Maggie Gyllenhaal

At 46 years old, Maggie Gyllenhaal has this physical status:

At the age of 15, she made a brief appearance in her father's film Waterland (1992). Soon, she had supporting roles in A Dangerous Woman (1993) and Homegrown (1998), which were directed by her father, which also featured her brother Jake. With their mother, she and Jake appeared in two episodes of Molto Mario, an Italian cooking show on the Food Network. After graduating from college, she had supporting roles in films including Cecil B. Demented (2000) and Riding in Cars with Boys (2001). Gyllenhaal later achieved recognition in her own right playing her real brother's on-screen sister in the indie cult favorite Donnie Darko (2001).

She made her theatrical debut in the Berkeley Repertory Theatre production of Patrick Marber's Closer, for which she received favorable reviews. Production started in May 2000 and ended in mid-July of that year. Gyllenhaal has performed in several other plays, including The Tempest, Antony and Cleopatra, The Butterfly Project, and No Exit.

Gyllenhaal's breakout role was in the black comedy, Secretary (2002), a film about two people who embark on a mutually fulfilling BDSM lifestyle. The New York Times critic Stephen Holden noted: "The role of Lee, which Maggie Gyllenhaal imbues with a restrained comic delicacy and sweetness, should make her a star." Mick LaSalle of the San Francisco Chronicle wrote: "Maggie Gyllenhaal, as the self-destructive secretary, is enigmatic and, at moments, sympathetic." The film received generally favorable reviews, and Gyllenhaal's performance earned her the Best Breakthrough Performance by an Actress award from the National Board of Review of Motion Pictures, her first Golden Globe nomination, and an Independent Spirit Award nomination. Secretary was Gyllenhaal's first film role which featured full frontal nudity. Impressed with the script, she initially had reservations about doing the film, which she believed could deliver an anti-feminist message. However, after carefully discussing the script with the film's director, Steven Shainberg, she agreed to join the project. Although insisting Shainberg did not exploit her, Gyllenhaal has said she felt "scared when filming began" and that "in the wrong hands ... even in just slightly less intelligent hands, this movie could say something really weird." Since then, she is guarded about discussing her role in the film, saying only that "despite myself, sometimes the dynamic that you are exploring in your work spills over into your life."

Next, she had a supporting role in the comedy-drama Adaptation (2002), a film that tells the story of screenwriter Charlie Kaufman's struggle to adapt The Orchid Thief into a film. She later appeared in the unauthorized biography Confessions of a Dangerous Mind (2002), part of an ensemble cast that included Sam Rockwell, Drew Barrymore, George Clooney, and Julia Roberts. The movie grossed US$33 million worldwide. That same year, she had a small role in the comedy 40 Days and 40 Nights. In 2003, she co-starred with Julia Roberts in Mona Lisa Smile in the role of Giselle. In an interview with The Daily Telegraph, she revealed the reason for accepting the role was "to play somebody who feels confident in herself as a sexy, beautiful woman". The film generated mostly mixed reviews, with Manohla Dargis of the Los Angeles Times describing it as "smug and reductive". Her next roles were in smaller independent films: Casa de los Babys (2003), is a story about six American women impatiently waiting out their lengthy residency requirements in a South American country before picking up their adoptive babies, and Criminal (2004), a remake of the Argentinian film Nine Queens, with John C. Reilly and Diego Luna. Gyllenhaal plays an honest hotel manager forced to help her crooked brother (Reilly) by seducing one of his victims.

She starred in the HBO film Strip Search (2004), in which she portrayed an American student in China suspected of terrorism. For her role, Gyllenhaal had to perform multiple scenes of full-frontal nudity as the film tackled issues of strip searches. In 2004, Gyllenhaal returned to theater in a Los Angeles production of Tony Kushner's Homebody/ Kabul as Priscilla, the Homebody's daughter, who spends most of the play searching for her elusive mother in Kabul, Afghanistan. Kushner gave her the role in Homebody/ Kabul on the strength of her performance in Closer. Ben Brantley of The New York Times wrote: "Ms. Gyllenhaal provides the essential bridge between the parts of the play's title." John Heilpern of The New York Observer noted that Gyllenhaal's performance was "compelling". Finally in 2004, Gyllenhaal was invited to join the Academy of Motion Picture Arts and Sciences. Viewed as a sex symbol, she was ranked in the "Hot 100 List" by Maxim magazine in 2004 and 2005.

Gyllenhaal's next film role was in the 2005 comedy-drama Happy Endings, in which she played an adventuress singer who seduces a young gay musician (Jason Ritter) as well as his rich father (Tom Arnold). She recorded songs for the film's soundtrack, calling the role the "roughest, scariest acting ever" and adding she is more natural when singing on screen than when acting. Lisa Schwarzbaum of Entertainment Weekly declared Gyllenhaal's performance "as wonderfully, naturally slouchy-sexy as her character is artificial".

