Truman Capote

At 59 years old, Truman Capote physical status not available right now. We will update Truman Capote's height, weight, eye color, hair color, build, and measurements.

Capote began writing short stories from around the age of 8. In 2013, the Swiss publisher Peter Haag discovered 14 unpublished stories, written when Capote was a teenager, in the New York Public Library Archives. Random House published these in 2015, under the title The Early Stories of Truman Capote.

Between 1943 and 1946, Capote wrote a continual flow of short fiction, including "Miriam", "My Side of the Matter", and "Shut a Final Door" (for which he won the O. Henry Award in 1948, at the age of 24). His stories were published in both literary quarterlies and well-known popular magazines, including The Atlantic Monthly, Harper's Bazaar, Harper's Magazine, Mademoiselle, The New Yorker, Prairie Schooner, and Story. In June 1945, "Miriam" was published by Mademoiselle and went on to win a prize, Best First-Published Story, in 1946. In the spring of 1946, Capote was accepted at Yaddo, the artists and writers colony at Saratoga Springs, New York. (He later endorsed Patricia Highsmith as a Yaddo candidate, and she wrote Strangers on a Train while she was there.)

During an interview for The Paris Review in 1957, Capote said this of his short story technique:

Random House, the publisher of his novel Other Voices, Other Rooms (see below), moved to capitalize on this novel's success with the publication of A Tree of Night and Other Stories in 1949. In addition to "Miriam", this collection also includes "Shut a Final Door", first published in The Atlantic Monthly (August 1947).

After A Tree of Night, Capote published a collection of his travel writings, Local Color (1950), which included nine essays originally published in magazines between 1946 and 1950.

"A Christmas Memory", a largely autobiographical story taking place in the 1930s, was published in Mademoiselle magazine in 1956. It was issued as a hard-cover stand alone edition in 1966 and has since been published in many editions and anthologies.

Some time in the 1940s, Capote wrote a novel set in New York City about the summer romance of a socialite and a parking lot attendant. Capote later claimed to have destroyed the manuscript of this novel; but 20 years after his death, in 2004, it came to light that the manuscript had been retrieved from the trash back in 1950 by a house sitter at an apartment formerly occupied by Capote. The novel was published in 2006 by Random House under the title Summer Crossing.

As of 2013, the film rights to Summer Crossing had been purchased by actress Scarlett Johansson, who reportedly planned to direct the adaptation.

The critical success of one of his short stories, "Miriam" (1945), attracted the attention of the publisher Bennett Cerf, resulting in a contract with Random House to write a novel. With an advance of $1,500, Capote returned to Monroeville and began Other Voices, Other Rooms, continuing to work on the manuscript in New Orleans, Saratoga Springs, New York, and North Carolina, eventually completing it in Nantucket, Massachusetts. It was published in 1948. Capote described this symbolic tale as "a poetic explosion in highly suppressed emotion". The novel is a semi-autobiographical refraction of Capote's Alabama childhood. Decades later, writing in The Dogs Bark (1973), he commented:

The story focuses on 13-year-old Joel Knox following the loss of his mother. Joel is sent from New Orleans to live with his father, who abandoned him at the time of his birth. Arriving at Skully's Landing, a vast, decaying mansion in rural Alabama, Joel meets his sullen stepmother Amy, debauched transvestite Randolph, and defiant Idabel, a girl who becomes his friend. He also sees a spectral "queer lady" with "fat dribbling curls" watching him from a top window. Despite Joel's queries, the whereabouts of his father remain a mystery. When he finally is allowed to see his father, Joel is stunned to find he is a quadriplegic, having tumbled down a flight of stairs after being inadvertently shot by Randolph. Joel runs away with Idabel but catches pneumonia and eventually returns to the Landing, where he is nursed back to health by Randolph. The implication in the final paragraph is that the "queer lady" beckoning from the window is Randolph in his old Mardi Gras costume. Gerald Clarke, in Capote: A Biography (1988) described the conclusion:

