Sofia Coppola
Sofia Coppola was born in New York City, New York, United States on May 14th, 1971 and is the Director. At the age of 53, Sofia Coppola biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, movies, and networth are available.
At 53 years old, Sofia Coppola has this physical status:
Sofia Carmina Coppola (born May 14, 1971) is an American filmmaker and actress. Eleanor and Francis Ford Coppola's youngest daughter and only daughter appeared in her father's celebrated crime drama film The Godfather (1972). Coppola appeared in several music videos as well as in Peggy Sue Got Married (1986). In The Godfather Part III (1990), Coppola later portrayed Mary Corleone, Michael Corleone's daughter. She then turned her attention to filmmaking.
Coppola made her film debut with the coming-of-age drama The Virgin Suicides (1999). It was the first of her collaborations with actress Kirsten Dunst. Coppola earned the Academy Award for Best Original Screenplay for the comedy-drama Lost in Translation in 2004, becoming the third woman to be nominated for an Academy Award for Best Director. Coppola produced Marie Antoinette, starring Dunst as the title character in 2006. Coppola's drama Somewhere became the first American woman (and fourth American filmmaker) to win the Golden Lion at the Venice Film Festival in 2010. "The Bling Ring," Nancy Jo Sales' satirical crime film "The Bling Ring" was directed by her in 2013. At the Cannes Film Festival, the film premiered.
Coppola also released The Christmas musical comedy special A Very Murray Christmas, starring Bill Murray on Netflix, in 2015. It earned her a nomination for the Primetime Emmy Award for Outstanding Television Film, according to her. She received Best Director for her role on the film The Beguiled at the Cannes Film Festival in 2017, making her second woman in the festival's history to receive the award. By A24, her newest film, On the Rocks, received a limited theatrical release in October 2020 as well as a subscription on Apple TV+.
Early life
Coppola was born in New York City on May 14, 1971, the youngest child and only daughter of documentary filmmaker Eleanor (née Neil) and filmmaker Francis Ford Coppola. She is of Italian descent (Lucanian and Neapolitan) by her father's side and was raised on her parents' farm in Rutherford, California. In 1989, Coppola graduated from St. Helena High School. She later attended Mills College and the California Institute of the Arts. Coppola interned with Chanel at the age of 15. Coppola founded Milkfed, which is now available exclusively in Japan after dropping out of college. Talia Shire and her first cousins Nicolas Cage and Jason Schwartzman are among her many relatives in Hollywood. Coppola had a slew of interests growing up, including fashion, photography, film, and design, and she did not set out to be a filmmaker. However, after making her first short film Lick the Star in 1998, she realized it was "brought together all the things [she] loved" and decided to continue her directing efforts.
Personal life
Coppola met director Spike Jonze in 1992; they married in 1999 and divorced in 2003. Coppola's publicist said in a official statement that the divorce decision was made "with sadness." The main character's husband in Lost in Translation is widely believed to be based on Jonze, according to Coppola's remarks after the film's release: "There are elements of Spike here, as well as elements of experiences."
Quentin Tarantino, a filmmaker who lived from 2003 to 2005, was the subject of a cop. Since being estranged from each other, they have been friends.
Thomas Mars, a Bernalda, Italy, married Coppola, married Thomas Mars on August 27, 2011. They met while recording the soundtrack to The Virgin Suicides. They have two daughters, Romy (born November 28, 2006), and Cosima (born May 2010).
Coppola and her family lived in Paris for many years before relocating to New York City in 2010.
Coppola has held a low public profile for her family, aiming for her daughters' lives to be unaffected by her work and travel. Coppola has stated that she never wants her children to be jaded, when asked if she'd prefer her children to stay out of the spotlight as a parent.
