Bill Watterson

Cartoonist

Bill Watterson was born in Washington, D.C., District of Columbia, United States on July 5th, 1958 and is the Cartoonist. At the age of 65, Bill Watterson biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.

  Report
Other Names / Nick Names
William Boyd Watterson II
Date of Birth
July 5, 1958
Nationality
United States
Place of Birth
Washington, D.C., District of Columbia, United States
Age
65 years old
Zodiac Sign
Cancer
Networth
$100 Million
Profession
Cartoonist, Comics Artist
Bill Watterson Height, Weight, Eye Color and Hair Color

At 65 years old, Bill Watterson has this physical status:

Height
188.0cm
Weight
Not Available
Hair Color
Black
Eye Color
Not Available
Build
Slim
Measurements
Not Available
Bill Watterson Religion, Education, and Hobbies
Religion
Not Available
Hobbies
Not Available
Education
Kenyon College (B.A.)
Bill Watterson Spouse(s), Children, Affair, Parents, and Family
Spouse(s)
Not Available
Children
Not Available
Dating / Affair
Not Available
Parents
Not Available
Bill Watterson Career

Watterson was inspired by the work of The Cincinnati Enquirer political cartoonist Jim Borgman, a 1976 graduate of Kenyon College, and decided to try to follow the same career path as Borgman, who in turn offered support and encouragement to the aspiring artist. Watterson graduated in 1980 and was hired on a trial basis at the Cincinnati Post, a competing paper of the Enquirer. Watterson quickly discovered that the job was full of unexpected challenges which prevented him from performing his duties to the standards set for him. Not the least of these challenges was his unfamiliarity with the Cincinnati political scene, as he had never resided in or near the city, having grown up in the Cleveland area and attending college in central Ohio. The Post fired Watterson before his contract was up.

He then joined a small advertising agency and worked there for four years as a designer, creating grocery advertisements while also working on his own projects, including development of his own cartoon strip and contributions to Target: The Political Cartoon Quarterly.

As a freelance artist, Watterson has drawn other works for various merchandise, including album art for his brother's band, calendars, clothing graphics, educational books, magazine covers, posters, and post cards.

Watterson has said that he works for personal fulfillment. As he told the graduating class of 1990 at Kenyon College, "It's surprising how hard we'll work when the work is done just for ourselves." Calvin and Hobbes was first published on November 18, 1985. In Calvin and Hobbes Tenth Anniversary Book, he wrote that his influences included Charles Schulz's Peanuts, Walt Kelly's Pogo, and George Herriman's Krazy Kat. Watterson wrote the introduction to the first volume of The Komplete Kolor Krazy Kat. Watterson's style also reflects the influence of Winsor McCay's Little Nemo in Slumberland.

Like many artists, Watterson incorporated elements of his life, interests, beliefs, and values into his work—for example, his hobby as a cyclist, memories of his own father's speeches about "building character", and his views on merchandising and corporations. Watterson's cat Sprite very much inspired the personality and physical features of Hobbes.

Watterson spent much of his career trying to change the climate of newspaper comics. He believed that the artistic value of comics was being undermined, and that the space which they occupied in newspapers continually decreased, subject to arbitrary whims of shortsighted publishers. Furthermore, he opined that art should not be judged by the medium for which it is created (i.e., there is no "high" art or "low" art—just art).

Watterson wrote forewords for FoxTrot and For Better or For Worse.

For years, Watterson battled against pressure from publishers to merchandise his work, something that he felt would cheapen his comic. He refused to merchandise his creations on the grounds that displaying Calvin and Hobbes images on commercially sold mugs, stickers, and T-shirts would devalue the characters and their personalities. Watterson said that Universal kept putting pressure on him and said that he had signed his contract without fully perusing it because, as a new artist, he was happy to find a syndicate willing to give him a chance (two other syndicates had previously turned him down). He added that the contract was so one-sided that, if Universal really wanted to, they could license his characters against his will, and could even fire him and continue Calvin and Hobbes with a new artist. Watterson's position eventually won out and he was able to renegotiate his contract so that he would receive all rights to his work, but later added that the licensing fight exhausted him and contributed to the need for a nine-month sabbatical in 1991.

Despite Watterson's efforts, many unofficial knockoffs have been found, including items that depict Calvin and Hobbes consuming alcohol or Calvin urinating on a logo. Watterson has said, "Only thieves and vandals have made money on Calvin and Hobbes merchandise."

Watterson was critical of the prevailing format for the Sunday comic strip that was in place when he began drawing (and remained so, to varying degrees). The typical layout consists of three rows with eight total squares, which take up half a page if published with its normal size. (In this context, half-page is an absolute size – approximately half a nominal 8+1⁄2-by-11-inch (22 cm × 28 cm) page size – and not related to the actual page size on which a cartoon might eventually be printed for distribution.) Some newspapers are restricted with space for their Sunday features and reduce the size of the strip. One of the more common ways is to cut out the top two panels, which Watterson believed forced him to waste the space on throwaway jokes that did not always fit the strip. While he was set to return from his first sabbatical (a second took place during 1994), Watterson discussed with his syndicate a new format for Calvin and Hobbes that would enable him to use his space more efficiently and would almost require the papers to publish it as a half-page. Universal agreed that they would sell the strip as the half-page and nothing else, which garnered anger from papers and criticism for Watterson from both editors and some of his fellow cartoonists (whom he described as "unnecessarily hot-tempered"). Eventually, Universal compromised and agreed to offer papers a choice between the full half-page or a reduced-sized version to alleviate concerns about the size issue. Watterson conceded that this caused him to lose space in many papers, but he said that, in the end, it was a benefit because he felt that he was giving the papers' readers a better strip for their money and editors were free not to run Calvin and Hobbes at their own risk. He added that he was not going to apologize for drawing a popular feature.

On November 9, 1995, Watterson announced the end of Calvin and Hobbes with the following letter to newspaper editors:

The last strip of Calvin and Hobbes was published on December 31, 1995.

Source