Carol Reed
Carol Reed was born in Putney, England, United Kingdom on December 30th, 1906 and is the Director. At the age of 69, Carol Reed biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.
At 69 years old, Carol Reed has this physical status:
Outcast of the Islands (1952), based on a novel by Joseph Conrad, is considered by some to mark the start of his creative decline. The Man Between (1953) is dismissed as a rehash of The Third Man. It "makes no startling impact, such as we have learned to expect from its director, on either the mind or the heart", complained Virginia Graham in The Spectator. While the fable A Kid for Two Farthings (1955), Reed's first colour film, set in the East End of London, has been claimed as one of very few authentic cinematic depictions of an Anglo-Jewish community, it suffers from the stereotyping of Jews and is no more than a "whimsical curiosity" according to Michael Brooke. It was the last film Reed made for Korda's London Films; the producer died at the beginning of 1956.
Trapeze (1956) was Reed's first venture into the then relatively new CinemaScope wide screen process, and, although largely shot in Paris, was made for the US Hecht-Hill-Lancaster Productions company and was a success at the box-office. Our Man in Havana (1959) reunited him with Graham Greene who adapted his own novel.
He was contracted to direct a remake of Mutiny on the Bounty (1962) by MGM, but then Marlon Brando was cast as Fletcher Christian, and problems with the mock Bounty and the weather at the locations caused delays. Brando had insisted on creative control, and the two men argued incessantly. Reed left at a relatively early stage of production and was replaced by Lewis Milestone. The Agony and the Ecstasy (1965), made in the United States, was a box-office failure, and was the last film over which Reed also served as producer. Oliver! (1968), made at Shepperton in Surrey, was financially backed by Columbia, and won the Academy Award for Best Director. "The movie may have been over-produced but it seemed everyone liked it that way", writes Thomas Hischak.