Following Happy Endings, Gyllenhaal appeared in five films releases in 2006: Trust the Man, Stranger than Fiction, Monster House, World Trade Center, and Sherrybaby. In Trust the Man, featuring Julianne Moore, David Duchovny, and Billy Crudup, she played Elaine, who has been dating Tobey, Crudup's character, for seven years and has begun to feel that it is time for her to settle down and start a family. The film was critically and financially unsuccessful. Ethan Alter of Premiere felt that the performances by Gyllenhaal and Duchovny were "much more at ease" and concluded with "that's probably because they're [sic] played these characters many times before". In Stranger than Fiction, Gyllenhaal played a love interest of Harold Crick, played by Will Ferrell. Her performance in the film received favorable reviews; Mike Straka of Fox News wrote: "Gyllenhaal has never been sexier in any film before and her interplay with Ferrell will propel her to more A-list films, leaving her indie-darling days behind, no doubt." She voiced Elizabeth "Zee" in the computer animated horror film Monster House. Gyllenhaal played Allison Jimeno, the wife of Port Authority officer Will Jimeno, in Oliver Stone's World Trade Center, based on the September 11 attacks in New York City. She regarded this as "one of the films she most enjoyed making". The film received favorable reviews and proved to be an international success, earning US$162 million worldwide.

In Sherrybaby, Gyllenhaal played a young drug-addicted thief trying to put her life in order after prison so she can reconcile with her daughter. During promotion of the film, she noted of her portrayal of the character: "I think she's in such dire straits that all she has are these kind of naive, fierce hopes. And while I was playing the part I was looking for pleasure and hope in everything, even in these really bleak things. And so it was really mostly after I finished the movie that I felt pain." Her performance in the film was well-received; David Germain of the Associated Press wrote, "Gyllenhaal humanizes her so deeply and richly ... that Sherry elicits sympathy even in her darkest and weakest moments", and Dennis Harvey of Variety magazine called her performance "naturalistic". For her performance, Gyllenhaal earned a second Golden Globe Best Actress nomination and won the Best Actress category award at the 2006 Stockholm International Film Festival.

She appeared in The Dark Knight (2008), the sequel to Batman Begins (2005), in which she replaced Katie Holmes as Assistant District Attorney, Rachel Dawes. Gyllenhaal acknowledged her character was a damsel in distress to an extent, but said director Christopher Nolan sought ways to empower her character, so "Rachel's really clear about what's important to her and unwilling to compromise her morals, which made a nice change" from the many conflicted characters she had previously portrayed. The Dark Knight was a critical and commercial success, setting a new opening weekend box office record for North America. With revenue of $1 billion worldwide, it became the fourth-highest-grossing film of all time, and remains Gyllenhaal's most commercially successful feature to date. In a Salon magazine review of the film, Stephanie Zacharek called Gyllenhaal's character "a tough cookie in a Stanwyck-style bias-cut dress" and stated that "the movie feels smarter and more supple when she's on-screen". IGN film critic Todd Gilchrist wrote, "Gyllenhaal adds real depth and energy to Rachel Dawes".

In addition to film, Gyllenhaal played Yelena Andreevna in the Classic Stage Company's 2009 Off-Broadway production of Anton Chekhov's Uncle Vanya in New York City. The cast also included her husband Peter Sarsgaard. The production, directed by Austin Pendleton, began previews on January 17 and ended its limited run on March 1. Joe Dziemianowicz of the New York Daily News was unenthusiastic about her performance, writing "Gyllenhaal, who was so dynamic as a druggie in the film Sherrybaby, plays Yelena with a slow-mo saunter and monotonous pasted-on smile that makes it seem as if she's been in Sherry's stash." However, Malcolm Johnson of the Hartford Courant was complimentary, noting that she "ultimately blossoms" as the character.

Gyllenhaal agreed to star in the comedy Away We Go (2009), in which she plays a bohemian college professor who is an old friend of John Krasinski's character. The film generated broadly mixed reviews, with Owen Gleiberman of Entertainment Weekly describing Gyllenhaal's subplot as "over-the-top". However, A. O. Scott of The New York Times praised Gyllenhaal and co-star Allison Janney for their performances, writing that "both [are] quite funny". Scott concluded with, "Ms. Gyllenhaal's line about sex roles in 'the seahorse community' is the screenplay's one clean satirical bull's-eye". Her next role came in the musical-drama Crazy Heart, in which she played journalist Jean Craddock, who falls for musician Bad Blake, played by Jeff Bridges. The film received an acclaimed response, with praise for Gyllenhaal's performance too. Peter Travers of Rolling Stone observed that Gyllenhaal was "funny, touching and vital as Jean" and that her part was "conventionally conceived, but Gyllenhaal plays it with a tough core of intelligence and feeling." Her performance earned her an Academy Award nomination for Best Supporting Actress.

