Richard Harris

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Harris made his film debut in 1959 in the film Alive and Kicking, and played the lead role in The Ginger Man in the West End in 1959. In his second film he had a small role as an IRA Volunteer in Shake Hands with the Devil (1959), supporting James Cagney. The film was shot in Ireland and directed by Michael Anderson who offered Harris a role in his next movie, The Wreck of the Mary Deare (1959), shot in Hollywood.

Harris played another IRA Volunteer in A Terrible Beauty (1960), alongside Robert Mitchum. He had a memorable bit part in the film The Guns of Navarone (1961) as a Royal Australian Air Force pilot who reports that blowing up the "bloody guns" of the island of Navarone is impossible by an air raid. He had a larger part in The Long and the Short and the Tall (1961), playing a British soldier; Harris clashed with Laurence Harvey and Richard Todd during filming.

For his role in the film Mutiny on the Bounty (1962), despite being virtually unknown to film audiences, Harris reportedly insisted on third billing, behind Trevor Howard and Marlon Brando, an actor he greatly admired, but Harris fell out with Brando over the latter's behaviour during the film's production.

Harris's first starring role was in the film This Sporting Life (1963), as a bitter young coal miner, Frank Machin, who becomes an acclaimed rugby league football player. It was based on the novel by David Storey and directed by Lindsay Anderson. For his role, Harris won Best Actor in 1963 at the Cannes Film Festival and an Academy Award nomination.

Harris followed this with a leading role in the Italian film, Michelangelo Antonioni's Il Deserto Rosso (Red Desert, 1964). This won the Golden Lion at the Venice Film Festival.

Harris received an offer to support Kirk Douglas in a British war film, The Heroes of Telemark (1965), directed by Anthony Mann, playing a Norwegian resistance leader. He then went to Hollywood to support Charlton Heston in Sam Peckinpah's Major Dundee (1965), as an Irish immigrant who became a Confederate cavalryman during the American Civil War.

He played Cain in John Huston's film The Bible: In the Beginning... (1966). More successful at the box office was Hawaii (1966), in which Harris starred alongside Julie Andrews and Max von Sydow. As a change of pace, he was the romantic lead in a Doris Day spy spoof comedy, Caprice (1967), directed by Frank Tashlin.

Harris next performed the role of King Arthur in the film adaptation of the musical play Camelot (1967). Critic Roger Ebert described the casting of Harris and Vanessa Redgrave as "about the best King Arthur and Queen Guenevere I can imagine". Harris revived the role in a Broadway revival at the Winter Garden Theatre from 15 November 1981, to 2 January 1982, and broadcast on HBO a year later. Starring Meg Bussert as Guenevere, Richard Muenz as Lancelot and Thor Fields as Tom of Warwick. Harris, who had starred in the film, and Muenz also took the show on tour nationwide.

In The Molly Maguires (1970), he played James McParland, the detective who infiltrates the title organisation, headed by Sean Connery. It was a box office flop. However A Man Called Horse (1970), with Harris in the title role, an 1825 English aristocrat who is captured by Native Americans, was a major success.

He played the title role in the film Cromwell in 1970 opposite Alec Guinness as King Charles I of England. That year British exhibitors voted him the 9th-most popular star at the UK box office.

Harris recorded several albums of music, one of which, A Tramp Shining, included the seven-minute hit song "MacArthur Park" (Harris insisted on singing the lyric as "MacArthur's Park"). This song was written by Jimmy Webb, and it reached number 2 on the American Billboard Hot 100 chart. It also topped several music sales charts in Europe during the summer of 1968. "MacArthur Park" sold over one million copies and was awarded a gold disc. A second album, also consisting entirely of music composed by Webb, The Yard Went on Forever, was released in 1969. In the 1973 TV special "Burt Bacharach in Shangri-La", after singing Webb's "Didn't We", Harris tells Bacharach that since he was not a trained singer he approached songs as an actor concerned with words and emotions, acting the song with the sort of honesty the song is trying to convey. Then he proceeds to sing "If I Could Go Back", from the Lost Horizon soundtrack.

In 1971 Harris starred in a BBC TV film adaptation The Snow Goose, from a screenplay by Paul Gallico. It won a Golden Globe for Best Movie made for TV and was nominated for both a BAFTA and an Emmy. and was shown in the U.S. as part of the Hallmark Hall of Fame.

He made his directorial debut with Bloomfield (1971) and starred in Man in the Wilderness (1971), a revisionist Western based on the Hugh Glass story.

Harris starred in a Western for Samuel Fuller, Riata, which stopped production several weeks into filming. The project was re-assembled with a new director and cast, except for Harris, who returned: The Deadly Trackers (1973).

In 1973, Harris published a book of poetry, I, In the Membership of My Days, which was later reissued in part in an audio LP format, augmented by self-penned songs such as "I Don't Know".

