Michael Giacchino

Composer

Michael Giacchino was born in Riverside Township, New Jersey, United States on October 10th, 1967 and is the Composer. At the age of 56, Michael Giacchino biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.

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Date of Birth
October 10, 1967
Nationality
United States
Place of Birth
Riverside Township, New Jersey, United States
Age
56 years old
Zodiac Sign
Libra
Profession
Composer, Film Score Composer, Musician
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Michael Giacchino Height, Weight, Eye Color and Hair Color

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Michael Giacchino Religion, Education, and Hobbies
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Michael Giacchino Career

When Giacchino's internship ended, Universal hired him, giving him a job upon graduation from college. He later moved to Disney, and when Disney relocated to Los Angeles, Giacchino moved with them, working in publicity, while taking night classes in instrumentation and orchestration at UCLA. His work for Disney had him interacting with the various personnel who worked in films, such as the producers who hired composers, so when a job at Disney Interactive opened for a producer, Giacchino obtained the job, thinking he could hire himself to write music for the games he produced.

Giacchino's composition work for Disney Interactive during the 16-bit era included the Sega Genesis game Gargoyles, the SNES game Maui Mallard in Cold Shadow and the various console versions of The Lion King. However his first major composition was for the DreamWorks video game adaptation of the 1997 movie, The Lost World: Jurassic Park. The video game was one of the first PlayStation (also on Sega Saturn) console titles to be recorded with an original live orchestral score. Giacchino has since continued his relationship with DreamWorks which also included composing the score for the Small Soldiers video game in 1998, providing full orchestral scores for many of their popular videogames. He also worked with Pandemic studios to create the theme for Mercenaries: Playground of Destruction. Giacchino's award-winning compositions covers the first four installments of the Medal of Honor series, (Medal of Honor, Underground, Allied Assault and Frontline), Heroes: 2, and also the scores for several other World War II-related video games like Secret Weapons Over Normandy, Call of Duty and Call of Duty: Finest Hour. Additionally, Giacchino composed themes for The Incredibles: Rise of the Underminer, and co-wrote the theme of Black with composer Chris Tilton. He also composed the score for Alias, which was based on the television series of the same name. In 2008 Giacchino wrote music for Turning Point: Fall of Liberty. In 2007, he returned to the Medal of Honor franchise as he composed the music for Medal of Honor: Airborne.

Giacchino's work on various video games led to his entrance into television.

In 2001, J. J. Abrams, producer of the television series Alias, discovered Giacchino through his video game work and asked him to provide the new show's soundtrack. The soundtrack featured a mix of full orchestral pieces frequently intermingled with upbeat electronic music, a departure from much of his previous work. Giacchino would go on to provide the score for J. J. Abrams's 2004 television series Lost, creating an acclaimed score which employed a unique process of using spare pieces of a plane fuselage for percussion parts. The score for Lost is also notable for a signature thematic motif: a brass fall-off at the end of certain themes. Just like his counterpart Stu Phillips, he worked with the television show creator Abrams on his shows with his music scores while Abrams supplied the show's main themes on certain series such as Alias.

In 2004, Giacchino received his first big feature film commission. Brad Bird, director of Pixar's The Incredibles, asked Giacchino to provide the soundtrack for the film after having heard his work on Alias. The upbeat jazz orchestral sound was a departure in style not only for Giacchino but for Pixar, which had previously relied on Randy and Thomas Newman for all of its films. Director Brad Bird had originally sought out John Barry – perhaps best known for his work on the early James Bond films—but Barry was reportedly unwilling to repeat the styles of his earlier works.

Giacchino was nominated for two Grammy Awards in 2005 for The Incredibles: Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media and Best Instrumental Composition.

Like his other counterparts Joel McNeely, J. A. C. Redford and Frank DeVol, Giacchino mostly associated with Disney from early in his career up to most recently, ranging from video games such as Mickey Mania and Gargoyles to films such as The Incredibles and eventually collaborated with Walt Disney Imagineering in creating two new soundtracks for the updated versions of Space Mountain at Disneyland, Space Mountain: Mission 2 at Disneyland Paris, and Space Mountain at Hong Kong Disneyland.

Giacchino also composed scores for the 2005 films Sky High and The Family Stone, and the television movie The Muppets' Wizard of Oz. Additionally, he wrote the music for Joseph Barbera's final theatrical Tom and Jerry cartoon The Karate Guard, and scored the Abrams-directed 2006 film Mission: Impossible III. Giacchino's next musical achievement was his Paris-inspired score for the Disney-Pixar film Ratatouille, which includes the theme song "Le Festin", performed by French artist Camille. He received his first Academy Award nomination for this score. He also created the score for Abrams' 2009 Star Trek film.

Giacchino scored the Pixar film Up (and its accompanying animated short Partly Cloudy), for which he collaborated with director Pete Docter. This marked the first time Giacchino worked with a Pixar director other than Brad Bird. This work gained Giacchino his first Academy Award for Best Original Score: the first-ever win for Pixar in that category. Giacchino notes that he won on the same night as his SVA classmate Joel Harlow won for Best Makeup Oscar for Star Trek.

