Pat Carroll
Pat Carroll was born in Shreveport, Louisiana, United States on May 5th, 1927 and is the Stage Actress. At the age of 97, Pat Carroll biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, movies, TV shows, and networth are available.
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Patricia Ann Carroll (born May 5, 1927) is an American actress, voice actor, and singer.
She is best known for her role in The Little Mermaid, as well as her long acting career, including appearances on CBS' The Danny Thomas Show, ABC's Laverne & Shirley, other guest-starring and series-regular roles on American television, as well as voice-acting in several cartoon series.
Carroll is a Tony Award-nominated Emmy, Drama Desk, and Grammy Award winner as well as a Tony Award nominee.
Early life
Carroll was born in Shreveport, Louisiana, on May 5, 1927, to Maurice Clifton Carroll (d. 1963) and Kathryn Angela (née Meagher). Pat's family immigrated to Los Angeles when she was five years old, and she soon began performing in local theaters. After enlisting in the United States Army as a civilian actor technician, she graduated from Immaculate Heart High School and attended Catholic University of America.
Personal life
Carroll married Lee Karsian in 1955, and the three children were born, including actress Tara Karsian. In 1976, the marriage ended in divorce. Carroll was named honorary doctorate from Siena College in Albany, New York, in 1991. Carroll, a practicing Roman Catholic, said that her religious convictions aided her in determining which proposals to accept. As of 1992, she was a life-long Republican.
Carroll filed a $12,000 lawsuit against Hanna-Barbera for breach of employment, alleging that she had been trained and committed to the position of Jane Jetson on The Jetsons in 1963. Morey Amsterdam, who alleged that he had been cast as George, was also a defendant in the same lawsuit. Despite the fact that her jobs stipulated that she would be paid US$500 an episode with a promise of twenty-four episodes (i.e., a complete season), she appeared in only one episode before being dismissed. According to several sources, the change took place as a result of a sponsorship dispute with Carroll's Make Room for Daddy. By early 1965, the lawsuit had been closed. Carroll said in an interview in 2013 that the court had ruled in favor of Hanna-Barbera.
Career
Carroll began her acting career in 1947. She got her first acting credit as Lorelei Crawford in the 1948 film, Hometown Girl. In 1952, she made her television debut in The Red Buttons Show. In 1955, her Broadway debut in Catch a Star! garnered her a nomination for a Tony Award for Best Featured Actress in a Musical. In 1956, Carroll won an Emmy Award for her work on Caesar's Hour and was a regular on the sitcom Make Room for Daddy from 1961 to 1964. She guest-starred in the drama anthology series The DuPont Show with June Allyson. Carroll also appeared on many variety shows of the 1950s, 1960s, and 1970s, such as The Steve Allen show, The Danny Kaye Show, The Red Skelton Show, and The Carol Burnett Show. In 1965 she co-starred as "Prunella", one of the wicked stepsisters in the 1965 production of Rodgers and Hammerstein's musical version of Cinderella.
In the late 1970s Carroll's successful one woman show on Gertrude Stein, Gertrude Stein, Gertrude Stein, Gertrude Stein (by playwright Marty Martin), won several major theater awards; her recorded version won a 1980 Grammy Award for Best Spoken Word, Documentary or Drama.
In early 1976, Carroll was cast as Lily, the mother of Shirley Feeney (played by Cindy Williams) in the episode "Mother Knows Worst" on the hit ABC situation comedy, Laverne & Shirley. She portrayed Pearl Markowitz, the mother of Adam Arkin's character Lenny Markowitz, in the 1977 CBS situation comedy Busting Loose. Her frequent television roles in the 1980s included newspaper owner Hope Stinson on the syndicated The Ted Knight Show (the former Too Close for Comfort) during its final season in 1986; and as Gussie Holt, the mother of Suzanne Somers's lead character in the syndicated sitcom She's the Sheriff (1987–1989).
From the late 1980s on, Carroll had a great deal of voice-over work on animated programs such as A Pup Named Scooby-Doo, Galaxy High, and Foofur, and the film A Goofy Movie. On TV's Pound Puppies, she voiced Katrina Stoneheart. On two Garfield television specials (A Garfield Christmas and Garfield's Thanksgiving), she portrayed Jon's feisty Grandmother. She also voiced the character of Granny in the 2005 re-release of Hayao Miyazaki's My Neighbor Totoro.
In 1989, Carroll portrayed the sea witch Ursula in Disney's The Little Mermaid and sang "Poor Unfortunate Souls". In interviews, Carroll referred to the role, her first as a villain, as one of the favorites of her career. She later reprised the role in other forms of media, including the Kingdom Hearts series of video games, the spinoff television series, the Disney+ series The Wonderful World of Mickey Mouse, and various Disney theme parks attractions and shows, as well as voicing Ursula's sister Morgana in the direct-to-video sequel The Little Mermaid II: Return to the Sea.
Carroll also appeared on a variety of game shows including Celebrity Sweepstakes, You Don't Say, To Tell the Truth, Match Game 73, Password, and I've Got a Secret.
A member of the Actors Studio, she also enjoyed a successful career in the theater, appearing in numerous plays including productions of Our Town and Sophocles's Electra. In 1990, she starred in The Merry Wives of Windsor at the Shakespeare Theatre at the Folger in the role of Sir John Falstaff, a balding knight with whiskers.
When drama critic Frank Rich of The New York Times reviewed her performance he wrote, "Her performance is a triumph from start to finish, and, I think, a particularly brave and moving one, with implications that go beyond this one production. Ms. Carroll and Mr. Kahn help revivify the argument that the right actresses can perform some of the great classic roles traditionally denied to women and make them their own. It's not a new argument, to be sure; female Hamlets stretch back into history. But what separates Ms. Carroll's Falstaff from some other similar casting experiments of late is that her performance exists to investigate a character rather than merely as ideological window dressing for a gimmicky production."