Acting career
Coppola's film career began as an infant, with frequent critiques of nepotism and critical appraisals. She made background appearances in seven of her father's films. Michael Francis Rizzi, the infant, was the most well-known of these. Coppola appeared in her father's film The Outsiders (1983) in a scene where Matt Dillon, Tommy Howell, and Ralph Macchio are eating at a Dairy Queen, as well as Peggy Sue Got Married (1986), in which she played Kathleen Turner's sister Nancy. Frankenweenie (1984) was the first film Coppola performed without knowing her father; however, it's often overlooked due to her stage name "Domino," which she adopted at the time because it was glamorous. A teenage Coppola and her father co-written Life Without Zoe (1989), which was released as part of a tripartite anthology film New York Stories; her father also wrote the film.
She appeared in numerous music videos throughout the nineties, including those for Sonic Youth's song Mildred Pierce from The Goo album, Sometimes Salvation by The Black Crows and The Chemical Brothers' Elektrobank, directed by her then partner Spike Jonze (who also appears in the film).
Coppola reprised her father's Godfather trilogy in both the second and third Godfather films, as well as playing Michael Corleone's daughter in The Godfather Part III, after the original cast actress, Winona Ryder, was forced to leave the film at the last minute due to nervous exhaustion. Coppola's performance in The Godfather Part III has been blamed on Francis Ford Coppola's career and even ended Sofia's before it had even started. Coppola has said she never really wanted to act, but only did it to help out when her father asked her to act. It has also been suggested that Sofia's presence in the film may have contributed to the film's box office success, which began well but then faded into decline. Coppola was worried that she had only been given the role because she was the director's daughter, and the job put a strain on her during the time of shooting when she was filmed in a series of diaries she wrote for Vogue during the filming. Coppola later said that she was not hurt by her film's critique because she never really wanted an acting career.
Coppola left acting after being largely criticized for her role in The Godfather Part III (for which she was named "Worst Supporter Actress" and "Worst New Star") at the 1990 Golden Raspberry Awards, but she did appear in many of her relatives and relatives' films (for example, she appeared in "In George Lucas' 1999 film Star Wars: Episode I – The Phantom Menace) as Saché, one of Queen Padmé Amidala's five handmaidoutput: Coppola has appeared in numerous 1990s music videos: "Sometimes Salvation" by the Black Crows; Sonic Youth's "Mildred Pierce" by Madonna; Madonna's "Deeper and Deeper" by her then-husband Spike Jonze; and later Phoenix's "Funky Squaredance."
In a 2022 episode of the horror comedy series What We Do in the Shadows, a Coppola guest starred alongside her husband Thomas Mars and fellow filmmaker Jim Jarmusch.
Filmmaking career
Lick the Star (1998), Coppola's first short film, was Lick the Star. On the Independent Film Channel, it appeared several times. She made her feature film directing debut with The Virgin Suicides (1999); it gained critical acclaim at its premiere at the 2000 Sundance Film Festival in North America and was released later this year.
Lost in Translation, Coppola's second film, was released in 2003. Coppola received the Academy Award for her original screenplay and three Golden Globe Awards, including Best Picture Musical or Comedy. After Lina Wertmüller and Jane Campion's nomination for an Academy Award for Directing and the second to win the Original Screenplay award after Campion in 1994 (Wertmüller was also nominated). She was named third-generation Oscar winner after winning the best original screenplay in 2003. Coppola was the second woman to be nominated for three Oscars in one night, after Edith Head. Coppola was invited to the Academy of Motion Picture Arts and Sciences in 2004.
Marie Antoinette (2006), a British historian, was her third film, based on British historian Antonia Fraser's biography. Kirsten Dunst plays King Louis XVI, played by Jason Schwartzman, Coppola's cousin. It debuted at the 2006 Cannes Film Festival, where despite boos in the audience, it earned a standing ovation. Though analysts were split on the time of its inception, the publication of this book has since received more critical attention in the years that followed.