Other Voices, Other Rooms made The New York Times bestseller list and stayed there for nine weeks, selling more than 26,000 copies. The promotion and controversy surrounding this novel catapulted Capote to fame. A 1947 Harold Halma photograph used to promote the book showed a reclining Capote gazing fiercely into the camera. Gerald Clarke, in Capote: A Biography (1988), wrote, "The famous photograph: Harold Halma's picture on the dustjacket of Other Voices, Other Rooms (1948) caused as much comment and controversy as the prose inside. Truman claimed that the camera had caught him off guard, but in fact he had posed himself and was responsible for both the picture and the publicity." Much of the early attention to Capote centered on different interpretations of this photograph, which was viewed as a suggestive pose by some. According to Clarke, the photo created an "uproar" and gave Capote "not only the literary, but also the public personality he had always wanted". The photo made a huge impression on the 20-year-old Andy Warhol, who often talked about the picture and wrote fan letters to Capote. When Warhol moved to New York in 1949, he made numerous attempts to meet Capote, and Warhol's fascination with the author led to Warhol's first New York one-man show, Fifteen Drawings Based on the Writings of Truman Capote at the Hugo Gallery (June 16 – July 3, 1952).

When the picture was reprinted along with reviews in magazines and newspapers, some readers were amused, but others were outraged and offended. The Los Angeles Times reported that Capote looked "as if he were dreamily contemplating some outrage against conventional morality". The novelist Merle Miller issued a complaint about the picture at a publishing forum, and the photo of "Truman Remote" was satirized in the third issue of Mad (making Capote one of the first four celebrities to be spoofed in Mad). The humorist Max Shulman struck an identical pose for the dustjacket photo on his collection, Max Shulman's Large Economy Size (1948). The Broadway stage revue New Faces (and the subsequent film version) featured a skit in which Ronny Graham parodied Capote, deliberately copying his pose in the Halma photo. Random House featured the Halma photo in its "This is Truman Capote" ads, and large blowups were displayed in bookstore windows. Walking on Fifth Avenue, Halma overheard two middle-aged women looking at a Capote blowup in the window of a bookstore. When one woman said, "I'm telling you: he's just young", the other woman responded, "And I'm telling you, if he isn't young, he's dangerous!" Capote delighted in retelling this anecdote.

In the early 1950s, Capote took on Broadway and films, adapting his 1951 novella, The Grass Harp, into a 1952 play of the same name (later a 1971 musical and a 1995 film), followed by the musical House of Flowers (1954), which spawned the song "A Sleepin' Bee". Capote co-wrote with John Huston the screenplay for Huston's film Beat the Devil (1953). Traveling through the Soviet Union with a touring production of Porgy and Bess, he produced a series of articles for The New Yorker that became his first book-length work of nonfiction, The Muses Are Heard (1956).

In this period he also wrote an autobiographical essay for Holiday Magazine—one of his personal favorites—about his life in Brooklyn Heights in the late 1950s, entitled Brooklyn Heights: A Personal Memoir (1959). In November 2015, The Little Bookroom issued a new coffee-table edition of that work, which includes David Attie's previously-unpublished portraits of Capote as well as Attie's street photography taken in connection with the essay, entitled Brooklyn: A Personal Memoir, With The Lost Photographs of David Attie. This edition was well-reviewed in America and overseas, and was also a finalist for a 2016 Indie Book Award.

Breakfast at Tiffany's: A Short Novel and Three Stories (1958) brought together the title novella and three shorter tales: "House of Flowers", "A Diamond Guitar" and "A Christmas Memory". The heroine of Breakfast at Tiffany's, Holly Golightly, became one of Capote's best known creations, and the book's prose style prompted Norman Mailer to call Capote "the most perfect writer of my generation".