Giacchino has continued his collaboration with J. J. Abrams. For the Abrams-produced monster film Cloverfield, Giacchino wrote an homage to Japanese monster scores in an overture titled "ROAR!", which played over the credits, and constituted the only original music for the film. He composed the score for J. J. Abrams' feature Super 8 in 2011. He also composed for the pilot of the Abrams-produced American television series Fringe, after which Giacchino gave scoring duties to his assistant Chad Seiter, who scored the first half of season one. The task was then passed on to Chris Tilton, who scored the latter half of season one and all subsequent seasons.

In 2016, Giacchino composed the score for the Marvel film Doctor Strange, as well as the score for the Disney film Zootopia. Giacchino also composed the fanfare for the new Marvel Studios logo, which debuted with Doctor Strange. In September 2016, it was announced that Giacchino had been chosen to replace composer Alexandre Desplat as the composer for the Star Wars anthology film Rogue One after Desplat was unavailable following reshoots. Giacchino then scored four more Marvel films: 2017's Spider-Man: Homecoming, 2019's Spider-Man: Far From Home, 2021's Spider-Man: No Way Home, and 2022's Thor: Love and Thunder.

Giacchino returned to Pixar to score Coco (2017) and Incredibles 2 (2018). He also composed the score for Taika Waititi's 2019 film Jojo Rabbit. In 2022, Giacchino composed the score for The Batman, and the score for the Pixar film Lightyear.

In 2018, Giacchino wrote, directed and scored Monster Challenge. The short film is a satirical take on Japanese game shows, starring Patton Oswalt, Ben Schwartz, Dermot Mulroney, Amy Brenneman, Benedict Wong, Tom Everett Scott, Taishi Mizuno, Ann Madox, and Teruko Nakajima. Monster Challenge originally premiered at Fantastic Fest in 2018 and premiered on YouTube on March 20, 2020. He continued with his directorial efforts with a Star Trek: Short Treks episode "Ephraim and Dot" in 2019.

On March 7, 2022, Variety reported that Giacchino is directing an upcoming as-of-yet untitled Marvel Studios television project for Disney+. Four days later, The Hollywood Reporter revealed that he will be directing Werewolf by Night, which was released on October 7, 2022.

In addition to his long list of soundtracks, in 2005 Giacchino collaborated with Walt Disney Imagineering in creating two new soundtracks for the updated versions of Space Mountain at Disneyland, Space Mountain: Mission 2 at Disneyland Paris, and Space Mountain at Hong Kong Disneyland. Giacchino was also contracted by Sarah Vowell, who played character Violet in The Incredibles, to compose the score to the audio version of her book Assassination Vacation. Michael Giacchino's music can also be heard in "Star Tours: The Adventure Continues" during the "travel log videos" shown in the queue for both the Disneyland and Walt Disney World versions of the attraction.

In 2009, he was asked to conduct the Academy Awards orchestra for the 81st Academy Awards. For this project he rearranged many famous movie themes in different styles, including a 1930s Big Band treatment of Lawrence of Arabia and a bossa nova of Moon River. Giacchino also composed the fanfare for the 100th Anniversary logo of Paramount Pictures, which debuted with Mission: Impossible – Ghost Protocol on December 7, 2011, at the Dubai International Film Festival, which it carried onto the logos of Paramount Players, which debuted alongside the logo with Nobody's Fool on November 2, 2018, Paramount Animation, which debuted alongside the logo with The SpongeBob Movie: Sponge on the Run on August 14, 2020, in Canada and Paramount Television Studios, which debuted with an episode of Minority Report and was also used on the Paramount Network Original Productions logo with 68 Whiskey, as well as the new fanfare for Marvel Studios, which debuted alongside its logo with Doctor Strange on October 13, 2016, in Hong Kong, in which he also composed the theme song of the 1967 Spider-Man cartoon series, in Spider-Man: Homecoming, replacing his work on the fanfare of the Marvel Studios logo for that film, and he rearranged the fanfare in Thor: Love and Thunder to make a more rock style, and Werewolf by Night, in which he directed the special, as well as the fanfare to Marvel Studios Special Presentations, to make a more horror style, with the latter being a part of the TV special's soundtrack as "Mane Title". He also used the notes of the fanfare at the end of the opening theme of Marvel Studios: Legends, as well as Spider-Man: No Way Home on a timpani drum in the track, "Intro to Fake News", from the film's soundtrack.

In 2015, Giacchino played an It's a Small World operator in the film Tomorrowland which he scored. Additionally, the same year, he played First Order Stormtrooper FN-3181 in J. J. Abrams' Star Wars: The Force Awakens. He reprised the role in the 2018 animated film Ralph Breaks the Internet. In 2019, he cameoed as a Sith trooper in Star Wars: The Rise of Skywalker, also directed by Abrams.

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Beyoncé, Adele, and Kendrick Lamar Lead the 2023 Grammy Nominations — See the Full List

www.popsugar.co.uk, November 16, 2022
The highly awaited list of 2023 Grammy nominees has finally arrived, and it includes some of the country's best-known artists. The Recording Academy announced nominations in all 91 categories this year, including Olivia Rodrigo, John Legend, and Machine Gun Kelly. Beyoncé is leading this year's pack of nominees for her "Reignaissance" album, making her the most nominated woman in Grammy history. Kendrick Lamar's "Mr. Morale and the Big Steppers" album has eight nominations, followed by Adele and Brandi Carlile, who tied for seven overall nominations. Taylor Swift, Harry Styles, Doja Cat, Jazmine Sullivan, Mary J. Blige, and Bad Bunny were among the Grammy nominees for the first all-Spanish language project of the year.
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