Somewhere (2010), Coppola's fourth film, was shot at Chateau Marmont. The story follows a "poor" actor Marco (played by Stephen Dorff) who is forced to reevaluate his life when his daughter Cleo (played by Elle Fanning) unexpectedly arrives. Marco and Cleo's friendship was mainly based on Coppola's personal friendship with her father. At the Venice Film Festival, the film received the coveted Golden Lion Award. At the DGA screening of Somewhere in New York City in November 2010, Coppola was interviewed by Joel Coen, who professed his admiration of her work.
Coppola's next film, The Bling Ring (2013), was based on true events around the Bling Ring, a group of California teenagers who burgled the homes of several celebrities between 2008 and 2009, stealing around $3 million in cash and property. Emma Watson, Taissa Farmiga, Leslie Mann, Leslie Mann, Israel Broussard, Katie Chang, and Claire Julien appeared in the film, which opened the Uncertain Regard section of the 2013 Cannes Film Festival.
American Zoetrope had successfully obtained the screen rights for the memoir Fairyland: A Memoir of My Father, which was revealed by the publisher in mid-December 2013; Coppola would adapt the book with Andrew Durham. Coppola will also film with her brother Roman.
Coppola had been negotiating to direct a live-action adaptation of The Little Mermaid from Caroline Thompson's script in March 2014. Coppola wanted to shoot her version submerged, but after she later revealed that such a possibility was unrealistic, a test video was shot. Coppola had to be pulled out of the film due to creative inconsistencies in June 2015.
Coppola wrote A Very Murray Christmas, which starred Murray and was co-written by Murray and Mitch Glazer, who starred Murray and Murray. On Netflix in December 2015, the film, which was an homage to classic Christmas-themed variety shows, was released.
Coppola produced The Beguiled (2017), a sequel to the 1971 eponymous Southern Gothic film starring Nicole Kidman, Elle Fanning, and Kirsten Dunst. Coppola became the second woman (and first American woman) to win the Best Director award at the 2017 Cannes Film Festival, where the film premiered.
Coppola has appeared on On the Rocks, starring Murray and Rashida Jones, who appeared on Bill Murray.
Coppola was first drawn to the story after reading Jeffrey Eugenides' book in 1995 at the suggestion of musician Thurston Moore. Coppola said she felt that the book's author knew the teen story. She has also stated that if she was not for the book, she may not have had a career in film. Coppola has emphasized the image of teenagers "lazing about," a situation she sympathizes with but not encounter them in a more relatable manner in films. Coppola's personal connection was a focus in the aftermath of her oldest brother's death in a boating tragedy in 1986, although she denied that she immediately knew this connection. Coppola negotiated the rights to the book without her father's help, and created the screenplay herself. Critics applauded the low-budget film, which made the case that Coppola broke out of her father's shadow as a filmmaker in her own right. Since the film premiered there, she attributes the start of her career to the Cannes festival.
Coppola shot Lost in Translation in 27 days, with a small crew that was without a permit, but not in that situation. Scenes were shot on the street, but scenes from the Park Hyatt Hotel allowed the crew to use its corridors between two and three people in the morning without causing disruption.
The film received critical reception and acclaim, as well as skepticism over its use of "Japan as an exotic and bizarre setting for its American protagonists." "The film has no meaningful Japanese roles, nor is there any dialogue between the main characters and the Japanese," the group's Academy Award nominees protested. Such representations have perpetuated negative stereotypes and attitudes that are harmful to Asian Americans in the United States, where a significant minority of Americans now have skepticism against Asians. In an interview for The Independent, Coppola said, "I can see why people are thinking that way, but I know I am not racist." If everything is based on truth, I think you'll have a lot of fun, have a laugh, but also be respectful of a culture. I love Tokyo, and I'm not mean-spirited. They'll mix up the 'rs' and the 'ls' on our daily call sheets, but it won't be pretty, and that's not based on experience. Someone must have misunderstook my intentions, according to me. "I'm not racist," I'm sure.