Harris starred in two thrillers: 99 and 44/100% Dead (1974), for John Frankenheimer, and Juggernaut (1974), for Richard Lester. In Echoes of a Summer (1976) he played the father of a young girl with a terminal illness. He had a cameo as Richard the Lionheart in Robin and Marian (1976), for Lester, then was in The Return of a Man Called Horse (1976).

Harris led the all-star cast in the train disaster film The Cassandra Crossing (1976). He played Gulliver in the part-animated Gulliver's Travels (1977) and was reunited with Michael Anderson in Orca (1977), battling a killer whale.

He appeared in another action film, Golden Rendezvous (1977), based on a novel by Alistair Maclean, shot in South Africa. Harris was sued by the film's producer for his drinking; Harris counter-sued for defamation and the matter was settled out of court.

Golden Rendezvous was a flop but The Wild Geese (1978), where Harris played one of several mercenaries, was a big success outside America. Ravagers (1979) was more action, set in a post-apocalyptic world. Game for Vultures (1979) was set in Rhodesia and shot in South Africa.

In Hollywood he appeared in a comedy, The Last Word (1979), then supported Bo Derek in Tarzan, the Ape Man (1981).

He made a film in Canada, Your Ticket Is No Longer Valid (1981), a drama about impotence. He followed it with another Canadian film, Highpoint, a movie so bad it was not released for several years.

For a while in the 1980s, Harris went into semi-retirement on Paradise Island, in the Bahamas, where he kicked his drinking habit and embraced a healthier lifestyle. It had a beneficial effect. Harris's career was revived by his success on stage in Camelot, and powerful in the West End run of Pirandello's Henry IV.

He was the subject of This Is Your Life in 1990, when he was surprised by Michael Aspel during the curtain call of the Pirandello's play Henry IV at the Wyndham's Theatre in London.

His film work during this period included: Triumphs of a Man Called Horse (1983), Martin's Day (1985), Strike Commando 2 (1988), King of the Wind (1990) and Mack the Knife (1990) (a film version of The Threepenny Opera in which he played J.J. Peachum ) plus the TV film version of Maigret, opposite Barbara Shelley. This indicated declining popularity which Harris told his biographer, Michael Feeney Callan, he was "utterly reconciled to".

In June 1989, director Jim Sheridan cast Harris in the lead role in The Field, written by the esteemed Irish playwright John B. Keane. The lead role of "Bull" McCabe was to be played by former Abbey Theatre actor Ray McAnally. When McAnally died suddenly on 15 June 1989, Harris was offered the McCabe role. The Field was released in 1990 and earned Harris his second Academy Award nomination for Best Actor. He lost to Jeremy Irons for Reversal of Fortune.

In 1992, Harris had a supporting role in the film Patriot Games. He had good roles in Unforgiven (1992), Wrestling Ernest Hemingway (1993) and Silent Tongue (1994). He played the title role in Abraham (1994) and had the lead in Cry, the Beloved Country (1995).

A lifelong supporter of Jesuit education principles, Harris established a friendship with University of Scranton President Rev. J. A. Panuska and raised funds for a scholarship for Irish students established in honour of his brother and manager, Dermot, who had died the previous year of a heart attack. He chaired acting workshops and cast the university's production of Julius Caesar in November 1987.

Over several years in the late 1980s, Harris worked with Irish author Michael Feeney Callan on his biography, which was published by Sidgwick & Jackson in 1990.

Harris appeared in two films which won the Academy Award for Best Picture: firstly as the gunfighter "English Bob" in the revisionist Western Unforgiven (1992); secondly as the Roman Emperor Marcus Aurelius in Ridley Scott's Gladiator (2000). He also played a lead role alongside James Earl Jones in the Darrell Roodt film adaptation of Cry, the Beloved Country (1995). In 1999, Harris starred in the film To Walk with Lions. After Gladiator, Harris played the supporting role of Albus Dumbledore in the first two of the Harry Potter films, Harry Potter and the Philosopher’s Stone (2001) and Harry Potter and the Chamber of Secrets (2002), the latter of which was his final film role. Harris portrayed Abbé Faria in Kevin Reynolds' film adaptation of The Count of Monte Cristo (2002). The film Kaena: The Prophecy (2003) was dedicated to him posthumously as he had voiced the character Opaz before his death.

Harris hesitated to take the role of Dumbledore in Harry Potter and the Philosopher's Stone (2001) at first due to his declining health, but ultimately accepted because his 11-year-old granddaughter threatened never to speak to him again if he did not take it. In an interview with the Toronto Star in 2001, Harris expressed his concern that his association with the Harry Potter films would outshine the rest of his career. He explained, "Because, you see, I don't just want to be remembered for being in those bloody films, and I'm afraid that's what's going to happen to me."

Harris also made part of the Bible TV movie project filmed as a cinema production for the TV, a project produced by Lux Vide Italy with the collaboration of Radio Televisione Italiana RAI and Channel 5 of France, and premiered in the United States in the channel TNT in the 1990s. He portrayed the main and title character in the production Abraham (1993) as well as Saint John of Patmos in the 2000 TV film production Apocalypse.

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