Dorothy Lamour

At 81 years old, Dorothy Lamour has this physical status:

In 1936, Lamour moved to Hollywood. Around that time, Carmen married her third husband, Ollie Castleberry, and the family lived in Los Angeles. That same year, she did a screen test for Paramount Pictures and signed a contract with them.

Lamour made her first film for Paramount, College Holiday (1936), in which she has a bit part as an uncredited dancer.

Her second film for Paramount, The Jungle Princess (1936) with Ray Milland, solidified her fame. In the film, Lamour plays the role of "Ulah", a jungle native who wore an Edith Head-designed sarong throughout the film. The Jungle Princess was a big hit for the studio and Lamour would be associated with sarongs for the rest of her career. It also gave her a hit song "Moonlight and Shadows".

She followed it with a support role in a Carole Lombard–Fred MacMurray musical Swing High, Swing Low (1937) where she got to sing "Panamania". She was top billed in The Last Train from Madrid (1937).

Lamour supported Irene Dunne and Randolph Scott in High, Wide and Handsome (1937), singing "The Things I Want". Sam Goldwyn borrowed her for John Ford's The Hurricane (1937), where she was back in a sarong playing an island princess alongside Jon Hall. Her swimming and diving scenes were handled by stunt double Lila Finn, who at one point dropped the sarong and was filmed diving into a lagoon in the nude. The film was a massive success and gave Lamour another hit song with "The Moon of Manakoora".

Lamour had a cameo in Thrill of a Lifetime (1937) and was third billed in The Big Broadcast of 1938 (1938) after W.C. Fields and Martha Raye; the cast also included Bob Hope in an early appearance.

Paramount reunited her with Milland and a sarong for Her Jungle Love (1938). Tropic Holiday (1938) cast her as a Mexican alongside Bob Burns, Raye and Milland, then she supported George Raft and Henry Fonda in the adventure film Spawn of the North (1938). Raft was meant to be Lamour's leading man in St. Louis Blues (1939) but he turned down the part and was replaced by Lloyd Nolan.

Lamour was Jack Benny's leading lady in the musical Man About Town (1939) then played a Chinese girl in a melodrama, Disputed Passage (1939).

In 1940, Lamour starred in Road to Singapore, a spoof of Lamour's "sarong" films. It was originally meant to co-star Fred MacMurray and Jack Oakie, then George Burns and Gracie Allen, before Paramount decided to use Bob Hope and Bing Crosby; Lamour was billed after Crosby and above Hope. The two male stars began ad-libbing during filming. "I was trying to follow the script but just couldn't get my lines out", she said later. "Finally, I realised that I should just get the general idea of a scene rather than learn the words by heart, then go along with the boys." Said Hope, "Dottie is one of the bravest gals in pictures. She stands there before the camera and ad-libs with Crosby and me knowing that the way the script is written she'll come second or third best, but she fears nothing."

The movie was a solid hit and response to the team was enthusiastic.

20th Century Fox borrowed her to play Tyrone Power's leading lady in the gangster film Johnny Apollo (1940). She sang "This is the Beginning of the End" and "Dancing for Nickels and Dimes".

It was back to sarongs for Typhoon (1940). Her male co-star in the latter was Robert Preston who was also with Lamour in Moon Over Burma (1940). Fox borrowed her again for Chad Hanna (1941) with Henry Fonda.

Response to Road to Singapore had been such that Paramount reunited Lamour, Hope and Crosby in Road to Zanzibar (1941) which was even more successful and eventually led to a series of pictures (although from this point on Lamour was billed beneath Hope). She and Hope then did Caught in the Draft (1941) which was one of the biggest hits of the year.

Lamour was reunited with her old Hurricane star, Jon Hall, in Aloma of the South Seas (1941). She did a popular musical with Eddie Bracken, William Holden and Betty Hutton, The Fleet's In (1942), which gave her a hit song, "I Remember You".

There was another sarong movie, Beyond the Blue Horizon (1942). Both were well liked by the public but neither was as popular as her third "Road" movie, Road to Morocco (1942).

Lamour was one of many Paramount stars who did guest shots in Star Spangled Rhythm (1942). She and Hope were borrowed by Sam Goldwyn for a comedy They Got Me Covered (1943), then she did one with Crosby without Hope, Dixie (1943), a popular biopic of Dan Emmett.

During World War II, Lamour was among the more popular pinup girls among American servicemen, along with Betty Grable, Rita Hayworth, Lana Turner, and Veronica Lake. Lamour was also known for her volunteer work, selling war bonds during tours in which movie stars would travel the country selling U.S. government bonds to the public. Lamour reportedly sold $300 million worth of bonds earning her the nickname "The Bond Bombshell". She also volunteered at the Hollywood Canteen where she would dance and talk to soldiers. In 1965, Lamour was awarded a belated citation from the United States Department of the Treasury for her war bond sales.

Lamour made Melody Inn (1943) with Dick Powell, then And the Angels Sing (1944) with Fred MacMurray and Hutton, where she sang "It Should Happen to You". She made one last sarong movie, Rainbow Island (1944), co-starring Bracken.

Lamour played a Mexican in A Medal for Benny (1945), based on a story by John Steinbeck, co-starring Arturo de Córdova. She was one of many Paramount stars to cameo in Duffy's Tavern (1945), then did a fourth "Road", Road to Utopia (1945), then Masquerade in Mexico (1945) with de Cordova.

She was in three big hits in a row: My Favorite Brunette (1947), a comedy with Hope; Wild Harvest (1947), a melodrama with Alan Ladd and Preston; and Road to Rio (1947). She also sang a duet with Ladd in Variety Girl (1947). Then she left Paramount.

Lamour emceed Front and Center, a 1947 variety comedy show, as a summer replacement for The Fred Allen Show, with the Army Air Force recruiting as sponsors. The show changed to The Sealtest Variety Theater in September 1948.

After leaving Paramount, Lamour made a series of films for producer Benedict Bogeaus: the all-star comedy On Our Merry Way (1948); Lulu Belle (1948), a melodrama with George Montgomery; and The Girl from Manhattan (1948), also with Montgomery.

She tried two comedies: The Lucky Stiff (1949), produced by Jack Benny co-starring Brian Donlevy, then Slightly French (1949) with Don Ameche. Manhandled (1950) was a film noir with Dan Duryea for Pine-Thomas. None of these films were particularly popular.

Lamour played a successful season at the London Palladium in 1950 then was in two big hits: The Greatest Show on Earth (1952), Cecil B. De Mille's circus epic, and Road to Bali (1952). However this did not seem to lead to better film offers, and Lamour began concentrating on being a nightclub entertainer and a stage actress.

She also began working on television, guest starring on Damon Runyon Theater and was on Broadway in Oh Captain! (1958).

Lamour returned to movies with a cameo in the final "Road" film, The Road to Hong Kong (1962); she was replaced as a love interest by Joan Collins because Bing Crosby wanted a younger actress. However, Bob Hope would not do the film without Lamour, so she appeared in an extended cameo.

She had a bigger part in John Ford's Donovan's Reef (1963) with John Wayne and Lee Marvin, and made guest appearances on shows like Burke's Law, I Spy and The Name of the Game, and films such as Pajama Party (1964) and The Phynx (1970).

Lamour moved to Baltimore with her family, where she appeared on TV and worked on the city's cultural commission. Then David Merrick offered her the chance to headline a road company of Hello Dolly! which she did for over a year near the end of the decade.

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