Jane Wyman

At 90 years old, Jane Wyman physical status not available right now. We will update Jane Wyman's height, weight, eye color, hair color, build, and measurements.

After dropping out of Lafayette in 1932 at age 15, she returned to Hollywood, taking on odd jobs as a manicurist and a switchboard operator.

She started to obtain small parts in such films as The Kid from Spain (as a "Goldwyn Girl"; 1932), Elmer, the Great (1933), Gold Diggers of 1933 (1933), Harold Teen (1934), College Rhythm (1934), Rumba (1935), All the King's Horses (1935), George White's 1935 Scandals (1935), Stolen Harmony (1935), Broadway Hostess (1935), King of Burlesque (1936) and Anything Goes (1936).

She signed a contract with Warner Brothers in 1936.

At Warners she was in Freshman Love (1936) and Bengal Tiger (1936) then went to Universal for My Man Godfrey (1936).

At Warners she was in Stage Struck (1936), Cain and Mabel (1936), and Here Comes Carter (1936).

Wyman had her first big role in a Dick Foran Western The Sunday Round-Up (1936).

Wyman had small parts in Polo Joe (1936), and Gold Diggers of 1937 (1936) but a bigger one in Smart Blonde (1936), the first of the Torchy Blane series.

Wyman was in Ready, Willing and Able (1937), The King and the Chorus Girl (1937), and Slim (1937). She had the lead in Little Pioneer (1937), a short, and parts in The Singing Marine (1937).

By the time Wyman starred in Public Wedding (1937), a "B", she was already divorced from first husband Ernest Wyman. However, she would retain use of his surname for the remainder of her career.

She had a support part in Mr. Dodd Takes the Air (1937) and the female lead in some "B" The Spy Ring (1938) (at Universal), He Couldn't Say No (1938) with Frank McHugh and Wide Open Faces (1938) with Joe E. Brown.

Wyman was borrowed by MGM to play a supporting part in The Crowd Roars (1938).

At Warners she had the lead in Brother Rat (1938), a "B" which proved popular. It co starred Ronald Reagan, Priscilla Lane, Wayne Morris and Eddie Albert.

Wyman was borrowed by Fox for a support part in Tail Spin (1939), then did The Kid from Kokomo (1939) with Pat O'Brien and Morris. She played the title role in Torchy Blane.. Playing with Dynamite (1939), but it was the last in the series.

Wyman was now established as a leading lady, albeit of Bs – she did Kid Nightingale (1939) with John Payne, Private Detective (1939) with Foran, Brother Rat and a Baby (1940) with Reagan, An Angel from Texas (1940) with Albert, Flight Angels (1940), and Gambling on the High Seas (1940) with Wayne Morris.

She supported in "A"s such as My Love Came Back (1940), starring Olivia de Havilland and Jeffrey Lynn. She and Reagan were in Tugboat Annie Sails Again (1940). Wyman supported Ann Sheridan in Honeymoon for Three (1941) and was Dennis Morgan's leading lady in Bad Men of Missouri (1941).

Wyman made The Body Disappears (1941) with Jeffrey Lynn and You're in the Army Now (1941) with Jimmy Durante; in the latter she and Regis Toomey had the longest screen kiss in cinema history: 3 minutes and 5 seconds.

Wyman did Larceny, Inc. (1942) with Edward G. Robinson, and My Favorite Spy (1942) with Kay Kyser.

At Fox she supported Betty Grable in Footlight Serenade (1942) then back at Warners supported Olivia de Havilland in Princess O'Rourke (1943).

Warners teamed her with Jack Carson in Make Your Own Bed (1944) and The Doughgirls (1944), then she was top billed in Crime by Night (1944). She was one of many stars to cameo in Hollywood Canteen (1944).

Wyman finally gained critical notice in the film noir The Lost Weekend (1945) made by the team of Billy Wilder and Charles Brackett, who had been impressed by her performance in Princess O'Rourke. It was only a supporting role – Ray Milland was the lead – but was the second biggest part. Wyman called it "a small miracle".

Wyman remained a supporting actor in One More Tomorrow (1946), and Night and Day (1946). However Wyman was borrowed by MGM for the female lead in The Yearling (1946), and was nominated for the 1946 Academy Award for Best Actress.

She was leading lady for Dennis Morgan in Cheyenne (1947) and James Stewart in RKO's Magic Town (1947).

Her breakthrough role was playing a deaf-mute rape victim in Johnny Belinda (1948). Wyman spent over six months preparing for the film which was an enormous hit and won Wyman a Best Actress Oscar. She was the first person in the sound era to win an acting Oscar without speaking a line of dialogue. In an amusing acceptance speech, perhaps poking fun at some of her long-winded counterparts, Wyman took her statue and said only, "I accept this, very gratefully, for keeping my mouth shut once. I think I'll do it again."

Wyman was now a top billed star. She did two comedies, A Kiss in the Dark (1948) with David Niven and The Lady Takes a Sailor (1949) with Morgan, then made a thriller in England, Stage Fright (1950) for Alfred Hitchcock.

She played Laura in The Glass Menagerie (1950), and went to MGM for Three Guys Named Mike (1951), a popular comedy.

Frank Capra used her as Bing Crosby's leading lady in Here Comes the Groom (1951) at Paramount, then she had the lead in RKO's The Blue Veil (1951), a melodrama that was a big box office hit and earned her an Oscar nomination.

