Adurthi Subba Rao

At 62 years old, Adurthi Subba Rao physical status not available right now. We will update Adurthi Subba Rao's height, weight, eye color, hair color, build, and measurements.

Subba Rao then worked in the processing and printing department of Bombay Film Lab. Then he joined film editor Dina Narvekar as his assistant. He started his film career as a cinematographer, editor and screenwriter. His started as an assistant director and later became the editor for Uday Shankar on his Hindi film Kalpana (1948). His debut film as an editor was Tamil film Parijatapaharanam. He also worked as a writer penning stories, dialogues, and lyrics. Some of the films he wrote were Vanarani (1946), Mangalasootram, Oka Roju Raju (1944), Circus Raju, etc.

Later, he moved to Prakash Studios as an editor but also worked in other departments. K. S. Prakash Rao let him direct some parts in his films such as Deeksha (1951), Kanna Talli (1953) and Baalanandam (1954) for Prakash Studios. He also worked for C. Pullayya's Sankranthi (1952) as editor at the same time.

Subba Rao debuted as a director with Amara Sandesam (1954) which was critically acclaimed but not commercially successful. After watching the film, Akkineni Nageswara Rao recommended him to his friend and business partner in Annapurna Pictures, Dukkipati Madhusudhana Rao, who gave Subba Rao the chance to direct the film Thodi Kodallu (1957), adapted from Sarat Chandra Chatterjee's Bengali novel Nishkruti. It became a super hit. The film won the Certificate of merit for Best Feature Film in Telugu.

In 1959, he directed romantic drama Mangalya Balam. Subba Rao adapted Mangalya Balam to the Telugu screen from the Bengali film Agni Pariksha (1954), The Telugu version was simultaneously shot in Tamil as Manjal Mahimai; both versions became box office successes. The former winning the National Film Award for Best Feature Film in Telugu, and the Filmfare Award for Best Film – Telugu in 1960.

The 1960 film Nammina Bantu was simultaneously shot in Tamil as Pattaliyin Vetri. Upon release both versions received critical acclaim. The Telugu work was screened at the San Sebastián International Film Festival. The film also won the National Film Award for Best Feature Film in Telugu for that year.

In 1961, he directed Kumudham written by K. S. Gopalakrishnan. Kumudham was released on 29 July 1961 with final reel length of 4,501 metres (14,767 ft) and became a commercial success at box office. The film received Certificate of Merit for Third Best Feature Film at 9th National Film Awards. It was remade by Subba Rao himself in Telugu as Manchi Manasulu (1962).

Subba Rao's next work was Mooga Mansulu (1964) based on the concept of reincarnation. The film was remade in Hindi as Milan (1967) directed by Subba Rao himself, while the Tamil Praptham (1971) was remade from Subba Rao's work. The Telugu version received the National Film Award for Best Feature Film in Telugu, and the Filmfare Best Film Award (Telugu) in 1964 and was screened at the Karlovy Vary International Film Festival.

The 1964 film Doctor Chakravarthy, an adaptation of the novel Chakrabhramanam, was awarded the National Film Award for Best Feature Film in Telugu, and the state Nandi Award for that year.

In 1968, Subba Rao experimented with courtroom drama and detective fiction in his work Sudigundalu. The film received special mention at the Tashkent and Moscow Film Festivals for its inherent "film with a key" narrative. The film has garnered the National Film Award for Best Feature Film in Telugu, Nandi Award for Best Feature Film, and the Filmfare Award for Best Film - Telugu for that year and was featured at the International Film Festival of India.

Subba Rao scripted and directed the 1976 biographical film Mahakavi Kshetrayya based on the life of Kshetrayya, Rao had expired in the middle of the making of the film and director C. S. Rao completed the rest of the shoot.

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