Marie Antoinette was shot on location at the Château de Versailles. Coppola herself has said that she was attracted to Marie Antoinette's story as an innocent and caring character in a situation outside of her control, and that rather than designing a historical representation, she wanted to get a closer glance at the heroine's world. The film's style isn't that of a traditional biopic, but rather it uses "hit songs and incongruous dialogue."
Wherever depicts a young actor (Stephen Dorff) recovering from a minor injury, fame, and professional experiences that cannot explain the existential crisis he is facing as he is compelled to care for his 11-year-old daughter in the absence of his wife. On September 3, 2010, the film premiered at the 67th Venice International Film Festival and opened in the rest of Italy. The festival jury unanimously awarded the film the Golden Lion award for best overall film. After the first screening, Quentin Tarantino, president of the jury, said the film "grew and increased in our hearts, in our minds, and in our hearts." "Coppola is a fascinating filmmaker," Roger Ebert of the Chicago Sun-Times, who praised the detail in Johnny Marco's portrait, continued to praise the film. She sees, and we see exactly what she sees. There is no attempt here to map a plot. All the focus is on a handful of characters, on Johnny."
At the 2013 Cannes Film Festival, the Bling Ring premiered. It was inspired by a Vanity Fair feature on the real-life criminals depicted in the film, whom Coppola describes as "products of our increasing reality television culture." "Generally favorable feedback, with many praising the film's style and performances, but some felt that the film glamorized the crimes in the story and failed to provide an accurate account of them through the plot; rather, they simply walk through the frame, listing name brands and filming at their phones."
The film is based on author Thomas P. Cullinan's 1966 book about a wounded Union soldier in a Mississippi seminary during the American Civil War, and it was made for less than $10 million. Coppola's debut in the film featured elements of the thriller genre, marking another change for Coppola.
Coppola referred to her fascination with the South as part of the story's intrigue. Coppola has said that she wanted the film to be "exaggerated" and appeal to men because the woman were traditionally raised there just to be beautiful and cater to men, as well as how the men change when they go away. Despite being set in a different time, Coppola cited Gone with the Wind as her inspiration for making a film that was relatable.
After she chose to both remove the supporting role of a black female slave from the film and then choose Kirsten Dunst to portray a character that was biracial in the original novel, the film faced a slew of controversy and division. Coppola was also chastised for minimizing the tragedy of her characters in favour of illustrating, albeit realistically, the luxurious lifestyle of her protagonists, thus undermining the significance of a tense topic. Coppola retaliated on these allegations by quoting the presence of teenage girls in her filmgoing audience. The Beguiled is not the first of Coppola's films to be accused of revealing her own socioeconomic affordances.
Coppola referred to the film as a reinterpretation rather than a remake of Don Siegel's 1971 adaptation of the same book. Coppola wanted to tell the tale of the male soldier's transition from the male soldier's point of view to the female perspective and show what it was like for them. Coppola found that the earlier version made the characters out to be bizarre caricatures and did not want the viewer to know them.
Coppola intended The Beguiled as a feminist work, according to some commentators, but Coppola denied this. Though she has stated that she is delighted if others see the film in this way, she sees it as a film, rather than a female one, which is a significant distinction. The Beguiled was also set as a contrast to The Bling Ring, and Coppola has stated that she needed to replace the film's harsh Los Angeles aesthetic with something more refined and poetic.
On the Rocks, Coppola's upcoming film, On the Rocks, follows a daughter and father who are both played by Rashida Jones and Bill Murray respectively as they explore New York together in an attempt to mend their fractured family bond. It was released in a limited theatrical release by A24 on October 2, 2020, and by Apple TV+ on October 23, 2020, it was released for digital streaming. Critics who lauded Coppola's screenplay and direction and said it was lighter than her previous films gave it high marks. According to some commentators, the film "isn't supposed to have the same kind of legendary status as some of Coppola's previous works."