Wyman was one of many stars in Warner Bros' Starlift (1951). She was the female lead in The Story of Will Rogers (1952) and Paramount reunited her and Crosby in Just for You (1952). Wyman expressed interest around this time of doing no more "weepy" roles.

Columbia cast her in a musical, Let's Do It Again (1953) with Ray Milland, then at Warners she was in So Big (1953), a melodrama.

Wyman had a huge success when producer Ross Hunter cast her alongside Rock Hudson in Magnificent Obsession (1954). It earned her another Oscar nomination.

Wyman and Hudson were promptly reteamed on All That Heaven Allows (1955). Pine-Thomas Productions put Wyman in Lucy Gallant (1955) with Charlton Heston. She did Miracle in the Rain (1956) with Van Johnson. Wyman was meant to follow this with Annabella but it appears to have not been made.

Her first guest-starring television role was on a 1955 episode of General Electric Theater, a show hosted by her former husband Ronald Reagan. Wyman began a TV series Jane Wyman Presents The Fireside Theatre (1955–58). In its first season it was known as Fireside Theatre then being changed to Jane Wyman Theatre. Wyman hosted every episode, acted in half, and was a producer.

When Fireside Theatre ended Wyman was no longer a film star, but she remained in demand. She replaced the ailing Gene Tierney in Holiday for Lovers (1959) for Fox, and next appeared in Disney's Pollyanna (1960) and Bon Voyage! (1962).

Wyman continued to guest star on TV shows like Checkmate, Westinghouse Desilu Playhouse, Bob Hope Presents the Chrysler Theatre, The Investigators, Wagon Train, and Insight.

"Something happened in the sixties," she later said. "it seemed that the time didn't permit women to be part of it except in a sort of secondary sort of way which I resented. I kept telling myself 'I didn't want to play Whatever Happened to Baby Jane." So she went into semi-retirement around 1962.

Wyman focused on painting. She made the occasional acting appearance, mostly on television.

In 1966, Reginald Denham announced Wyman would appear in a play Wonderful Us based on the Parker–Hulme murder case but it was not produced.

She returned to films with How to Commit Marriage (1969).

Wyman continued to work in the 1970s, guest starring on My Three Sons; The Bold Ones: The New Doctors; The Sixth Sense; and Owen Marshall, Counselor at Law and starring in films like The Failing of Raymond (1971) and The Incredible Journey of Doctor Meg Laurel (1979). She starred in a pilot for a TV series Amanda Fallon but it was not picked up.

She guest starred on Charlie's Angels and The Love Boat.

She was offered roles of "murderers, old ladies that were senile – they were awful. The weirdest kind of writing."

In the spring of 1981, Wyman's career enjoyed a resurgence when she was cast as the scheming Californian vintner and matriarch Angela Channing in The Vintage Years, which was retooled as the primetime soap opera Falcon Crest. Wyman said she wanted to make it as it was a change from "the four handkerchief bits" she was known for. "You just can't miss on a thing like this," she added.

The series, which ran from December 1981 to May 1990, was created by Earl Hamner, who had created The Waltons a decade earlier. Hamner called Wyman "one of the legendary stars... a great actress", strongly denying her casting was due to her connection to the then-current president.

Also starring on the show was an already established character actress, Susan Sullivan, as Angela's niece-in-law, Maggie Gioberti, and the relatively unknown actor Lorenzo Lamas as Angela's irresponsible grandson, Lance Cumson. The on- and off-screen chemistry between Wyman and Lamas helped fuel the series' success.

In its first season, Falcon Crest was a ratings hit, behind other 1980s prime-time soap operas, such as Dallas and Knots Landing, but initially ahead of rival Dynasty. Cesar Romero appeared from 1985 to 1987 on Falcon Crest as the romantic interest of Angela Channing.

For her role as Angela Channing, Wyman was nominated for a Soap Opera Digest Award five times (for Outstanding Actress in a Leading Role and for Outstanding Villainess: Prime Time Serial), and was also nominated for a Golden Globe award in 1983 and 1984. Her 1984 Golden Globe nomination resulted in a win for Wyman, who took home the award for Best Performance By an Actress in a TV Series. Later in the show's run, Wyman suffered several health problems. In 1986, she had abdominal surgery which caused her to miss two episodes (her character simply "disappeared" under mysterious circumstances). In 1988, she missed another episode due to ill health and was told by her doctors to avoid work. However, she wanted to continue working, and she completed the rest of the 1988–1989 season while her health continued to deteriorate. Months later in 1989, Wyman collapsed on the set and was hospitalized due to problems with diabetes and a liver ailment. Her doctors told her that she should end her acting career. Wyman was absent for most of the ninth and final season of Falcon Crest in 1989–1990 (her character was written out of the series by making her comatose in a hospital bed following an attempted murder).

Against her doctor's advice, she returned for the final three episodes in 1990, even writing a soliloquy for the series finale. Wyman ultimately appeared in almost every episode until the beginning of the ninth and final season, for a total of 208 of the show's 227 episodes.

After Falcon Crest, Wyman acted only once more, playing Jane Seymour's screen mother in a 1993 episode of Dr. Quinn, Medicine Woman. Following this, she retired from acting permanently. Wyman had starred in 83 movies and two successful TV series, and was nominated for an Academy Award four times, winning once.

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