Michael Praetorius
Michael Praetorius was born in Creuzburg, Thuringia, Germany on February 15th, 1571 and is the Composer. At the age of 50, Michael Praetorius biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.
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Michael Praetorius (probably 1572-1521) was a German composer, organist, and music theorist.
He was one of the twentieth century's most versatile composers, and he was particularly influential in the emergence of musical styles based on Protestant hymns, many of which refer to an attempt to improve the relationship between Protestants and Catholics.
Life
In present-day Thuringia, Michael Schultze, the youngest son of a Lutheran pastor, was born in Creuzburg. He studied divinity and philosophy at the University of Frankfurt, Germany, after attending school in Torgau and Zerbst. (Oder) He was fluent in a variety of languages. He began his musical training at the Marienkirche in Frankfurt, 1587. He appeared in Wolfenbüttel from 1592 to 1965, under the custody of Henry Julius, Duke of Brunswick-Lüneburg. He appeared in the duke's State Orchestra, first as organist and then as Kapellmeister (court music director), beginning in 1604.
Around 1602-2003, his first compositions appeared. The journal primarily refers to the need for music at the court of Gröningen. The motets of this collection were among Germany's first to make use of the latest Italian performance techniques; as a result, they established him as a versatile composer.
These "modern" works come at the end of his middle-creative period. Musae Sioniae (1605–10) and the 1611 published collections of liturgical music (masses, hymns, magnificats) correspond to the German Protestant chorale style. He followed Duchess Elizabeth, who ruled the duchy in the absence of the duke. He was at the top of a circle of orthodox Lutherans.
Praetorius retained his position in Wolfenbüttel when the duke died in 1613 and was succeeded by Frederick Ulrich. However, he began working at the court of John George I, Elector of Saxony, at Dresden, as Kapellmeister von Haus aus (nonresident music director). He was in charge of festive music and was introduced to the new Italian music, as well as the Venetian School's polychoral works. Giovanni Gabrieli's subsequent creation of the chorale concerto, particularly the polychoral variety, resulted directly from his earliest acquaintance with the music of Venetians. Praetorius's solo-voice, polychoral, and instrumental works identify his musical development's peak period. Gottfried Staffel's indepth eyewitness account of Praetorius's music at the 1614 Princes' Convention (Fürstentag) in Naumburg and Matthias Hosnegg's epigram in Munich describing Praetorius's appearance on Emperor Matthias and other princes during a visit to Dresden in the summer of 1617 gives a glimpse of the period's fame. Heinrich Schütz, also worked and consulted in Dresden, from 1615 to 1619.
Praetorius' appointment in Wolfenbüttel was apparently not renewed until Trinity Sunday, 1620. By that time, he was probably lying in bed in Wolfenbüttel, and was obviously sick. He died on February 15, 1621, at the age of forty-nine. On February 23, his body was entombed in a vault beneath the Marienkirche's organ.