Jay Luvaas
Jay Luvaas was born in Erie County, Pennsylvania, United States on January 15th, 1927 and is the American Military Historian. At the age of 81, Jay Luvaas biography, profession, age, height, weight, eye color, hair color, build, measurements, education, career, dating/affair, family, news updates, and networth are available.
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Luvaas' The Civil War: A Soldier's View (1958) collected the writings of Colonel George Francis Robert Henderson, a British observer of the American Civil War. Henderson's international reputation had been built on a biography of Stonewall Jackson; Luvaas' study combined Henderson's work as a military historian/biographer and a teacher of the art of war, recognizing that Henderson's fame rested on his career as a teacher and writer, not as a field officer. In the final chapter, as J. Orin Oliphant points out, Luvaas analyzed Henderson's contribution to military thinking and education.
In 1959, the University of Chicago Press published Luvaas' dissertation on the lessons learned by British, French and Prussian military observers of the Civil War, The Military Legacy of the Civil War: The European Inheritance; this was republished in 1988 by University of Kansas. In this study, he examined the American Civil War through a foreign soldier's eyes, and found the view very different from those presented by American soldiers. Luvaas offered a careful account of the conclusions of the European military observers, particularly the Prussian, British and French. These observers eventually helped to shape tactics of World War I and World War II, but not, as previously believed, the Second Schleswig War between Prussia and Denmark or the Franco-Prussian War.
From 1956 to 1982, Luvaas taught at his own alma mater, Allegheny College, where he was a professor of history. In 1972, he was the first civilian to serve as a visiting professor at the United States Military Academy. In 1982, he left Allegheny to teach at the Army War College, where he held the prestigious Harold Keith Johnson Chair of Military History at the U.S. Army Military History Institute (USAMHI). Accepting a permanent position there, he taught lieutenant colonels and colonels on the fast track for general staff posts, and wrote papers and taught courses specific to their interests and needs.
Luvaas remained at the Army War College until his retirement in 1995. After his retirement, he became Distinguished Fellow there in 1997. He was a two-time recipient of the Outstanding Civilian Service Medal from the Department of the Army. In his retirement, he was also director of the George Washington Flowers Collection of Southern Americana at the Duke University Library.
Military historians consider Luvaas the founder of the modern staff ride. He visited the battlefields of the American Civil War annually, either on War College Staff Rides or with regular tours. Beginning in 1962, Luvaas led groups of amateur and student historians to various Virginia and Pennsylvania battlefields; the group, nicknamed the Army of Cussewago, after Cussewago Creek near Meadville, included over time Luvaas' friends, interested historians, students from Allegheny, and cadets from West Point. Luvaas' and Nelson's volume the U.S. Army War College Guide to the Battle of Gettysburg (1986) is a feature in Civil War battlefield tours.
With his friend Brigadier General Harold W. Nelson, Luvaas authored several volumes of the US Army War College Staff Ride Series on the Civil War: Gettysburg, Antietam, Fredericksburg and Chancellorsville, and co-authored another on the Battle of Shiloh and the Atlanta campaign. Luvaas also the translated military writings of Napoleon and Frederick the Great, and edited volumes of the writings by George Henderson, and a book on the history of military theory in Britain in the 19th and 20th centuries.
Luvaas argued that the primary value of the subject of history to a military officer is not merely a factual background, but also a grasp of trends and the meaning of ideas. History should not be subjected to the idea that it repeats itself, an unreasonable process that forces historical evidence into convenient patterns. Rather, the study of history, military history in particular, helps to illustrate points of leadership and doctrine. In his 1985 essay on officer education, Luvaas maintained that the best people to teach officers were civilian historians, although others promoted a modified view, that a faculty of civilian military historians should be tempered with professional soldiers.
The combined spirit if the professional soldier and the civilian historian, Benjamin Franklin Cooling suggests, is a new school of military history that unifies old and new historical styles: it modifies the patriotic gore described by Edmund Wilson with contextual and integrative studies of leadership and theory. There is room for both the "informed and broader contextual study of military history as suggested by Professor Jay Luvaas, ... and [for] his more popular resurrected "historical rides" to Civil War battlefields."
Luvaas was one of a generation of historians to examine the Anglo-American tradition in military history. Trumbull Higgins described Luvaas' work in Education of An Army: British Military Thought 1815-1940 (1964), as a careful and detailed study of the development in military thought from Wellington to World War I, and a much needed analysis that flowed logically from Luvaas' earlier work on the Civil War.
In his 1999 review of Military Legacy of the Civil War (1959), Owen Connelly maintained that Luvaas had never written or edited a bad book and that he "demolished the widely accepted idea that U.S. Civil War had demonstrated the nature of modern war to Europeans, especially the Prussians," lessons that they employed successfully against Denmark and France immediately. Instead, Connelly maintained, Luvaas argued that the Prussians had all but ignored their Civil War observations until after 1914, as did the other powers. According to Connelly, Luvaas' work in Napoleon on the Art of War argued that Napoleon "created" the operational level of war, a category between strategy and tactics. Furthermore, Napoleon made the corps his standard unit, and it was adopted by all the major armies in turn, making operational art possible.