Wayne Shorter

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His early influences include Sonny Rollins, John Coltrane and Coleman Hawkins. In 1959, Shorter joined Art Blakey's Jazz Messengers where he stayed for four years, eventually becoming musical director and composing pieces for the band. Together they toured the US, Japan, and Europe, recording several albums. During this time Shorter "established himself as one of the most gifted of the young saxophonists" and received international acknowledgment.

Herbie Hancock said of Shorter's tenure in Miles Davis's Second Great Quintet: "The master writer to me, in that group, was Wayne Shorter. He still is a master. Wayne was one of the few people who brought music to Miles that didn't get changed." Davis said, "Wayne is a real composer. He writes scores, writes the parts for everybody just as he wants them to sound. ... Wayne also brought in a kind of curiosity about working with musical rules. If they didn't work, then he broke them, but with musical sense; he understood that freedom in music was the ability to know the rules in order to bend them to your own satisfaction and taste."

Ian Carr, musician and Rough Guide author, states that with Davis, Shorter found his own voice as a player and composer. "Blakey's hard-driving, straight-ahead rhythms had brought out the muscularity in Shorter's tenor playing, but the greater freedom of the Davis rhythm-section allowed him to explore new emotional and technical dimensions."

Shorter remained in Davis's band after the breakup of the quintet in 1968, playing on early jazz fusion recordings including In a Silent Way and Bitches Brew (both 1969). His last live dates and studio recordings with Davis were in 1970.

Until 1968, he played tenor saxophone exclusively. The final album on which he played tenor in the regular sequence of Davis albums was Filles de Kilimanjaro. In 1969, he played the soprano saxophone on the Davis album In a Silent Way and on his own Super Nova (recorded with then-current Davis sidemen Chick Corea and John McLaughlin). When performing live with Davis, and on recordings from summer 1969 to early spring 1970, he played both soprano and tenor saxophones; by the early 1970s, however, he chiefly played soprano.

Simultaneous with his time in the Davis quintet, Shorter recorded several albums for Blue Note Records, featuring almost exclusively his own compositions, with a variety of line-ups, quartets and larger groups, including Blue Note favourites such as trumpeter Freddie Hubbard. His first Blue Note album (of 11 in total recorded from 1964 to 1970) was Night Dreamer, recorded at Rudy Van Gelder's studio in 1964 with Lee Morgan (trumpet), McCoy Tyner (piano), Reggie Workman (bass) and Elvin Jones (drums). Two more albums were recorded in 1964, JuJu and Speak No Evil.

Of the three Blue Note albums Shorter recorded in 1965, The All Seeing Eye (rec. 1965, rel. 1966) was a workout with a larger group, while Adam's Apple (rec. 1966, rel. 1967) was back to carefully constructed melodies by Shorter leading a quartet. Then a sextet again in the following year for Schizophrenia (rec. 1967, rel. 1969) with Herbie Hancock, bassist Ron Carter, trombonist Curtis Fuller, alto saxophonist/flautist James Spaulding and strong rhythms by drummer Joe Chambers.

Shorter also recorded occasionally as a sideman (again, mainly for Blue Note) with trumpeter Donald Byrd, McCoy Tyner, trombonist Grachan Moncur III, Freddie Hubbard, Lee Morgan, and bandmates Herbie Hancock and drummer Tony Williams.

Following the release of Odyssey of Iska in 1970, Shorter formed the fusion group Weather Report with Davis veteran keyboardist Joe Zawinul and bassist Miroslav Vitous. The other original members were percussionist Airto Moreira, and drummer Alphonse Mouzon. After Vitous' departure in 1973, Shorter and Zawinul co-led the group until the band's break-up in late 1985. A variety of musicians would make up Weather Report over the years (most notably the revolutionary bassist Jaco Pastorius) helping the band produce many high quality recordings in diverse styles, with funk, bebop, Latin jazz, ethnic music, and futurism being the most prevalent denominators.

Shorter also recorded critically acclaimed albums as a bandleader, notably 1974's Native Dancer, which featured Hancock and Brazilian composer and vocalist Milton Nascimento.

In the late 1970s and the early 1980s, he toured in the V.S.O.P. quintet. This group was a revival of the 1960s Davis quintet, except that Freddie Hubbard filled the trumpet chair. Shorter appeared with the same former Davis bandmates on the Carlos Santana double LP The Swing of Delight (1980), for which he also composed a number of pieces.

From 1977 through 2002, he appeared on 10 Joni Mitchell studio albums, gaining him a wider audience. He played an extended solo on the title track of Steely Dan's 1977 album Aja.

