Walter Matthau

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Matthau was trained in acting at the Dramatic Workshop of The New School with German director Erwin Piscator. He often joked that his best early review came in a play where he posed as a derelict. One reviewer said, "The others just looked like actors in make-up, Walter Matthau really looks like a skid row bum!" Matthau was a respected stage actor for years in such fare as Will Success Spoil Rock Hunter? and A Shot in the Dark, for his performance in the latter winning the 1962 Tony Award for Best Featured Actor in a Play.

Matthau appeared in the pilot of Mister Peepers (1952) with Wally Cox. For reasons unknown he used the name Leonard Elliot. His role was of the gym teacher Mr. Wall. He made his motion picture debut as a whip-wielding bad guy in The Kentuckian (1955) opposite Burt Lancaster. He played a villain in King Creole (1958), in which he gets beaten up by Elvis Presley. Around the same time, he made Ride a Crooked Trail with Audie Murphy, and Onionhead (both 1958) starring Andy Griffith; the latter was a flop. Matthau had a role opposite Griffith in the well received drama A Face in the Crowd (1957), directed by Elia Kazan and with James Mason in Bigger Than Life (1956) directed by Nicholas Ray. Matthau himself directed a low-budget movie called The Gangster Story (1960) and was a sympathetic sheriff in Lonely Are the Brave (1962), which starred Kirk Douglas. He appeared opposite Audrey Hepburn in Charade (1963).

Appearances on television were common too, including two on Naked City, four installments of Alfred Hitchcock Presents, as well as an episode of The Eleventh Hour ("A Tumble from a Tall White House", 1963). He appeared eight times between 1962 and 1964 on The DuPont Show of the Week and as Franklin Gaer in an episode of Dr. Kildare ("Man Is a Rock", 1964). Additionally he featured in the syndicated crime drama Tallahassee 7000, as a Florida-based state police investigator (1961–62).

Comedies were rare in Matthau's work at that time. He was cast in a number of stark dramas, such as Fail Safe (1964), in which he portrayed Pentagon adviser Dr. Groeteschele, who urges an all-out nuclear attack on the Soviet Union in response to an accidental transmission of an attack signal to U.S. Air Force bombers. Neil Simon cast him in the play The Odd Couple in 1965, with Matthau playing slovenly sportswriter Oscar Madison, opposite Art Carney as Felix Ungar. Matthau later reprised the role in the film version, with Jack Lemmon as Felix Ungar. He played detective Ted Casselle in the Hitchcockian thriller Mirage (1965), directed by Edward Dmytryk.

He achieved great success in the comedy film, The Fortune Cookie (1966), as a shyster lawyer, William H. "Whiplash Willie" Gingrich, starring opposite Lemmon; the first of many collaborations with Billy Wilder, and a role that would earn him an Oscar for Best Supporting Actor. Filming had to be placed on a five-month hiatus after Matthau had a serious heart attack. He gave up his three pack a day smoking habit as a result. Matthau appeared during the Oscar telecast shortly after having been injured in a bicycle accident; nonetheless, he scolded actors who had not attended the ceremony, especially the other major award winners that night: Paul Scofield, Elizabeth Taylor and Sandy Dennis.

Oscar nominations would come Matthau's way again for Kotch (1971), directed by Lemmon, and The Sunshine Boys (1975), another adaptation of a Neil Simon stage play, this time about a pair of former vaudeville stars. For the latter role he won a Golden Globe award for Best Actor in a Musical or Comedy.

Broadway hits turned into films continued to cast Matthau in lead roles in Hello, Dolly! and Cactus Flower (both 1969); for the latter film, Goldie Hawn received an Oscar for Best Supporting Actress. Matthau played three roles in the film version of Simon's Plaza Suite (1971) and was in the cast of its followup California Suite (1978).

Matthau starred in three crime dramas in the mid-1970s, as a detective investigating a mass murder on a bus in The Laughing Policeman (1973), as a bank robber on the run from the Mafia and the law in Charley Varrick (also 1973) and as a New York transit official in the action-adventure The Taking of Pelham One Two Three (1974). A change of pace about misfits on a Little League baseball team turned out to be a solid hit when Matthau starred as coach Morris Buttermaker in the comedy The Bad News Bears (1976).

Matthau looked to produce some films with Universal Pictures, with his son Charlie also becoming involved in his production company, Walcar Productions, but the only film he produced was the third remake of Little Miss Marker (1980). He was nominated for the Golden Globe Award for Best Actor—Motion Picture Musical or Comedy for his portrayal of former CIA field operative Miles Kendig in the elaborate spy comedy Hopscotch (1980), co-starring with Glenda Jackson. The original script, a dark work based on the novel of the same name, was rewritten and transformed into a comedy in order to play to Matthau's specific talents. The rewrite was a condition of his participation. Matthau participated in the script revisions, and the film's director, Ronald Neame, observed that Matthau's contributions entitled him to screen credit, but that was never pursued. Matthau wrote the scene in which Kendig and Isobel—apparently strangers—meet in a Salzburg restaurant and strike up a conversation about wine that ends in a passionate kiss. He also wrote the last scene of the film, where Kendig, presumed to be dead, disguises himself as a Sikh in order to enter a bookshop. He also helped in choosing appropriate compositions by Mozart that made up much of the score. TCM's Susan Doll observes that "Hopscotch could be considered the end of a long career peak or the beginning of (Matthau's) slide downhill, depending on the viewpoint," as character parts and supporting parts became the only thing available to an actor his age.

The next year, he was nominated again for the Golden Globe Award for Best Actor—Motion Picture Musical or Comedy for his portrayal of the fictional Associate Justice Daniel Snow in First Monday in October (1981). The film was about the (fictional) first appointment of a woman (played by Jill Clayburgh) to the Supreme Court of the United States. It was scheduled for release in 1982, but when President Ronald Reagan named Sandra Day O'Connor in July 1981, the release date was moved up to August 1981. New York Times critic Janet Maslin disliked the film but praised Matthau's performance. Matthau portrayed Herbert Tucker in I Ought to Be in Pictures (1982), with Ann-Margret and Dinah Manoff. Matthau took the leading role of Captain Thomas Bartholomew Red in Roman Polanski's swashbuckler Pirates (1986).

During the 1980s and 1990s Matthau served on the advisory board of the National Student Film Institute.

Matthau narrated the Doctor Seuss Video Classics: How the Grinch Stole Christmas! (1992) and played the role of Mr. Wilson in the film Dennis the Menace (1993). In a change of pace, Matthau played Albert Einstein in the film I.Q. (1994), starring Tim Robbins and Meg Ryan.

His partnership with Jack Lemmon became one of the most enduring collaborations in Hollywood. They became lifelong friends after making The Fortune Cookie and would make a total of 10 movies together—11 counting Kotch, in which Lemmon has a cameo as a sleeping bus passenger. Apart from their many comedies, the two appeared (although they did not share any scenes) in the Oliver Stone drama, JFK (1991). Matthau and Lemmon reunited for the comedy Grumpy Old Men (1993), co-starring Ann-Margret, and its sequel, Grumpier Old Men (1995), also co-starring Sophia Loren. This led to further pairings late in their careers, Out to Sea (1997) and a Simon-scripted sequel to their much earlier success, The Odd Couple II (1998).

Hanging Up (2000), directed by Diane Keaton, was Matthau's final appearance onscreen.

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