In addition to acting, she presented 13 episodes of the PBS television series Independent Lens between 2009–10. The program presents documentary films made by independent filmmakers. In 2010, Gyllenhaal appeared in Nanny McPhee and the Big Bang with co-star Emma Thompson, the sequel to the 2005's Nanny McPhee. She played Isabel Green, which required her to speak with an English accent. The feature received generally positive reviews; review aggregator Rotten Tomatoes gave the film an approval rating of 76% based on 119 critics. The Sydney Morning Herald complimented Gyllenhaal's realistic accent and ability to capture her English character with ease. It was a reasonable success at the box office, earning $93 million worldwide.

For her next film, Gyllenhaal starred in the biographical romance Hysteria (2011), which focuses on the events that led to the creation of the vibrator during the Victorian era. The film received a mixed reception; writing for The Guardian, David Cox noted the film's stereotypes and "yelps of delight", and praised Gyllenhaal's English accent. In February 2011, Gyllenhaal starred in another Anton Chekhov Off-Broadway production as the character Masha in Austin Pendleton's Three Sisters at the Classic Stage Company. The play focused on the Prozorov sisters (Gyllenhaal, Jessica Hecht, and Juliet Rylance), who are "unlucky in love, unhappy in the provinces and longing to return to Moscow", as summarized by Bloomberg's Jeremy Gerard. The production began preview performances on January 12, with a limited engagement through March 6.

In 2012, she played mother Jaime Fitzpatrick in the drama Won't Back Down, about a group of parents involved in a parent trigger takeover of a failing school. Next, she appeared alongside Channing Tatum and Jamie Foxx, as a Secret Service agent in the action-thriller White House Down (2013). The film was met with mixed reviews and under-performed at the box office. A year later, she starred in the musical comedy Frank, about a man who joins an odd band with a group of bizarre musicians. Gyllenhaal, who also plays a musician, said she initially turned down the role because she did not understand it. However, she changed her mind after the story "stuck with her". The film premiered at the 2014 Sundance Film Festival to favorable opinions; Slant magazine's critic opined that Gyllenhaal has "passive and palpable screen presence". Also that year, she played Hathfertiti in Matthew Barney and Jonathan Bepler's River of Fundament, loosely based on the 1983 novel Ancient Evenings by Norman Mailer.

Gyllenhaal played the lead role as Baroness Nessa Stein, a British-Israeli businesswoman heiress in the BBC political spy thriller television miniseries, The Honourable Woman. The series was well received; Kevin Fallon wrote in the Daily Beast: "Gyllenhaal delivers what might be the most towering, complex, best performance of her career in the miniseries." Time magazine praised the series' pacing, themes, settings, and called Gyllenhaal's performance "remarkable". At the 72nd Golden Globe Awards, she won Best Actress in a Miniseries or Television Film for her performance. The Honourable Woman appeared in a list of The Guardian critics' 30 best television shows of 2014.

In 2016, Gyllenhaal narrated Leo Tolstoy's novel Anna Karenina; it was made available for purchase on Amazon's Audible store. In an interview, Gyllenhaal said "Making this, doing this, I feel like it's one of the major accomplishments of my work life." In February 2017, she served as a member of the jury for the 2017 Berlin Film Festival. Returning to film in 2018, Gyllenhaal starred in The Kindergarten Teacher, a drama in which her character becomes obsessed with a student whom she believes is a child prodigy. The film premiered at the 2018 Sundance Film Festival, and was distributed via Netflix. It is a remake of the 2014 Israeli film of the same name. The feature opened to mainly popular reviews; The Daily Telegraph critic gave the film 4 out of 5 stars, and thought Gyllenhaal was well-cast, writing "[her] earnest intensity as an actress, gift for fatigue and slightly holier-than-thou authority are key assets here." Although Dennis Harvey of Variety magazine praised her performance, he thought the film lacked "psychological insight".

She served as a producer and starred in the HBO drama series The Deuce, which aired between 2017–19; she played Eileen "Candy" Merrell, a sex worker during the Golden Age of Porn. The Deuce earned Gyllenhaal a Golden Globe nomination for Best Actress.

In 2021, Gyllenhaal made her feature directorial debut with the psychological drama The Lost Daughter, which she also produced and wrote. The film received critical acclaim, and had its premiere at the 78th Venice International Film Festival, where Gyllenhaal won the Best Screenplay Award. It received four awards, including Best Feature and Breakthrough Director, as well as one further nomination at the 2021 Gotham Awards. At the 79th Golden Globe Awards, Gyllenhaal received a nomination for Best Director. She then received a Best Adapted Screenplay nomination at the 75th British Academy Film Awards, and the second Academy Award nomination of her career also for Best Adapted Screenplay at the 94th Academy Awards.

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