News about Jonathan Glazer

Around 500 leading Hollywood celebrities have signed an open letter condemning Jewish director Jonathan Glazer's acceptance address.

Approximately 500 influential Hollywood celebrities have signed an open letter condemning Jewish director Jonathan Glazer's acceptance address, accusing him of likening Israel's war on Gaza to the treatment of Jews during the Holocaust. Variety unveiled portions of the letter on Monday. Debra Messing, Eli Roth, Jennifer Jason Leigh, and Julianna Margulies had it signed. After winning the Best International Feature for his film Zone of Interest, British-born Glazer took to the podium and said that his film showed "where dehumanization leads at its worst." All of our past and present have been influenced by it.' 'We now stand here as men who defame their Jewishness and the Holocaust's destruction by an occupation that has resulted in violence against so many innocent civilians,' he continued. 'Whether the victims of October - whether the victims of October the 7th in Israel or the ongoing attack on Gaza, all the victims of this dehumanization, how do we resist?'

In his Oscar acceptance address, President David Schaecter slammed The Zone of Interest chief Jonathan Glazer for comparing the Israel-Hamas war to the Holocaust. The writer-director 'We stand here as men who denounce their Jewishness and the Holocaust being hijacked by occupation,' he said in his acceptance address.' In an open letter from Schaecter, who spent three years at the Auschwitz death camp and one at Buchenwald, she called Glazer's comparison'morally indefensible.' "You should be ashamed of yourself for using Auschwitz to debrate Israel," Schaecter said.

How many ideas can you rinse out of boy who doesn't know he's a wizard going to magical boarding school? The answer seems to be: As many as you want. In January this year, writers, including Brits Martha Hillier, Tom Moran and Michael Lesslie of The Little Drummer Girl's Michael Lesslie, pitched concepts for a television series in HBO's Hollywood offices. With at least 40 big-screen sequels, prequels, remakes, or adaptations in cinemas over the next 12 months, it was a fitting start to 2024, dubbed the 'year of the sequels.' But the trend is continuing, and with good reason, according to film historian and economist John Sedgwick. The majority of Hollywood's history involved giving out a lot of movies that were not expected to be hits.' Hollywood discovered that we want new products, concepts, and stories as cinemagoers became less popular. The international audience began watching in the 1990s, and you don't need a lot of dialogue to attract non-English speakers. So, big budget films have been largely successful from 2000 to present; they're also very profitable, which is unprecedented in Hollywood history.' Pictured from top left clockwise: Despicable Me, Paddington, Inside Out and Wonka

How many ideas can you rinse out of a boy who doesn't know he's a wizard going to a magical boarding school? The answer seems to be: As many as you want.

It's always a big surprise when a close family friend is diagnosed with cancer. I remember when my sister called to tell me her news, saying: 'You know how when you go to the doctor and they ask you to fill in a form asking if anyone in your family had cancer, and we always say "No"? Well, no longer. I've got breast cancer.' And as these things come so often, a year or so later it was my turn to have the same diagnosis. So it was no surprise that King Charles's family learned he had cancer, but that they had also stepped into the cancer zone in a matter of seconds.

Director Jonathan Glazer was not keen on the challenge of re-creating what philosopher Hannah Arendt called the 'banality of evil.' Auschwitz-Birkenau's latest film, The Zone of Concern, tells the tale of how the commandant survived just outside the death camp, where more than a million Jews were killed in the Holocaust. Rudolf Höss, the deacondescent who ruled mass murder, spent his days in a luxurious home with his wife Hedwig and their five children in relative domestic bliss. Glazer and other key figures in the latest film have shared the long and difficult journeys they went to in order to ensure that the film is as accurate as possible. The filmmakers looked at photographs of the Höss children playing in the garden of their villa and then recreated those scenes in the film (bottom right). Recordings of how the site might have looked at the time, as well as gunshots that were repeated in a concrete space to imitate the executions that occurred just a short distance away. Johnnie Burn, the film's sound designer, spelled out how they listened to the 'tru sounds of people in pain' so they could be correctly recreated.

Rudolf Höss, the Nazi in charge of Auschwitz's camp, borrows heavily from the 2014 book of the same name by renowned British author Martin Amis, whose film is based on the true life tale of the Nazi in charge of Auschwitz. It reveals how Höss, his wife, and five children lived just outside the walls of the concentration camp, where more than one million Jews were killed. Jonathan Glazer's latest film - with five Oscar nominations under its belt - has been a hit among critics.

BRIAN VINER: I hear a lot about the complaint that "nothing worth going to the theater for" is something I hear a lot, and it's often impossible to refute, but it has no water at all this week, as we welcome two of the Academy Award contenders. I don't think either of them will be contaminated with the Oscar, which, according to sports analysts, would be Oppenheimer's to lose. Both of them will be worthy winners, especially The Zone Of Interest, a disturbing movie about the Holocaust. Unique, since the mass extermination of Jews, Hitler's abhorrent 'Final Solution,' is shown as a glowering yet mostly distant backdrop, while an ostensibly positive story of family life unfolds in the foreground. The film, shot in 1943, focuses on Rudolf Hoss (Christian Friedel), his materialistic wife Hedwig (Sandra Huller), and their five children. They live in a great deal of confidence, just over the wall from the concentration camp where he works with icy efficiency.

In the 1980s, their love affair captured the country, and we rejoiced as their lips finally met. No, not Charles and Diana, silly, but Nescafe's Gold Blend couple. Their love in the ad breaks was a soap opera, and when a new instalment was announced, only a few people took advantage of the ad break to put the kettle on. However, one thing is certain: the excitement surrounding it won't be present any more. Advertising is a dying art form, and no one could be excited about the dreadful, infantile, irritating drivel that adorns our screens these days.

Despite new woke laws, the British Film Academy and Television Awards short list nominations have revealed a decrease in diversity in several of the main categories. In the Best Film category, only one female filmmaker has been nominated, which is the lowest percentage since the guidelines were introduced in 2020. When no women were nominated as the best director for the seventh year in a row, the academy made changes to improve the awards' diversity, and all 20 finalists in the lead and supporting performer categories were white.

Emily Blunt, Carey Mulligan, Rosamund Pike, and Claire Foy are among the British actors nominated for this year's BAFTA Film Awards. On Thursday, the nominees for the 2024 ceremony were revealed, including Christopher Nolan, Jonathan Glazer, and Vivian Oparah. Carey has been nominated for her role as actress Felicia Montealegre Bernstein in Maestro's opposite Bradley Cooper.