Rex Reed

At 85 years old, Rex Reed physical status not available right now. We will update Rex Reed's height, weight, eye color, hair color, build, and measurements.

Reed has acted occasionally, such as in the movie version of Gore Vidal's Myra Breckinridge (1970). Reed also appeared in the films Superman (1978, as himself), Inchon (1981) and Irreconcilable Differences (1984). He appeared frequently as a judge on the TV game show The Gong Show in the late 1970s. Reed additionally served on the jury at the 21st Berlin International Film Festival in 1971, and guest-voiced as himself on the animated series The Critic.

Rex Reed appears in the 2009 documentary For the Love of Movies: The Story of American Film Criticism explaining how important film critics were in the 1970s, and complaining about the proliferation of unqualified critical voices on the Internet.

Before his current job as film critic for The New York Observer, Reed was a film critic for Vogue, GQ, The New York Times, and Women's Wear Daily. For thirteen years, he was an arts critic for the New York Daily News, and for five years was the film critic for the New York Post. Reed was not given a ticket to the world premiere of Last Tango in Paris at the 1972 New York Film Festival as the festival considered him a columnist for the New York Daily News, rather than a regular film critic, as well as describing him as "[not] a friend of the festival". He is a member of New York Film Critics Circle and, because his reviews appear on the Internet, a member of New York Film Critics Online. He is the author of eight books, including Do You Sleep in the Nude?, Conversations in the Raw, People Are Crazy Here, and Valentines & Vitriol.

In 1986, after Marlee Matlin won the Academy Award for Best Actress for Children of a Lesser God, Reed wrote that Matlin had won because of a "pity vote", and that a deaf person playing a deaf character was not really acting.

After Marisa Tomei won an Oscar for Best Supporting Actress in 1992 for her work in My Cousin Vinny, Reed said publicly that she had not actually won the award, and that presenter Jack Palance had accidentally read the wrong name off the card he was reading. When it was pointed out that the card had only one name on it, Reed changed his theory to say that Palance had read the wrong name off the Teleprompter, and claimed the Academy went along with it because they would have been embarrassed to admit that mistake in front of a huge viewing audience. Reed was publicly rebutted by the accounting firm Price Waterhouse, who said that if a presenter ever announced the wrong winner, a PwC representative would go on stage and state that the wrong result had been announced, before either stating the correct result or giving the information to someone on stage to correct it. Roger Ebert said that Reed's conspiracy theories were false and unfair to Tomei and that Reed owed her an apology. When La La Land was incorrectly announced as the 2016 Best Picture winner instead of the actual winner, Moonlight, Price Waterhouse's actions to correct the mistake were exactly what they'd outlined when rebutting Reed's conspiracy theory. Many observers used this occasion to strongly criticize Reed for having been thoroughly exposed as a liar.

In a 2005 review of the South Korean movie Oldboy, Reed wrote, "What else can you expect from a nation weaned on kimchi, a mixture of raw garlic and cabbage buried underground until it rots, dug up from the grave and then served in earthenware pots sold at the Seoul airport as souvenirs?" The Village Voice, which reported that "online forums erupted in protest" at the review, then mocked Reed by imagining him applying similar logic to films from other countries.

In a 2013 review of Identity Thief, Reed made several references to Melissa McCarthy's weight, referring to her as "tractor-sized", "humongous", "obese", and a "hippo". Film critic Richard Roeper said, "This just smacks of mean-spirited name-calling in lieu of genuine criticism." The review was referenced at the 85th Academy Awards on February 24, 2013, by the host, Seth MacFarlane, who joked that Reed would review Adele for singing "Skyfall" at the ceremony. In a column for The Huffington Post, Candy Spelling likened Reed's review to bullying. Reed stood by his comments and stated his objection to the use of serious health problems such as obesity as comedy talking points. He dismissed the outrage as being orchestrated for publicity, but praised McCarthy for not getting involved in the matter, calling her "completely classy".

In a 2017 review of The Shape of Water, he referred to people with disabilities as "defective creatures" and Sally Hawkins' mute character as "mentally handicapped".

Reed's 2012 review for The Cabin in the Woods contained significant factual inaccuracies in his summary of the film, and exhibited a dismissive attitude towards anyone who disagreed with his negative opinion. L Magazine's Henry Stewart noted: "his review is literally about 50 percent inaccurate—factually, objectively wrong." His professionalism was also called into question when, in addition to the factual inaccuracies, some felt he was needlessly insulting and mean-spirited towards those who enjoyed the film.

In 2013, Reed reviewed V/H/S/2, despite walking out of the film within its first 20 minutes. As a result, his review was brief and incorrectly summarized Jason Eisener's segment of the horror anthology. Some felt that Reed was unprofessional, with journalist Sam Adams stating that Reed was "making a mockery of a noble profession while intelligent critics scramble for crumbs all around him".

In 2017, Reed's review of The Shape of Water incorrectly referred to the film's writer and director Guillermo del Toro as "Benecio del Toro" (presumably based on the name of actor Benicio del Toro), and also wrote that del Toro was from Spain; neither Guillermo nor Benicio del Toro is from Spain.

The same year he included the film Get Out on his list of 10 Worst Films of 2017, and later sardonically stated in a CBS Sunday Morning interview, "I didn't care if all the black men are turned into robots." A writer on Sunday Morning's website noted that there were no actual robots in the film.

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