Richard Long

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In 1946, Long was cast in his first film, Tomorrow Is Forever, as Drew, the son of the characters played by Claudette Colbert and Orson Welles. The role had been unfilled for months, and producers selected Long, who most closely matched the credentials required. It was made by International Pictures, which put him under contract.

Long impressed Welles, who cast the actor in The Stranger (1946), from International, as the younger brother of Loretta Young's character.

International was going to lend Long to 20th Century Fox to make Margie (1946), but then they changed their minds and put him in The Dark Mirror (1946) starring Olivia de Havilland and Thomas Mitchell and directed by Robert Siodmak.

International Pictures merged with Universal Pictures, which took over Long's contract. His fourth film was The Egg and I (1947), playing Tom Kettle, the eldest son of Ma and Pa Kettle, the characters played by Marjorie Main and Percy Kilbride. The movie was a huge hit – so much so that Universal decided to spin off the Kettles into their own series.

Long signed a contract with Universal, for which he appeared in Tap Roots (1948) and Criss Cross (1949), playing Burt Lancaster's brother in the latter for Siodmak. He supported William Bendix in The Life of Riley (1949) based on the NBC radio show.

Long reprised his role as Tom Kettle in Ma and Pa Kettle (1949), which was a solid success at the box office. So, too, was Ma and Pa Kettle Go to Town (1950). He was Frank James in the Western Kansas Raiders (1950).

In December 1950, Long was drafted into the U.S. Army during the Korean War. Before he left, he made Jet Men of the Air (1951), and then served for two years at Fort Ord, California.

Ma and Pa Kettle Back on the Farm (1952) was Long's fourth and final Kettle movie. He was the juvenile lead in Back at the Front (1952) and had supporting parts in All I Desire (1953), All American (1953) (as the villain to Tony Curtis's hero), Saskatchewan (1954), and Playgirl (1954).

Long began guest-starring on TV shows such as Lux Video Theater ("I'll Never Love Again") and was finally given a lead role by Universal in Cult of the Cobra (1955) – though still billed under Faith Domergue.

Long focused on television over the next few years, guest-starring on episodes of shows such as Climax!, Screen Directors Playhouse, TV Reader's Digest, The United States Steel Hour, Hey, Jeannie!, Schlitz Playhouse, Suspicion, Alcoa Theatre, Wagon Train, Have Gun – Will Travel, The Millionaire, Matinee Theatre, The Twilight Zone episodes ("Number 12 Looks Just Like You" and "Person or Persons Unknown"), and The Further Adventures of Ellery Queen.

At Columbia, he had a supporting role in the Western Fury at Gunsight Pass (1956) and in a Blake Edwards comedy, He Laughed Last (1956).

Long went to Japan to star in Tokyo After Dark (1959) and had a key role in William Castle's House on Haunted Hill (1959).

Long signed a contract with Warner Bros. and guest-starred in many of their TV series, including Lawman.

He played the recurring role of gambler/con artist Gentleman Jack Darby in four episodes of the ABC/WB Western series, Maverick beginning in 1958, including the memorable "Shady Deal at Sunny Acres" installment. His character appeared mostly with Jack Kelly, appeared once in an episode that included James Garner, "Shady Deal at Sunny Acres", but never with Roger Moore. Gentleman Jack Darby was created by Maverick producer Roy Huggins as a replacement for "Dandy Jim Buckley", played by Efrem Zimbalist, Jr., after Zimbalist had moved on to his own series, 77 Sunset Strip.

Warner Bros. starred Long in a show, Bourbon Street Beat (1959–60) as Rex Randolph, Private Eye, which only ran for 39 episodes. with Andrew Duggan, Van Williams, and Arlene Howell.

Long reprised his character on episodes of Hawaiian Eye and joined the cast of 77 Sunset Strip from 1960 to 1962.

Long continued to guest star on shows such as Thriller, Tales of Wells Fargo, Alfred Hitchcock Presents, and The Twilight Zone ("Person or Persons Unknown").

He returned to films with a role in the MGM romantic musical Follow the Boys, along with co-stars Connie Francis, Paula Prentiss, and Roger Perry. He did The Tenderfoot (1964) for Walt Disney's Wonderful World of Color.

In 1963, Long guest-starred in the episode "Hear No Evil" of ABC's Going My Way, a drama series starring Gene Kelly about a Catholic priest in New York City loosely based on the 1944 Bing Crosby movie. That same year, he was cast as Eddie Breech in the episode "Blood Bargain" of CBS's The Alfred Hitchcock Hour.

Long went to Finland to make a film, Make Like a Thief (1965), which he also helped direct. "I've had the longest awkward period in the history of Hollywood", he said around this time. "I sign more autographs than anyone in the industry. They either think I'm Robert Goulet, Gig Young, Robert Sterling, or myself. We don't look a thing alike if we're together, but there is a flash similarity."

Long added that he hoped to play more character parts. "I'm rotting from the inside out and it's just gotten to my face", he said. "A man doesn't get interesting on screen until his 40s."

In 1965, at the age of 38, Long began his role as attorney Jarrod Barkley, the oldest son of rancher Victoria Barkley (Barbara Stanwyck), in 112 episodes of The Big Valley, the last of the major Four Star Television series, a Western that ran on ABC from 1965 to 1969. The series was set in the 1870s. Long also directed 2 episodes of The Big Valley. (In 1953, Long had costarred with Stanwyck in the film All I Desire.)

In 1970–71, Long and Juliet Mills starred in the ABC sitcom Nanny and the Professor.

Long and Mills later provided their voices for two animated-film versions of the show: Nanny and the Professor (1972) and Nanny and the Professor and the Phantom of the Circus (1973).

In 1973, he starred alongside Julie Harris in the short-lived series, Thicker than Water.

His last jobs were the TV movies The Girl Who Came Gift-Wrapped (1974) and Death Cruise (1974).

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