After leaving Weather Report in 1986, Shorter continued to record and lead groups in jazz fusion styles, including touring in 1988 with guitarist Carlos Santana, who appeared on This is This! (1986), the last Weather Report disc. There is a concert video recorded at the Lugano Jazz Festival in 1987, with Jim Beard (keyboards), Carl James (bass), Terri Lyne Carrington (drums), and Marilyn Mazur (percussion). In 1989, he contributed to a hit on the rock charts, playing the sax solo on Don Henley's song "The End of the Innocence" and also produced the album Pilar by the Portuguese singer-songwriter Pilar Homem de Melo. He has also maintained an occasional working relationship with Herbie Hancock, including a tribute album recorded shortly after Miles Davis's death with Herbie Hancock, Ron Carter, Tony Williams and Wallace Roney. He continued to appear on Mitchell's records in the 1990s and can be heard on the soundtrack of the Harrison Ford film The Fugitive (1993).

In 1995, Shorter released the album High Life, his first solo recording for seven years. It was also his debut as a leader for Verve Records. Shorter composed all the compositions on the album and co-produced it with the bassist Marcus Miller. High Life received the Grammy Award for best Contemporary Jazz Album in 1997.

Shorter worked with Herbie Hancock once again in 1997, on the much acclaimed and heralded album 1+1. The song "Aung San Suu Kyi" (named for the Burmese pro-democracy activist) won both Hancock and Shorter a Grammy Award.

In 2009, he was announced as one of the headline acts at the Gnaoua World Music Festival in Essaouira, Morocco. His 2013 live album Without a Net (rec. 2010) is his first with Blue Note Records since Odyssey of Iska (rec. 1970, rel. 1971).

In 2000, Shorter formed the first permanent acoustic group under his name, a quartet with pianist Danilo Perez, bassist John Patitucci, and drummer Brian Blade, playing his own compositions, many of them reworkings of tunes going back to the 1960s. Four albums of live recordings have been released: Footprints Live! (rec. live 2001, rel. 2002); Beyond the Sound Barrier (rec. live 2002–2004, rel. 2005); Without a Net (rec. live 2010, rel. 2013); and Emanon (2018), with the latter, in addition to live material, including Shorter’s quartet in a studio session with the 34-piece Orpheus Chamber Orchestra. The quartet has received great acclaim from fans and critics, especially for the strength of Shorter's tenor saxophone playing. The biography Footprints: The Life and Work of Wayne Shorter by journalist Michelle Mercer examines the working life of the musicians as well as Shorter's thoughts and Buddhist beliefs. Beyond the Sound Barrier received the 2006 Grammy Award for Best Instrumental Jazz Album.

Shorter's 2003 album Alegría (his first studio album for 10 years, since High Life) received the 2004 Grammy Award for Best Instrumental Jazz Album; it features the quartet with a host of other musicians, including pianist Brad Mehldau, drummer Terri Lynn Carrington and former Weather Report percussionist Alex Acuña. Shorter's compositions, some new, some reworked from his Miles Davis period, feature the complex Latin rhythms that he specialised in during his Weather Report days.

In 2015, producer/director Dorsay Alavi began filming a documentary about the life of Wayne Shorter called Wayne Shorter: Zero Gravity. A number of high-profile musicians, including Herbie Hancock, Esperanza Spalding, and Terri Lyne Carrington, performed at a donor event to raise funds for the documentary; two of the largest donations came from the Herb Alpert Foundation and Carlos Santana.

In 2016, it was announced that Shorter, Carlos Santana, and Herbie Hancock would begin touring under the name Mega Nova. Also included within the supergroup was bassist Marcus Miller and drummer Cindy Blackman Santana. Their first show together was on August 24, 2016 at the Hollywood Bowl.

In 2018, Shorter retired from his near 70-year performing career due to health issues. He has continued working as a composer, creating a "new operatic work" titled (Iphigenia), with Esperanza Spalding writing the libretto and architect Frank Gehry designing the sets, which premiered on 12 November 2021, at the Cutler Majestic Theatre.

In 1999, Shorter received an Honorary Doctorate of Music from the Berklee College of Music.

On September 17, 2013, Shorter received a Lifetime Achievement Award from the Thelonious Monk Institute of Jazz.

On December 18, 2014, the Recording Academy announced that Shorter was awarded the Grammy Lifetime Achievement Award in honor of his "prolific contributions to our culture and history".

In 2016, Shorter was awarded a Guggenheim Fellowship in the field of music composition, the only jazz artist to receive the honor that year.

In 2017, Shorter was announced as the joint winner of the Polar Music Prize. The award committee stated: "Without the musical explorations of Wayne Shorter, modern music would not have drilled so deep."

In 2018, Shorter received the Kennedy Center Honors Award from the John F. Kennedy Center for the Performing Arts for his lifetime of contributions to the arts.

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