Run Run Shaw

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In 1925, Shaw's brothers, led by the eldest brother Runje Shaw, established Tianyi Film Company (also called Unique Film Productions) in Shanghai, and Run Run Shaw began his film career doing odd jobs for the company. In 1927, Run Run Shaw, then 19 years old, went to Singapore to assist his third elder brother Runme Shaw in their business venture there, initially to market films to Southeast Asia's Chinese community. They established the company that would later become the Shaw Organisation, and were involved in distributing and producing films in Southeast Asia. Tianyi produced what is considered the first sound-on-film Chinese talkie in 1931, and made the first Cantonese sound film in 1932. It was highly successful, and Tianyi established a branch in Hong Kong in 1934.

Just before the Japanese invasion of Shanghai in 1937, Tianyi moved its operation to Hong Kong, shipping its equipment from Shanghai. Its studio in Shanghai was destroyed when the Japanese occupied the city. In Hong Kong, Tianyi was reorganised as Nanyang Studio, which later became Shaw Brothers Studio. Run Run Shaw was credited with scripting and directing the 1937 comedy film Country Bumpkin Visits His In-laws.

In his early days in Singapore, Run Run Shaw supervised the company's business while Runme travelled north to Malaya to establish ties with local theatre owners. In 1927, having noticed that there were few cinemas in Malaya, Runme decided to open four cinemas there to show their films. By 1939, the brothers owned a chain of 139 cinemas across the region; the chain would later include Singapore's first air-conditioned cinema, at Beach Road. They also established a number of amusement parks throughout the region, including Borneo, Thailand and Java, such as the Great World Amusement Park at Kim Seng Road. The brothers began to make Malay films in Singapore in 1937. Inspired by the success of films intended for Malay audiences, for example Leila Majnun in 1934, and other films from the Dutch East Indies, the brothers established Malay Film Productions (MFP). This company would eventually produce over 160 Malay films, many of them starring and directed by P. Ramlee, until their studio at Jalan Ampas ceased production in 1967. The period between the end of the 1940s and the beginning of the 1960s is known as the Golden Age of Malay Cinema, with over 300 films made between MFP and Cathay Keris. In 1941, the Japanese invaded Singapore and Malaya and confiscated their film equipment. According to Run Run Shaw, he and his brother went into hiding during the war and buried more than $4 million in gold, jewellery and cash in their backyard, digging it up after the war and using it to rebuild their business.

In 1957, Run Run Shaw moved to Hong Kong, which was emerging as the new centre of Chinese-language cinema, and reorganised Tianyi's operations there as Shaw Brothers Studio. Shaw copied Hollywood by setting up a permanent production site where his actors worked and lived on 46 acres purchased from the government in Clearwater Bay. At the opening of the Shaw Movietown in December 1961, Shaw Studios had the world's largest privately owned film-production outfit with about 1,200 workers shooting and editing films daily. Shaw productions ran up to two hours and cost as much as $50,000, a lavish sum by Asian standards in the 1960s.

By the 1960s, Shaw Brothers had become the biggest producer of movies in Asia. Notable films produced by Shaw include director Li Han-hsiang's The Magnificent Concubine, which took the Grand Prix at the 1962 Cannes Film Festival; the 1963 blockbuster musical film The Love Eterne, also directed by Li Han-hsiang; King Hu's 1966 pioneering wuxia film Come Drink with Me; and Chang Cheh's 1967 The One-Armed Swordsman, which broke box office records. His companies in Shanghai, Singapore and Hong Kong made more than 1,000 movies, with annual production peaking at 50 pictures in 1974 when Shaw was described as the "Czar of Asian Movies". The popular nostalgic costume dramas of Shaw Brothers celebrated traditional Chinese values and culture, which was in contrast to the then anti-traditional ideology of Communist mainland China (particularly during the Cultural Revolution), but fit with the policy of the Nationalist government of Taiwan and US anti-Communist strategy, while not conflicting with the less provocative approach of the colonial government of Hong Kong. Shaw Studios also popularised an early (Wuxia) variant of kung fu film genre that had influence on directors such as John Woo and Quentin Tarantino.

The studio, which held virtual monopoly of filmmaking in Hong Kong, declined in the 1970s, partly due to competition from Golden Harvest formed by Raymond Chow and employing many former ex-employees of Shaw that have been dismissed. Golden Harvest came to prominence through Bruce Lee whom Shaw Brothers had previously turned down. Shaw began to focus his efforts on television. Shaw also looked for opportunities in the United States and co-produced a handful of US films, including the 1982 sci-fi classic Blade Runner. In 2000, through his company, Shaw Brothers (Hong Kong) Limited, he sold his library of 760 classic titles to Celestial Pictures Limited. Shaw Studios also entered a new era with Shaw's majority investment (through his various holding companies) in the US$180,000,000 Hong Kong Movie City project, a 1,100,000 square feet (100,000 m2) studio and production facility in Tseung Kwan O.

In 1967, he co-founded TVB, the first free-to-air television station in Hong Kong, growing it into a multibillion-dollar TV empire with channels broadcast in 30 markets including the US, Canada and Taiwan, making it the world's largest producer of Chinese-language programs. Shaw took a greater interest in TVB after succeeding the deceased Harold Lee as its chairman in 1980. Shaw leased most of Shaw Brothers' filmmaking facilities to TVB in 1983. Under his chairmanship, TVB successfully launched the careers of international stars such as Chow Yun-fat and Maggie Cheung, singers such as Leslie Cheung and Anita Mui, and directors like Wong Kar-wai. In 2006, TVB had 80 percent of Hong Kong's viewers and 78 percent of the city's TV advertising market.

On 31 December 2011, Shaw retired as chairman of Television Broadcasts Ltd. at the age of 104 after more than 40 years at Hong Kong's biggest television company, after selling his controlling stake to a group of investors including HTC Corporation chairman Cher Wang and ITC Corporation chairman Charles Chan for HK$6.26 billion in March. He was then named chairman emeritus. Shaw was one of the largest shareholders in Macy's after buying 10 percent of its preferred shares for US$50 million when it was nearly bankrupt in 1991.

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