Korda to play the title role in Bonnie Prince Charlie (1948), a notorious box office flop.

In Hollywood, Niven was a child in Enchantment (1948). In a comedy A Kiss in the Dark (1948), Warner Bros. He appeared in A Kiss for Corliss (1949). None of these films were commercially successful, and Niven's career was hampered.

He returned to Britain to play in The Elusive Pimpernel (1950) from Powell and Pressberger, which was supposed to be funded by Korda and Goldwyn. Goldwyn ceased production, and the film did not land in the United States for three years. Niven had a long, complicated relationship with Goldwyn, his first name, but the fight over The Elusive Pimpernel and Niven's demand for more funds resulted in a long distance between the two guys in the 1950s.

Niven had to reclaim his former position for a long time. In a musical at MGM, The Toast of New Orleans (1950), Mario Lanza was supported by him. He returned to England and appeared in a musical with Vera-Ellen, Happy Go Lovely (1951), but it was not seen in the United States, but it was a big hit in the United Kingdom. He was a mentor in MGM's Soldiers Three (1951), which was similar to others early in his career. Niven was much better in the British war film Appointment with Venus (1952), which was popular in England. No (1952) was a poor American comedy at the time.

Niven decided to try Broadway, co-starring Gloria Swanson in Nina (1951–52). The play only lasted for 45 performances, but Otto Preminger, who wanted to cast Niven in the film version of the play The Moon Is Blue (1953), saw it. Preminger, the playwright, in New York, insists that Niven appear on stage in the West Coast run. The Moon Is Blue, a sex comedy, became well-known before it was published without a Production Code Seal of Approval; it was a big success and Niven received a Golden Globe Award for his role.

Niven's next two films in England were The Love Lottery (1954), a film about a man with a smile; Carrington, V.C. (1954), a drama that earned Niven a BAFTA nomination for Best Actor; Happy Ever After (1954), a comedy starring Yvonne de Carlo, which was extremely popular in Britain;

He had a thankless part as the villain in MGM's swashbuckler The King's Thief (1955). In a remake of The Lady Eve (1941), in which Niven appeared in a third-billed supporting role under American television comedian George Gobel and leading lady Mitzi Gaynor, he was more effective. Also appeared in the British romantic comedy The Silken Affair (1956) with Geneviève Page the same year.

He followed it with Oh, Men!

Oh, Women!

Niven is the only one to win an Academy Award at the ceremony he was hosting. He received the 1958 Academy Award for his role as Major Pollock in Separate Tables, his only nomination for an Academy. This is the first appearance in the film to win a Best Actor Oscar, despite the fact that it was on-screen for only 23 minutes. He was also a co-host of the Academy Awards ceremonies on October 30th and 46th. After Niven had been nominated for the Academy Award, Goldwyn was sent a letter. Niven discovered a snapshot of himself in uniform in Goldwyn's drawing room, which he had sent to Goldwyn from the United Kingdom during the Second World War. He had seen this same photograph on Goldwyn's piano in his best days with Goldwyn. The photograph was still in the same spot five years ago. "Sam never took it down," Goldwyn's wife Frances said as he was looking at the picture.

Niven's career flourished as a result of an Academy Award. He appeared on television drama series The David Niven Show in 1959, which lasted for 13 episodes.

He appeared in several comedies, including Ask Any Girl (1959), with Shirley MacLaine; and Please Don't Eat the Daisies (1960), a big hit.

Gregory Peck and Anthony Quinn's action film The Guns of Navarone (1961) was even more popular than Gregory Peck and Anthony Quinn's. He was cast in further war and/or action films; The Captive City (1962); Guns of Shadow (1962) with Charlton Heston and Ava Gardner.

With The Pink Panther (1963), also starring Peter Sellers, Niven returned to comedy, and the box office was a huge success. With Marlon Brando, there was less so the Bedtime Story (1964).

In 1964, Charles Boyer, Gig Young, and top-billed Niven appeared in the Four Star film The Rogues. Alexander 'Alec' Fleming, one of a family of former con-artists who now fleece villains in the interests of justice, was Niven's role. This was his only regular role on television, and the show was originally intended to more or less revolve between the three leads in various ways (one-lead, two-lead, and three-lead episodes), but the majority of the series was still on display. The Rogues only lasted for one season, but they did win a Golden Globe award and now are a cult favorite.

