Dan O'Bannon

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It was at USC that he met John Carpenter and collaborated with him on a student film, which they eventually expanded into the feature-length science fiction movie Dark Star. Part of the movie was filmed at Menlo Manor. Released in 1974, it had a final budget of only US$60,000. O'Bannon served in a number of capacities, including scripting, acting in one of the leading roles ("Sergeant Pinback") and editing, for which he used a 1940s Moviola. In 1975, Dark Star won the Golden Scroll award (the Saturn Awards' original name) for Best Special Effects.

He was retained to supervise special effects for an Alejandro Jodorowsky production of Frank Herbert's Dune. That project fell apart in 1976 and the movie was never made, reportedly because the major Hollywood studios were wary of financing the picture with Jodorowsky as director. O'Bannon's role is prominently featured in the 2013 documentary Jodorowsky's Dune. The collapse of Dune left O'Bannon broke, homeless, and dependent on friends for his survival. According to The Guardian, "George Lucas was impressed enough with his hand-animated, faux computer screen graphics to hire him to do similar work on Star Wars, but otherwise this was an incredibly lean period for him." He eventually abandoned technical film work for scriptwriting. While living with his friend Ronald Shusett, they came up with the story for O'Bannon's career-making film Alien (1979), for which he wrote the screenplay and supervised visuals.

In 1981, O'Bannon helped create the animated feature Heavy Metal, writing two of its segments ("Soft Landing" and "B-17"). O'Bannon voiced his displeasure with his next big-budget outing, John Badham's Blue Thunder (1983), an action film about a Los Angeles helicopter surveillance team. Originally written with Don Jakoby, Blue Thunder also underwent extensive rewriting, losing some of its political content. He and Jakoby also scripted Lifeforce (1985), a movie based on Colin Wilson's novel The Space Vampires and directed by Tobe Hooper that veers from alien visitation to vampirism and an apocalyptic ending. It was not well received at the time, and was considered a box office flop. O'Bannon would again collaborate with Jakoby and Hooper for the 1986 remake Invaders from Mars. Purists considered it inferior to the 1950s original and it also performed poorly at the box office. O'Bannon also worked as a consultant for C.H.U.D., helping to create the design concept for the title creatures.

In 1985, O'Bannon moved into the director's chair with The Return of the Living Dead, a sequel to George Romero's Night of the Living Dead. Like Alien, the film met with success, spawned numerous sequels, and became a cult classic. That year, he was awarded the Inkpot Award.

In 1990, O'Bannon and Shusett again teamed up as writers on Total Recall, an adaptation of the short story We Can Remember It for You Wholesale by Philip K. Dick. This was a project the two had been working on since collaborating on Alien. With a cast featuring Sharon Stone and Arnold Schwarzenegger, Total Recall earned well over US$100 million.

An earlier screenplay by the duo titled Hemoglobin was also produced as the low budget feature Bleeders (1997).

O'Bannon's second directorial feature, The Resurrected (1991), was a low-budget horror effort released direct-to-video. Based on the writings of H. P. Lovecraft, it focused on a family's ancient rituals that awaken the dead. In 1995, O'Bannon received a co-writing credit for the sci-fi film Screamers adapted from the Philip K. Dick story "Second Variety", having written the initial version of the screenplay with Michael Campus in the early 1980s.

In 2001, O'Bannon was the filmmaker-in-residence at Chapman University's Dodge College of Film and Media Arts.

O'Bannon and Shusett were credited as writers on the 2004 science fiction film Alien vs. Predator, a prequel to Alien.

In 2013, Dan O'Bannon's Guide to Screenplay Structure was released, co-written with Matt R. Lohr.

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