Callie Khouri

At 66 years old, Callie Khouri has this physical status:

Khouri is a screenwriter, director, producer, feminist, lecturer, and author of non-fiction. She also worked as an actress, lecturer, and waiter in Nashville. While working for a company that made commercials and music videos, she began writing Thelma & Louise, her first produced screenplay. Thelma & Louise won Khouri the Academy Award for Best Original Screenplay, a Golden Globe Award, and a PEN Literary Award, as well as the London Film Critics Circle Award for Film of the Year and a nomination for Best Original Screenplay from the British Academy of Film and Television Arts.

Khouri described her experience filming Thelma & Louise in an interview by David Konow, a scholarly author and journalist: "While I was writing Thelma and Louise, it was the most fun I had ever had in my life, bar none," she says. "It was such a pure experience. There was no self-censorship there, there was no second guessing. From a creative standpoint, it was the freest I had ever been in my life. I loved every moment I got to spend time with those characters. Nothing came close to it, including winning all the awards and everything else. As much fun as all that was, it wasn't as much fun as sitting alone in a crummy office on Vine at 2 in the morning writing that screenplay."

At the Oscar ceremony she said, "for everyone who wanted to see a happy ending for Thelma and Louise, for me this is it," brandishing the statue high. After winning the Academy Award for best screenplay, she felt motivated enough to continue on with her career and express "her feelings about the lack of female directors in Hollywood", not to mention that most of her career began because of her stance on women's rights. In an interview with The Huffington Post, she stated that adult women "are a market that I feel is underserved in the entertainment population at large. I don't see the kind of women represented that I know or that I'm attracted to. I really want to try to write more nuanced, less simplistic kind of stuff, and it's hard to find a place to do that."

"At first I had no desire to write screenplays. I kind of wished I had because I was reaching the end of my time producing music videos. I was struggling so hard to figure out what it was that I was supposed to be doing. I kept thinking I'm supposed to be doing something creative. I can't believe I have such a knack for the vernacular and I don't have anywhere to apply it." "I felt I had not found my true path. And then a series of events occurred that led me to the point where I didn't have anything to lose if I wrote a screenplay." She began writing sitcoms with a comedian friend but was plagued by second thoughts about her work. Khouri was frustrated and kept "contemplating and meditating" until she got this idea of "two women going on a crime spree." She felt as if a light bulb had gone on over her head, making her more interested in the idea.

She originally created the character Louise as a woman living in Texas who works as a communication secretary, "somebody sitting behind one of those big desks with a headset on directing people and taking calls and all that stuff." She imagined that Louise considered herself a liability as an employee, and that women would never be able to achieve power. This version of Louise would always remain narrow in her ambitions, someone "who never realized women could be executives until she saw one come in the front door."

The character Thelma, on the other hand, was first written as a character who "had kids and stuff like that, but I realized that she couldn't have kids. The idea that Darryl wanted her to wait, because the kids would be a sacrifice for him financially, fit perfectly. And, of course, she's really a child herself. I had to set it up that way. I love to laugh, and I wanted this to be a movie you were enjoying and having a good time with because you were watching these women get their lives. Even though they would lose them, they were becoming more and more themselves. It was a beautiful experience, a liberating experience to watch that."

Her second film as a writer, the romantic comedy-drama Something to Talk About (1995), earned mixed reviews from critics.

In June 2002, Khouri made her directorial debut with her adaptation of Divine Secrets of the Ya-Ya Sisterhood, which grossed a total of $73,839,240 worldwide. The film opened at number two in the box office behind The Sum of All Fears's second weekend.

In 2006, Khouri created, wrote and directed the pilot for the legal television series Hollis & Rae that was produced by Steven Bochco.

Khouri directed Mad Money in 2008, a crime-caper film starring Diane Keaton, Queen Latifah, and Katie Holmes.

In 2012 she developed ABC's country music drama series, Nashville, starring Connie Britton and Hayden Panettiere. Khouri's husband T Bone Burnett was the show's executive music producer and composer for the first season. Leaving the show shortly after the first season production wrapped, Burnett later stated that he was upset with television executives' treatment of his wife. His assistant and the managing producer Buddy Miller took over for Burnett in season two. Nashville received positive reviews from critics, and Khouri continued on the show without Burnett's involvement. In 2016, Nashville moved to CMT.

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