The novella itself was originally supposed to be published in Harper's Bazaar's July 1958 issue, several months before its publication in book form by Random House. The publisher of Harper's Bazaar, the Hearst Corporation, began demanding changes to Capote's tart language, which he reluctantly made because he had liked the photos by David Attie and the design work by Harper's art director Alexey Brodovitch that were to accompany the text. But despite his compliance, Hearst ordered Harper's not to run the novella anyway. Its language and subject matter were still deemed "not suitable", and there was concern that Tiffany's, a major advertiser, would react negatively. An outraged Capote resold the novella to Esquire for its November 1958 issue; by his own account, he told Esquire he would only be interested in doing so if Attie's original series of photos was included, but to his disappointment, the magazine ran just a single full-page image of Attie's (another was later used as the cover of at least one paperback edition of the novella). The novella was published by Random House shortly afterwards.

For Capote, Breakfast at Tiffany's was a turning point, as he explained to Roy Newquist (Counterpoint, 1964):

The "new book", In Cold Blood: A True Account of a Multiple Murder and Its Consequences (1965), was inspired by a 300-word article that ran in the November 16, 1959, The New York Times. The story described the unexplained murder of the Clutter family in rural Holcomb, Kansas, and quoted the local sheriff as saying, "This is apparently the case of a psychopathic killer." Fascinated by this brief news item, Capote traveled with Harper Lee to Holcomb and visited the scene of the massacre. Over the course of the next few years, he became acquainted with everyone involved in the investigation and most of the residents of the small town and the area. Rather than taking notes during interviews, Capote committed conversations to memory and immediately wrote quotes as soon as an interview ended. He claimed his memory retention for verbatim conversations had been tested at "over 90%". Lee made inroads into the community by befriending the wives of those Capote wanted to interview.

Capote recalled his years in Kansas when he spoke at the 1974 San Francisco International Film Festival:

In Cold Blood was published in 1966 by Random House after having been serialized in The New Yorker. The "nonfiction novel", as Capote labeled it, brought him literary acclaim and became an international bestseller, but Capote would never complete another novel after it.

A feud between Capote and British arts critic Kenneth Tynan erupted in the pages of The Observer after Tynan's review of In Cold Blood implied that Capote wanted an execution so the book would have an effective ending. Tynan wrote:

In Cold Blood brought Capote much praise from the literary community, but there were some who questioned certain events as reported in the book. Writing in Esquire in 1966, Phillip K. Tompkins noted factual discrepancies after he traveled to Kansas and spoke to some of the same people interviewed by Capote. In a telephone interview with Tompkins, Mrs. Meier denied that she heard Perry cry and that she held his hand as described by Capote. In Cold Blood indicates that Meier and Perry became close, yet she told Tompkins she spent little time with Perry and did not talk much with him. Tompkins concluded:

True crime writer Jack Olsen also commented on the fabrications:

Alvin Dewey, the Kansas Bureau of Investigation detective portrayed in In Cold Blood, later said that the last scene, in which he visits the Clutters' graves, was Capote's invention, while other Kansas residents whom Capote interviewed have claimed they or their relatives were mischaracterized or misquoted. Dewey and his wife Marie became friends of Capote during the time Capote spent in Kansas gathering research for his book. Dewey gave Capote access to the case files and other items related to the investigation and to the members of the Clutter family, including Nancy Clutter's diary. When the film version of the book was made in 1967, Capote arranged for Marie Dewey to receive $10,000 from Columbia Pictures as a paid consultant to the making of the film.

Another work described by Capote as "nonfiction" was later reported to have been largely fabricated. In a 1992 piece in the Sunday Times, reporters Peter and Leni Gillman investigated the source of "Handcarved Coffins", the story in Capote's last work Music for Chameleons subtitled "a nonfiction account of an American crime". They found no reported series of American murders in the same town which included all of the details Capote described – the sending of miniature coffins, a rattlesnake murder, a decapitation, etc. Instead, they found that a few of the details closely mirrored an unsolved case on which investigator Al Dewey had worked. Their conclusion was that Capote had invented the rest of the story, including his meetings with the suspected killer, Quinn.

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