He made two films for MGM in 1965: the Peter Ustinov-directed Lady L, assisting Paul Newman and Sophia Loren, and Where the Spies Are, as a doctor-turned-secret agent, but this did not happen. In Casino Royale (1967), Niven appeared as James Bond 007 in Eye of the Devil (1966). In Dr. No. 2, Niven was Bond creator Ian Fleming's first attempt to play Bond. Fleming had written the book with Niven in mind, and therefore had sent a copy to Niven, according to casino royale co-producer Charles K. Feldman. In the text of a Fleming book, Niven was the only actor to mention James Bond by name. Kissy Suzuki, a pearl diver, refers to Niven as "the only man she liked in Hollywood" and the only one who "treated her honorably" there in chapter 14 of You Only Live Twice.

The Impossible Years (1968), which Niven produced some well-known comedies, Prudence, and the Pill (1968). The Extraordinary Seaman (1969) was less well known. The Brain (1969), a French comedy starring Bourvil and Jean-Paul Belmondo, was the most popular film at the French box office in 1969, but it was not widely distributed in English-speaking countries.

Before Winter Comes (1969), he played a war drama, then returned to comedy in The Statue (1971).

Throughout the last decade of his life, Niven was in demand; Water Tiger (1974), no deposit, no return (1977), one of many actors in a popular comedy; Murder By Death (1980), one of many actors; and The Sea Wolves (1980), a wartime adventure film made in Athena (1979); Paper Tiger (1978), a Disney film; King, Queen, 1973); and The Sea Wolves (1980), a Disney comedy (1977); No Deposit, No Return (1979);

A naked man (Robert Opel) appeared behind Niven as co-hosting the 46th Annual Oscars ceremony, "streaking" across the stage. Niven said, "Isn't it surprising to think that perhaps the only laugh a man will get in his life is by stripping off and revealing his flaws." "I'm sure you were wondering what was the case."

He starred David Niven's World for London Weekend Television, a television network that covered modern adventurers such as hang gliders, motorcyclists, and mountain climbers. He narrated The Remarkable Rocket, a short animation based on a tale by Oscar Wilde, in 1975.

In Better Late Than Never (1983), Niven's last major film role was in Better Late Than Never. Blake Edwards brought Niven back for cameo appearances in two final "Pink Panther" films (Trail of the Pink Panther and Curse of the Pink Panther), reiting his role as Sir Charles Lytton. Niven was suffering from severe health issues by this time. His voice was inaudible when the raw footage was reviewed, and Rich Little's lines had to be dubbed. Niven first heard of it from a newspaper newspaper. This was his last film appearance.

Niven wrote four books. The first, Round the Rugged Rocks (also published in the United States under the name Once Over Light), was a book that appeared in 1951 and was forgotten almost immediately at once. The plot was clearly autobiographical (although not recognized as such at the time of publication), involving a young soldier who leaves the British army, John Hamilton, who is involved in indoor horse racing, goes to Hollywood, becomes a deckhand on a fishing boat, and finally becomes a highly popular film actor.

He published his autobiography The Moon's a Balloon, which was well-received, in 1971, which sold over five million copies. In 1975, he followed this with Bring On The Empty Horses, a series of amusing reminiscences from Hollywood's "Golden Age" in the 1930s and 1940s. Niven appeared to several events from a first-person perspective rather than a thoughtful memoirist, among them Cary Grant. This liberal borrowing and embroidering of his personal history was also the reason for why he continued to refuse to appear on This is Your Life. When comparing his written descriptions of his early film appearances (especially Barbary Coast and A Feather in her Hat) and his Oscar acceptance address with real photographic evidence, Niven's penchant for exaggeration and embroidery is particularly noticeable. In all three cases, the truth is significantly different from Niven's heavily fictionalized accounts as seen in The Moon's Balloon and related in various chat show appearances.

Go Slowly, Come Back Quickly, Niven's second and much more successful book, set during and after the Second World War and recounting his experiences during the war and in Hollywood, found in 1981. At the time of his death, he was writing on a third book.

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